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Lexi Lane

Lexi Lane

Hi! I’m Lexi. I’m 19. I’m an Aries, an INFP and I live in Brooklyn. I’m currently a sophomore in college double majoring in Journalism and Contemporary Music. I love writing about music, both my favorite artists and new ones I discover along the way. I also love writing songs, but was blessed with a lack of a decent singing voice so I dabble in production (sometimes). Basically, I dig every aspect of the music industry and am collecting knowledge from the different areas I work in the same way Thanos collects infinity stones. Usually found either at a show or at home typing away.

SAWAYAMA - Rina Sawayama 9
Debut, Music, Our Take, ReviewsApril 23, 2020<December 15, 2020

Our Take: Rina Sawayama’s Debut LP ‘SAWAYAMA’ Is the Epitome of Brilliant & Badass Hyperpop

BTS © 2020
Concerts, Music, ReviewsApril 21, 2020<April 20, 2020

Livestream Review: The Magnificent Draw of BTS’ BANG BANG CON

Mariposa - Felly
Features, Interviews, MusicApril 7, 2020<April 6, 2020

Interview: Felly Focuses on New Album ‘Mariposa’ and Bigger Picture

Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

Ultimate Old-School Supergroup The Rolling Bon Bones Unites and Announces Tour

Lido © Michael Drummond
Music, ReviewsMarch 25, 2020<March 25, 2020

Lido’s “Postclubridehomemusic” Leads Listeners into Their Emotions with a Supersonic Comedown Track

Millie Turner © Amir Hossain
Music, Reviews, This Just InMarch 9, 2020<March 9, 2020

This Just In: Millie Turner Explores Dance Beats in New Single “Jungle”

The Frights is Mikey Carnevale (vocals/guitar), Richard Dotson (bass), Marc Finn (drums). and Jordan Clark (guitar). © Rowan Daly
Features, Interviews, Music, PremieresMarch 5, 2020<July 17, 2020

Samples, Sonnets, and the Surf-Punk Scene: A Conversation with The Frights

Chelsea Cutler live in New York City © Lexi Lane
Concerts, MusicMarch 3, 2020<March 2, 2020

Live Review: Chelsea Cutler Creates Magic Through Music at NYC’s Terminal 5

Taylor Swift © Valheria Rocha
Editorials, Features, MusicFebruary 27, 2020<February 27, 2020

If I Was The Man, Then I’d Be The Man: An Essay Inspired by Taylor Swift

Phoebe Bridgers © Olof Grind
Music, Reviews, This Just InFebruary 26, 2020<March 6, 2020

This Just In: Phoebe Bridgers’ Mesmerizing New Single “Garden Song” Cuts Deep into Your Soul

The Strokes band 2020 © Jason McDonald
Music, Reviews, This Just InFebruary 21, 2020<February 21, 2020

This Just In: The Strokes’ Feverish New Song “Bad Decisions” Is Anything But One

Debut, Interviews, MusicFebruary 6, 2020<March 2, 2020

Interview: Chelsea Cutler Encapsulates Adulthood on New Album ‘How To Be Human’

Halsey © Aidan Cullen
Music, Reviews, This Just InDecember 13, 2019<December 13, 2019

This Just In: Halsey Displays Duality in New Songs “Finally // beautiful stranger” and “SUGA’s Interlude”

Maude Latour © Lola Lafia
Features, Interviews, MusicDecember 6, 2019<December 6, 2019

Interview: Maude Latour Talks New EP and Her University Life

Lolo Zouaï © Grant Spanier
Columns, Music, Today's SongDecember 3, 2019<December 2, 2019

Today’s Song: Lolo Zouaï Sparkles on “Money Diamonds Roses”

Posts pagination
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Recent Posts

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  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
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  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
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  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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