• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

OYLs © 2017
Music, PremieresNovember 17, 2017<November 17, 2017

Premiere: OYLS Keep It Light on Electric Tribute, “Jerry”

keilan creech © Seth Caskey
Debut, Music, PremieresNovember 17, 2017<November 17, 2017

Premiere: Keilan Creech Debuts Haunting ‘Honey Waits’ with Indie Folk Perfection

Monikers © Lucero Photography
Music, PremieresNovember 17, 2017<November 17, 2017

Premiere: Monikers’ Frigid and Fiery “Glacial Pace”

Ekurtis © 2017
Music, PremieresNovember 17, 2017<November 16, 2017

EP Premiere: Ekurtis’ ‘Part II’ Reaches Bittersweet Resolve

LIEZA © 2017
Music, PremieresNovember 16, 2017<November 16, 2017

Premiere: LIEZA’s Intimate & Empowering Anthem “Don’t Make Me Dance”

Speedy Anejo - Antagonista
Music, PremieresNovember 15, 2017<November 15, 2017

Premiere: The Anxious Intensity of Antagonista’s “Speedy Anejo”

We Can Die Happy - Tennis
Features, Music, Our Take, ReviewsNovember 15, 2017<December 11, 2017

Our Take: The Dreamy Depths of Tennis’ Magical ‘We Can Die Happy’ EP

Elwell © 2017
Music, PremieresNovember 15, 2017<November 15, 2017

Premiere: Elwell “Claps” for Clarity and Closure

Sleight of Hand © POP ETC
Features, Music, Music Videos, PremieresNovember 15, 2017<November 15, 2017

Premiere: POP ETC’s Dreamy “Sleight of Hand” Begs for Balance in Chaos

Mountain - LA River Bend
Music, PremieresNovember 14, 2017<November 14, 2017

Premiere: LA River Bend’s Fearless Folk-Rock Anthem “Mountain”

Fascinations Grand Chorus © kelli mcguire
Music, PremieresNovember 14, 2017<November 14, 2017

Premiere: Love & Hope in Fascinations Grand Chorus’ “When You’re Mine”

Trevor Hall © Emory Hall
Features, Music, PremieresNovember 14, 2017<November 20, 2017

Premiere: Trevor Hall’s Vibrant “Moon / Sun” Radiates with Love

Cayden Wemple © Suzi Illia
Debut, Music, PremieresNovember 14, 2017<November 14, 2017

Premiere: Uncertainty Reigns in Cayden Wemple’s Debut “Better”

Megan Dixon Hood © 2017
Music, PremieresNovember 13, 2017<November 13, 2017

Premiere: Waking the Beast on Megan Dixon Hood’s “Alias Grace”

Grand Am © 2017
Debut, Music, PremieresNovember 13, 2017<November 13, 2017

Premiere: Grand Am Speak Up and Get Heard on Debut “All That I Ever Do”

Posts pagination
1 … 259 260 261 262 263 … 304

Recent Posts

  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services