Features, Music, Reviews, Track-by-TrackOctober 29, 2018<November 8, 2018 Album Review: BROCKHAMPTON Shine with ‘iridescence’
Columns, Features, Music, Playlists, Weekly RoundupOctober 5, 2018<October 23, 2018 Atwood Magazine’s Weekly Roundup: October 5, 2018
Columns, Features, Music, Weekly RoundupSeptember 21, 2018<October 10, 2018 Atwood Magazine’s Weekly Roundup: September 21, 2018
Features, Interviews, MusicSeptember 21, 2018<October 10, 2018 Feature: Transviolet’s Journey of Liberation and Resilience
Debut, Features, Interviews, MusicSeptember 13, 2018<August 5, 2021 Interview with Trevor Powers: Influence, Evolution, and ‘Mulberry Violence’
Columns, Features, Music, Weekly RoundupAugust 31, 2018<September 13, 2018 Atwood Magazine’s Weekly Roundup: August 31, 2018
Features, Music, Reviews, RoundtableAugust 27, 2018<June 29, 2024 Roundtable Discussion: A Review of Ariana Grande’s ‘Sweetener’
Features, Music, Reviews, This Just InAugust 22, 2018<August 29, 2018 Pop, Frivolity, & Attitude: A Review of The 1975’s “TOOTIMETOOTIMETOOTIME”
Features, Music, Reviews, RoundtableAugust 21, 2018<June 29, 2024 Roundtable Discussion: A Review of Mitski’s ‘Be the Cowboy’
Music, ReviewsAugust 20, 2018<August 5, 2021 Review: The Internet Meld into Smooth, If Familiar, Jams on ‘Hive Mind’
Columns, Features, Music, Weekly RoundupAugust 17, 2018<August 31, 2018 Atwood Magazine’s Weekly Roundup: August 17, 2018
Columns, Features, Music, Weekly RoundupAugust 10, 2018<August 10, 2018 Atwood Magazine’s Weekly Roundup: August 10, 2018
Columns, Features, Music, Weekly RoundupAugust 3, 2018<August 3, 2018 Atwood Magazine’s Weekly Roundup: August 3, 2018
Features, Interviews, MusicJuly 31, 2018<August 16, 2018 Interview with Frank Turner: Old-Fashioned Punk Rock Provocation
Columns, Features, Music, Weekly RoundupJuly 28, 2018<July 30, 2018 Atwood Magazine’s Weekly Roundup: July 27, 2018
For the Love of Music
For the Love of Music
