• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Atwood Magazine Staff

Atwood Magazine Staff

Atwood Magazine's Weekly Roundup 03-16-2018
Columns, Features, Music, Weekly RoundupMarch 16, 2018<March 16, 2018

Atwood Magazine’s Weekly Roundup: March 16, 2018

Black Panther Soundtrack
Features, Music, Reviews, RoundtableMarch 13, 2018<June 29, 2024

Roundtable Discussion: A Review of the ‘Black Panther’ Soundtrack

Atwood Magazine's Weekly Roundup 02-23-2018
Columns, Features, Music, Playlists, Weekly RoundupFebruary 23, 2018<February 24, 2018

Atwood Magazine’s Weekly Roundup: February 23, 2018

Music, PlaylistsFebruary 14, 2018<February 16, 2018

Valentine’s Day Playlists: With and Without Love, Atwood Magazine

Beautiful People Will Ruin Your Life - The Wombats album art
Features, Music, Reviews, RoundtableFebruary 14, 2018<June 29, 2024

Roundtable Discussion: A Review of The Wombats’ ‘Beautiful People Will Ruin Your Life’

Atwood Magazine's Weekly Roundup 02-09-2018
Columns, Features, Music, Playlists, Weekly RoundupFebruary 9, 2018<February 9, 2018

Atwood Magazine’s Weekly Roundup: February 9, 2018

Atwood Magazine's Weekly Roundup 1-26-2018
Columns, Features, Music, Weekly RoundupJanuary 26, 2018<January 26, 2018

Atwood Magazine’s Weekly Roundup: January 26, 2018

Atwood Magazine's 2018 Grammy Awards
Essays, Features, MusicJanuary 25, 2018<February 1, 2018

Atwood Magazine’s 2018 Grammy Awards: An Alternative List

Atwood Magazine's Weekly Roundup 1-19-2018
Columns, Music, Weekly RoundupJanuary 19, 2018<January 23, 2018

Atwood Magazine’s Weekly Roundup: January 19, 2018

Atwood Magazine's Weekly Roundup 1-12-2018
Columns, Features, Music, Weekly RoundupJanuary 12, 2018<January 12, 2018

Atwood Magazine’s Weekly Roundup: January 12, 2018

Atwood Magazine’s 2018 Artists to Watch
Features, MusicJanuary 9, 2018<January 31, 2018

Atwood Magazine’s 2018 Artists to Watch

End the Silence x Atwood Magazine
Features, MusicJanuary 3, 2018<January 3, 2018

Atwood Magazine Ends the Silence

Atwood Magazine's 2017 Albums of the Year
Features, Music, News, ReviewsDecember 29, 2017<January 25, 2018

Atwood Magazine’s 2017 Albums of the Year

Atwood Magazine’s Best Music Videos of 2017
Features, Music, Music Videos, NewsDecember 15, 2017<January 8, 2019

Atwood Magazine’s Best Music Videos of 2017

Atwood Magazine's Weekly Roundup 12-15-2017
Columns, Features, Music, Weekly RoundupDecember 15, 2017<December 20, 2017

Atwood Magazine’s Weekly Roundup: December 15, 2017

Posts pagination
1 … 35 36 37 38 39 … 41

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services