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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Jacks © Paige Sara
Music, Reviews, Track-by-TrackMarch 30, 2020<March 31, 2020

Heart, Soul, & Ignition: The Jacks’ ‘Remember You’ EP Is Pure 21st Century Indie Rock

All You're Not - FERGUS
Music, PremieresMarch 30, 2020<March 30, 2020

Premiere: FERGUS’ Vulnerable & Bittersweet Song “All You’re Not” Unveils a Heavy, Aching Wound

Rocket - Rose Betts
Music, PremieresMarch 30, 2020<March 30, 2020

Premiere: Rose Betts’ Timely “Rocket” Ignites with Childlike Optimism, Urgency, and Hope

Delacey Black Coffee © Aysia Marotta 2020 9.7
Debut, Features, Music, Our Take, Reviews, Track-by-TrackMarch 27, 2020<December 15, 2020

Feature: Delacey Dives into Her Grungy, Emotional, Messy Debut Album ‘Black Coffee’

OK, All Right - David Archuleta
Features, Interviews, MusicMarch 27, 2020<November 13, 2024

Interview: David Archuleta on Overcoming Anxiety, The Office, and New Single “OK, All Right”

Dive Index © 2020
Music, Music Videos, PremieresMarch 27, 2020<March 27, 2020

Premiere: The Minimalist Intimacy of Dive Index’s Arresting “Window to Window” ft. Natalie Walker

Flowvers © 2020
Debut, Music, Reviews, Track-by-TrackMarch 26, 2020<March 26, 2020

FLOWVERS’ Debut EP Is Pure, Angsty, & Fun Indie Rock for the ‘Throwaway Generation’

I Wonder If You're Happy - Rothwell
Interviews, Music, PremieresMarch 26, 2020<March 26, 2020

Premiere: The Stunning, Raw Weight of Rothwell’s Poignant “I Wonder If You’re Happy”

FLAX © Lucas Hoeffel
Music, Music Videos, PremieresMarch 25, 2020<March 25, 2020

Premiere: FLAX’s “Dear B” Is a Bittersweet, Heart-on-Sleeve Love Letter

oh!no?ok. © Meira Bashir
Debut, Music, PremieresMarch 25, 2020<March 25, 2020

Premiere: oh!no?ok.’s “Wheel of Fortune” Is Fun, Fired-Up Slacker Rock

Nicotine Dolls © Tucker Mitchell
Features, Music, PremieresMarch 25, 2020<May 15, 2020

Artist-to-Watch: Nicotine Dolls’ “Should Have Danced” Is a Hopeful & Inspiring Fever Dream

Sharaya Summers © 2020
Music, PremieresMarch 24, 2020<March 24, 2020

Premiere: Artist-to-Watch Sharaya Summers Returns with Raw, Intimate Song “This House”

Turn Around - Ester
Music, Premieres, ReviewsMarch 23, 2020<March 23, 2020

Album Premiere: Ester’s Visceral Sophomore Record ‘Turn Around’ Is a Turbulent Coming-of-Age Experience

Caution - The Killers
Music, Reviews, This Just InMarch 20, 2020<May 15, 2020

This Just In: The Killers Throw “Caution” to the Wind in a Restless, Impassioned Upheaval

Falling Asleep at the Wheel - Holly Humberstone
Columns, Debut, Music, Today's SongMarch 20, 2020<March 20, 2020

Artist to Watch: Holly Humberstone’s Second Single “Falling Asleep at the Wheel” Is a Hauntingly Intimate Upheaval

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Recent Posts

  • Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan! January 15, 2026
  • “A Tightrope Walk of Freedom and Shame”: Francis of Delirium Turns Regret & Raw Energy Loose on “Little Black Dress” January 15, 2026
  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
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  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
  • “You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR” January 13, 2026
  • “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life January 12, 2026
  • “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory January 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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