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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Hayden Calnin © I like what you look like
Debut, Features, Interviews, MusicJuly 13, 2017<January 25, 2018

‘Cut Love’ Cuts Deep: An Interview with Hayden Calnin

kate crash © Map of the Heart perfume
Music, Music Videos, PremieresJuly 13, 2017<July 13, 2017

Video Premiere: “Became a Blur,” Kate Crash’s Powerful Awakening

The Dot and the Line
Debut, Music, Music Videos, PremieresJuly 13, 2017<July 13, 2017

Premiere: The Dot and the Line’s Darkly Human Debut “Draw Me In”

James Riotto © 2017
Music, PremieresJuly 13, 2017<July 13, 2017

Premiere: James Riotto Explores Dynamics & Privilege on “Hypocrite”

Thinking Of You - Matt Koelsch
Music, PremieresJuly 13, 2017<July 13, 2017

Premiere: Poignant Love on Matt Koelsch’s Ballad “Thinking of You”

Light Entertainment © M Harb
Music, PremieresJuly 12, 2017<July 12, 2017

Premiere: Light Entertainment’s Ominous, Exciting “Ultra Violent Uganda”

Trenton © Andrew Morton
Music, PremieresJuly 12, 2017<July 12, 2017

Premiere: The Positive Glow of Trenton’s “In The Summer Light”

Jaymes Young © Lexus Gallegos
Debut, Features, Interviews, Music, ReviewsJuly 12, 2017<August 3, 2017

Feel Something, Say Something: A Conversation with Jaymes Young

Flora © David Wiewel
Music, Music Videos, PremieresJuly 11, 2017<March 2, 2025

Premiere: Risk and Reward in Murder Murder’s “I’ve Always Been a Gambler”

RÉN with the Mane © Lauren Desberg
Music, PremieresJuly 11, 2017<July 11, 2017

Premiere: Rén with the Mane’s Seductive “Hypnotize”

Where's Your Light? - Tara Terra
Features, Music, Our Take, ReviewsJuly 7, 2017<July 7, 2017

Our Take: Tara Terra Embrace Loss, Love, and Letting Go on ‘Where’s Your Light?’

Fear EP - Olly Chamberlain
Music, PremieresJuly 7, 2017<July 7, 2017

EP Premiere: Olly Chamberlain’s Polished & Personal ‘Fear’

Don't You Worry, Honey - Sir Sly
Features, Music, Our Take, ReviewsJuly 7, 2017<July 9, 2018

Our Take: Sir Sly Turn Pain into Beauty on ‘Don’t You Worry, Honey’

The Two Tens © Suzi Moon
Music, PremieresJuly 6, 2017<July 6, 2017

Premiere: You’ll Want to Blast The Two Tens’ Latest Song “On Repeat”

North America - Will Graefe 8.3
Debut, Features, Music, Our Take, ReviewsJuly 6, 2017<May 6, 2021

Review: Will Graefe Inspires & Enchants on Debut ‘North America’ Record

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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