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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Bergamot © 2020
Features, Music, Reviews, Track-by-TrackApril 28, 2020<April 28, 2020

Track-by-Track: The Bergamot Dive into the Depths of ‘Mayflies’, an Album Full of Passion, Space, & Depth

teepee © David Broda
Music, Music Videos, PremieresApril 28, 2020<April 28, 2020

Premiere: teepee’s Breathtaking “hazel trees” Video Is a Cinematic, Hopeful, & Awe-Inspiring Spectacle

Night Flight © 2020
Features, Music, Reviews, Track-by-TrackApril 27, 2020<April 28, 2020

Feature: London’s Night Flight Soar with Majestic Energy in ‘White Noise’ EP

Ok Moon
Debut, Features, Interviews, MusicApril 27, 2020<April 27, 2020

Musical Chairs & Organic Indie Folk Magic: An Interview with Australian Supergroup Ok Moon

Only Human Natural - Human Natural
Debut, Music, Reviews, Track-by-TrackApril 24, 2020<March 2, 2025

Feature: Human Natural Debut with Sweet Jamz & Groovy Vibes in ‘Only Human Natural’

still from The 1975's "If You're Too Shy (Let Me Know)" live video
Music, Reviews, This Just InApril 24, 2020<April 24, 2020

Review: The 1975’s “If You’re Too Shy (Let Me Know)” Is the Energy Shot We Need Right Now

Stables © 2020
Music, PremieresApril 23, 2020<April 23, 2020

Premiere: Stables’ Buoyant Return “Marathon” Is a Sweet Breath of Fresh Air

Caroline Lazar © 2020
Music, PremieresApril 23, 2020<April 23, 2020

Premiere: Singer/Songwriter Caroline Lazar’s “Take It” Is a Gorgeous Surrender

Nathan Vincent
Music, PremieresApril 23, 2020<April 22, 2020

EP Premiere: Indie Folk Singer/Songwriter Nathan Vincent Captures the Journey Between ‘Cedar & Pine’

lotusbliss
Music, Music Videos, PremieresApril 23, 2020<April 23, 2020

Premiere: Kent’s lotusbliss Delve into Visceral Dark Depths in “Carpet” Video

Richard String
Music, PremieresApril 22, 2020<April 22, 2020

Premiere: Richard String’s Soaring, Feelgood Psych-Pop Single “In My Garden (Sad Boy Beck)”

Incubus © 2020
Features, Interviews, MusicApril 22, 2020<May 15, 2020

Flying by the Seat of Their Pants: An Interview with Incubus

RORRE
Music, Premieres, Track-by-TrackApril 21, 2020<April 21, 2020

EP Premiere: Fallbrook’s RORRE Are Stripped & Raw on ‘Songs in Transit (Midnight Sessions)’ EP

Atwood Magazine Editor's Picks 33
Columns, Editor's Picks, Features, MusicApril 21, 2020<May 15, 2020

Editor’s Picks: April 21, 2020

Smallpools x morgxn © Chloe Delainey
Interviews, Music, Reviews, This Just InApril 20, 2020<April 20, 2020

Interview: Relax, Take a Deep Breath, and “Slowdown” with Smallpools & Morgxn

Posts pagination
1 … 170 171 172 173 174 … 293

Recent Posts

  • Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan! January 15, 2026
  • “A Tightrope Walk of Freedom and Shame”: Francis of Delirium Turns Regret & Raw Energy Loose on “Little Black Dress” January 15, 2026
  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
  • “You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR” January 13, 2026
  • “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life January 12, 2026
  • “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory January 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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