• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

wyvern lingo © Ruthless Imagery
Music, PremieresNovember 23, 2017<February 26, 2018

Premiere: The Intimate Warmth of Wyvern Lingo’s Haunting & Wintry “Snow II”

The 1 Class © 2017
Music, PremieresNovember 22, 2017<March 27, 2018

Premiere: The 1 Class “Feel It” for Deeper Connection on Heartfelt New Single

One More Drink - Conrad the Band
Music, Music Videos, PremieresNovember 22, 2017<November 22, 2017

Premiere: The Dark, Drunken, Bluesy Stupor of Conrad the Band’s “One More Smoke”

No Kind of Rider © 2017
Debut, Music, PremieresNovember 21, 2017<November 21, 2017

Premiere: Love Flows in No Kind of Rider’s Evocative Debut “Distinct”

"Echo Chamber" - Jared Mees
Music, Music Videos, PremieresNovember 21, 2017<November 21, 2017

Video Premiere: Thanksgiving Dinner Goes Rogue in Jared Mees’ “Echo Chamber”

Corey Kilgannon © 2017
Debut, Features, Music, Our Take, ReviewsNovember 21, 2017<November 21, 2017

Feature: Diving into The Depth & Humanity of Corey Kilgannon’s ‘The Hollow II’

Jess Nolan © 2017
Music, PremieresNovember 21, 2017<November 21, 2017

Premiere: Jess Nolan Soulfully Embraces Her “Mistakes”

Lake Jons © 2017
Features, Music, PremieresNovember 20, 2017<November 20, 2017

Premiere: Lake Jons “Breathe Out the Fumes” with Empowering Passion

VEMO © 2017
Music, Music Videos, PremieresNovember 20, 2017<November 20, 2017

Premiere: The Driving Lament of VEMO’s “My Sad 71”

Big Hair Girls © MBKoeth
Music, Music Videos, PremieresNovember 20, 2017<November 20, 2017

Premiere: Party with Big Hair Girls’ Euphoric and Empowering “Yas Kween”

The Rigs © 2017
Music, Music Videos, PremieresNovember 17, 2017<November 17, 2017

Video Premiere: The Rigs Assert Intimate Independence in “The Hunted”

OYLs © 2017
Music, PremieresNovember 17, 2017<November 17, 2017

Premiere: OYLS Keep It Light on Electric Tribute, “Jerry”

keilan creech © Seth Caskey
Debut, Music, PremieresNovember 17, 2017<November 17, 2017

Premiere: Keilan Creech Debuts Haunting ‘Honey Waits’ with Indie Folk Perfection

Monikers © Lucero Photography
Music, PremieresNovember 17, 2017<November 17, 2017

Premiere: Monikers’ Frigid and Fiery “Glacial Pace”

Ekurtis © 2017
Music, PremieresNovember 17, 2017<November 16, 2017

EP Premiere: Ekurtis’ ‘Part II’ Reaches Bittersweet Resolve

Posts pagination
1 … 251 252 253 254 255 … 297

Recent Posts

  • Delaney Bailey Isn’t Scared of Growth: The Expansive Pressure of ‘Concave’ and Evolving As an Artist March 16, 2026
  • “I’m a Bullet on an Arrow’s Path”: Grace Ives Flips the World the Middle Finger on “Stupid Bitches,” a Defiant Bedroom Pop Anthem March 16, 2026
  • “Hold My Arms, Pin Me Down”: MARIS Unleashes a Sweaty, Smoldering Pop Fever Dream on “Body Is on Fire” March 15, 2026
  • “Silence Can Become Its Own Kind of Statement”: J.MYSTERY on Finding the Courage to Speak Through “Change” March 14, 2026
  • “There’s No Gold at the Top”: The Format on Reuniting and Making ‘Boycott Heaven,’ a Raw Reckoning with Our Fractured World March 13, 2026
  • “You Have to Trust There Will Be a Light”: Tessa Rose Jackson Finds Clarity in ‘The Lighthouse’ March 13, 2026
  • “When the Song Becomes Bigger Than the Artist”: An Essay by Mia Martina for Women’s History Month March 13, 2026
  • ‘Kiss All The Time. Disco, Occasionally.’ Is Harry Styles’ Most Confident Album Yet March 13, 2026
  • “I’m a Canvas of the Place I’m In”: Hayden Everett Lets the Rain in on “Angela,” a Bittersweet Letter to Los Angeles March 13, 2026
  • Living ‘The Dream’ with The Favors: Ashe on Forming a Band with FINNEAS and Rediscovering the Joy of Making Music March 12, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services