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Caitlin Ison

Caitlin Ison

My name is Caitlin, I am 22 years old, born and raised in Southern California. Like most of the human population, music is something that has played a very important role in my life. Writing about music allows me to share my fascination with artists and their work and their process of creating it. I attended the University of California, Irvine and I spent a lot of my time volunteering at the school's radio station, KUCI. This definitely expanded my love and knowledge for non-mainstream music. Outside of the music realm, I spend my time taking photos (concert photography being my favorite), practicing my calligraphy, and spending time with my family, friends, and dogs. I am definitely a home body but learning about different cultures, hobbies, foods, places, and the world around me all excite me.

Yumi Zouma 2020 © Jack Sheppard
Features, Interviews, MusicMarch 16, 2020<March 16, 2020

Interview: Yumi Zouma Tackle the Complexity of Life in 3rd Album ‘Truth or Consequences’

Julia Bardo © Ashton Hugh
Columns, Music, Today's SongFebruary 12, 2020<February 7, 2020

Today’s Song: Julia Bardo Wants to Feel Love in Her ’60s-Inspired Music Video

Meg & Dia © Caitlin Ison
Features, Interviews, MusicOctober 7, 2019<October 7, 2019

Rekindling the Flame: Meg & Dia Make Their Comeback with ‘happysad’

Wallows © Caitlin Ison
Concerts, Music, ReviewsJuly 2, 2019<July 2, 2019

Live Review: Wallows Took Their Hometown Los Angeles by Storm at The Fonda

Great Good Fine Ok © Shervin Lainez
Features, Interviews, Music, PremieresMay 31, 2019<May 31, 2019

First Look: Great Good Fine Ok and Transviolet are Transcendent with “Gone”

La Bouquet © Joshua Schultz
Debut, Features, Interviews, MusicMay 17, 2019<May 18, 2019

Uncovering ‘Sad People Dancing’: La Bouquet’s Heartbreak, Self-Discovery, and Everything In-Between

Martian Subculture
Music, PremieresApril 17, 2019<April 16, 2019

Premiere: Martian Subculture Longs for Nostalgia in “I’ll Be Gold”

Puddle Splasher © 2019
Music, PremieresApril 2, 2019<April 2, 2019

Premiere: Puddle Splasher Dive Deep with “Everyone Else”

Maybird © Teagan West
Music, PremieresApril 2, 2019<April 2, 2019

Premiere: Maybird Find a Blissful Solitude in “To You”

Walla © JL Cederblom - @jlcederblomphoto
Music, PremieresMarch 29, 2019<March 29, 2019

Premiere: WALLA Gives Us ’80s Nostalgia with Eclectic “Golden Nights”

XYLØ © Nikko LaMere
Debut, Features, Interviews, MusicMarch 4, 2019<March 4, 2019

Sad Glamour: A ‘Pretty Sad’ Interview with XYLØ

Maria Neckam © Danielle Quintanilla
Music, Music Videos, PremieresMarch 1, 2019<February 28, 2019

Premiere: Maria Neckam is Unafraid of Change in “Familiar”

Something Wrong with Me - Lauren Desberg
Music, PremieresFebruary 13, 2019<February 13, 2019

Premiere: Lauren Desberg Explores the Uneasy Mind in Alluring “Something Wrong with Me”

VC Pines © Betty Oxlade Martin
Columns, Music, Today's SongFebruary 5, 2019<February 5, 2019

Today’s Song: The Sultry Vocals & Sounds of VC Pines’ “Vixen”

KOPPS - Virtual Reality 1
Music, Music Videos, PremieresFebruary 1, 2019<February 1, 2019

Premiere: KOPPS and the Unattainable Presence from Our “Virtual Reality”

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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