Columns, Features, Music, Weekly RoundupJuly 26, 2019<July 26, 2019 Atwood Magazine’s Weekly Roundup: July 26, 2019
Columns, Features, Music, Weekly RoundupJuly 19, 2019<July 23, 2019 Atwood Magazine’s Weekly Roundup: July 19, 2019
Features, Music, Weekly RoundupJuly 12, 2019<July 12, 2019 Atwood Magazine’s Weekly Roundup: July 12, 2019
Music, ReviewsJuly 11, 2019<June 19, 2024 Tyler, the Creator Aims for Disgust, Contempt, and Empathy All at Once on ‘IGOR’
Features, Music, Reviews, RoundtableJuly 3, 2019<June 29, 2024 Roundtable Discussion: A Review of Vampire Weekend’s ‘Father of the Bride’
Features, Music, Weekly RoundupJune 28, 2019<June 28, 2019 Atwood Magazine’s Weekly Roundup: June 28, 2019
Features, Music, News, ReviewsJune 28, 2019<July 3, 2019 Atwood Magazine’s Best Albums of 2019… Part 1
Features, Music, Weekly RoundupJune 21, 2019<October 1, 2019 Atwood Magazine’s Weekly Roundup: June 21, 2019
Features, Music, Weekly RoundupJune 14, 2019<June 14, 2019 Atwood Magazine’s Weekly Roundup: June 14, 2019
Columns, Features, Music, Weekly RoundupMay 31, 2019<May 31, 2019 Atwood Magazine’s Weekly Roundup: May 31, 2019
Debut, Features, Interviews, Music, PremieresMay 29, 2019<July 3, 2019 EP Premiere: Jack Gray’s Debut ‘Nights Like This’ Navigates Life with an Open & Honest Lens
Columns, Features, Music, Weekly RoundupMay 24, 2019<May 24, 2019 Atwood Magazine’s Weekly Roundup: May 24, 2019
Music, ReviewsMay 22, 2019<August 5, 2021 Solange’s Gorgeous ‘When I Get Home’ Melds Floor-Shaking Beats with Dizzying Songwriting