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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Matt Westerman © 2017
Debut, Music, PremieresOctober 31, 2017<October 31, 2017

Premiere: Matt Westerman’s “Don’t Give Up On You” Evokes Inner Strength and Beauty

SVVN © 2017
Debut, Music, Music Videos, PremieresOctober 31, 2017<February 22, 2019

Premiere: SVVN’s “Sand and Snow” Captures Birth’s Ambient Beauty

Tag Cloud © 2017
Debut, Music, PremieresOctober 31, 2017<October 31, 2017

Premiere: Tag Cloud’s “Will Work” Debuts in Dreamy Reverie

Luke Underhill © 2017
Music, Music Videos, PremieresOctober 31, 2017<October 31, 2017

Premiere: The Timelessness of Luke Underhill’s Acoustic “I Wanna Make You Dance”

Cale Gravity Well © Shervin Lainez
Music, PremieresOctober 30, 2017<October 31, 2017

Premiere: The Delightfully Loose Screws of Cale and the Gravity Well’s “Contessa”

The Morning Yells © Chase Bescey
Music, Music Videos, PremieresOctober 30, 2017<October 30, 2017

Premiere: Dreamy Folk on The Morning Yells’ “She Knows Exactly What She’s Doing”

Kramies © Jerome Sevrette
Music, Music Videos, PremieresOctober 27, 2017<October 27, 2017

Premiere: Kramies’ “I Wish I Missed You” Is a Poignant Farewell

Strange Phases © 2017
Debut, Features, Music, PremieresOctober 27, 2017<October 27, 2017

Album Premiere: Strange Phases Debut ‘Art of Restart’ with Dynamic Fire

Kayls © Jon Ecker & Larissa Zbryski
Debut, Music, PremieresOctober 27, 2017<October 27, 2017

Premiere: Kayls Basks in Dark Lust on Debut “Summer”

Rotoscope © Shaleigh Fairbanks
Features, Music, PremieresOctober 27, 2017<October 27, 2017

EP Premiere: Rotoscope’s ‘Clean Lines’ Captures Our Digital Disconnect

Woosah - Josephina
Debut, Music, Music Videos, PremieresOctober 26, 2017<October 26, 2017

Premiere: The Love & Liquored-Up Seduction of Josephina’s Debut “Woosah”

I, Alexander © Elena Montemurro
Debut, Music, PremieresOctober 26, 2017<October 26, 2017

Premiere: Intimacy & Intensity Color I, Alexander’s Debut “Divide”

Benta © 2017
Music, PremieresOctober 26, 2017<October 26, 2017

Premiere: BENTA Embraces Life’s Beauty on Pulsing “Everybody’s Somebody”

hunter & wolfe © aymann ismail
Music, PremieresOctober 26, 2017<October 26, 2017

Premiere: hunter & wolfe’s Poignant and Heartbreaking “Dear Annie”

Jericho - ONR © Omar Al-Zidjali
Debut, Features, Music, Music Videos, PremieresOctober 26, 2017<November 6, 2017

Video Premiere: The Restless Fury of Onr.’s Epic Debut “Jericho”

Posts pagination
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Recent Posts

  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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