• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Stephen Babcock © 2019
Music, PremieresSeptember 11, 2019<September 11, 2019

Premiere: Stephen Babcock’s Sweltering, Dark & Bluesy Deal with the “Devil”

Kyva
Debut, Interviews, Music, PremieresSeptember 11, 2019<September 11, 2019

Premiere: Sydney’s Kyva Debuts with Unifying Song “Wide World”

Young Mister © Steven Fiore
Interviews, Music, PremieresSeptember 10, 2019<September 10, 2019

Album Premiere: Young Mister’s ‘Sudden Swoon’ Is a Radiant American Opus

Joshua Radin © Shervin Lainez
Interviews, Music, PremieresSeptember 10, 2019<September 10, 2019

Premiere: Joshua Radin Addresses Child Separation in Breathtaking “What Would You Do (Refugee Song)”

Oh Wonder © Olga De La Iglesia
Interviews, Music, ReviewsSeptember 10, 2019<September 10, 2019

Singing “Hallelujah”: Oh Wonder Dive into Their Stirring Spiritual Release

Zola Courtney
Columns, Debut, Interviews, Music, Today's SongSeptember 9, 2019<April 16, 2020

Interview: Artist-to-Watch Zola Courtney Has “Nothing to Lose” in Her Stunning Debut

Oddnesse
Interviews, Music, ReviewsSeptember 6, 2019<October 16, 2019

Sugar, Spice, and Everything Nice: An Interview with Oddnesse

Jeri Silverman © Gavin Goodman
Music, PremieresSeptember 6, 2019<September 6, 2019

Premiere: Jeri Silverman’s “Come Undone” is a Dark, Imaginative Exploration of Human Nature

Getaway Dogs © Andrew Hawes
Music, PremieresSeptember 6, 2019<September 6, 2019

Premiere: Getaway Dogs Drizzle Dreamy Acoustic Intimacy & Soul in “Sawtooth (I’ve Been Wrong Before)”

The Last Morrell
Debut, Music, Music Videos, PremieresSeptember 6, 2019<September 6, 2019

Premiere: The Last Morrell Lets Go in Cathartic Debut “Fine Now”

Debut, Interviews, Music, ReviewsSeptember 5, 2019<September 5, 2019

Intimacy, Discovery, and Being ‘Together’: An Interview with Wolfjay

Abbie and the Roses © Emmie Niemelä
Debut, Music, PremieresSeptember 5, 2019<September 5, 2019

Premiere: Abbie and the Roses’ Dreamy “Hippies” Is a Tender Embrace of Peace & Love

Roanoke
Music, PremieresSeptember 5, 2019<September 5, 2019

Premiere: Roanoke Share a Loving Glow in “Where the Heart Runs”

The Fool - Overcoats
Columns, Music, This Just In, Today's SongSeptember 5, 2019<November 11, 2019

Today’s Song: The Sheer Impact of Overcoats’ Fresh Cut, “The Fool”

Wallis Bird © Jens Oellermann
Interviews, Music, PremieresSeptember 5, 2019<September 19, 2019

Premiere: Wallis Bird’s Big Bowl of Madness & Memories, “Life Is Long”

Posts pagination
1 … 187 188 189 190 191 … 293

Recent Posts

  • Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan! January 15, 2026
  • “A Tightrope Walk of Freedom and Shame”: Francis of Delirium Turns Regret & Raw Energy Loose on “Little Black Dress” January 15, 2026
  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
  • “You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR” January 13, 2026
  • “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life January 12, 2026
  • “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory January 12, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services