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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

OH MY! logo
Columns, Music, Today's SongFebruary 23, 2016<February 23, 2016

Today’s Song: OH MY! Embrace Indulgence on “Alkohole”

POP ETC © Alex Walsh 7.2
Features, Interviews, Music, ReviewsFebruary 10, 2016<May 4, 2022

Souvenir: A Life Lesson from POP ETC

FRANKi
Columns, Music, Today's SongFebruary 4, 2016<February 4, 2016

Today’s Song: The Dramatic Distance of FRANKi’s “Tides”

Essays, MusicJanuary 26, 2016<February 25, 2016

Editorial: Streaming is Not Killing Great Music

Screenshot from Keiandra's "Wanted" music video
Debut, Features, Music, Music Videos, PremieresJanuary 21, 2016<January 21, 2016

Exclusive Premiere: The Heartfelt Heartlessness of Keiandra’s “Wanted”

The Northcoast
Columns, Debut, Music, Music Videos, Today's SongJanuary 20, 2016<January 20, 2016

Today’s Song: Ode to (B)Romance on The Northcoast’s “With You”

The Classic Kids
Debut, Music, Premieres, ReviewsJanuary 14, 2016<January 15, 2016

Exclusive Premiere: The Authentic Nostalgia of The Classic Kids’ “We Had It All”

"Life on Mars?" - David Bowie
Columns, Features, Music, Today's SongJanuary 11, 2016<March 2, 2021

In Memoriam: The Timelessness of David Bowie’s “Life on Mars?”

CAPPA © Cedrick Jones
Features, Interviews, MusicJanuary 8, 2016<May 12, 2023

Making a Pop Artist: A Conversation with CAPPA

Music, News, PlaylistsJanuary 4, 2016<January 8, 2016

Artist Playlist: CAPPA’s Songs to Start 2016

Columns, Music, Today's SongDecember 17, 2015<December 17, 2015

Today’s Song: BRÅVES’ Dark, Haunting, and Beautiful “Dust”

The Royal Concept © Danny Rush 2015
Atwood On Tour, Columns, Concerts, Features, Interviews, MusicDecember 2, 2015<December 2, 2015

Connected to the People: No Barriers with The Royal Concept

Screenshot from "Top" by HØØNCH
Columns, Debut, Music, Music You Should KnowNovember 25, 2015<November 25, 2015

Music You Should Know: HØØNCH’s “Top” is Meaningful Pop

Jamie N Commons
Atwood On Tour, Columns, Debut, Features, Interviews, MusicNovember 18, 2015<December 2, 2015

Redefining Rugged: A Rumble with Jamie N Commons

FIDLAR
Atwood On Tour, Columns, Interviews, MusicNovember 16, 2015<July 21, 2021

Punk, Rock, and Rehab: A Conversation with FIDLAR

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Recent Posts

  • Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! September 11, 2026
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  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
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  • “Take a Side Quest”: Same Same But Different Makes Musical Discovery Part of the Adventure September 9, 2026
  • “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony September 9, 2026
  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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