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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Pott County - Pony Creek © Aaron Gum
Music, Music Videos, PremieresSeptember 24, 2018<September 24, 2018

Premiere: Pony Creek’s Outlaw Fantasy “Pott County”

Aya Safiya © Tano Brock
Music, ReviewsSeptember 21, 2018<September 21, 2018

EP Review: Aya Safiya’s Sweetly Enchanting and Assertive Debut

It's My Show! - Broken Baby
Music, Music Videos, PremieresSeptember 21, 2018<September 21, 2018

Premiere: The Fierce, Indulgent Energy of Broken Baby’s “It’s My Show!” Video

Jagwar Twin © Fabien Montique
Debut, Features, Interviews, MusicSeptember 21, 2018<November 7, 2018

Sunshine in the Mind: An Interview with Jagwar Twin

Greg Wanders © Amelia Fearn
Music, PremieresSeptember 20, 2018<September 20, 2018

Premiere: The Hypnotic Freedom of Greg Wanders’ Moving “Unbound”

Truth - Jake Tavill
Music, Music Videos, PremieresSeptember 20, 2018<September 20, 2018

Premiere: Family, Façades, and Jake Tavill’s Fierce “Truth” Video

Love Kills - Coyle Girelli
Debut, Features, Music, PremieresSeptember 20, 2018<September 20, 2018

Album Premiere: Coyle Girelli’s Beautiful, Dark Masterpiece ‘Love Kills’

Loner VS Lover - Piqued Jacks
Music, Music Videos, PremieresSeptember 18, 2018<September 18, 2018

Premiere: Piqued Jacks Erupt with Glitchy, Self-Reflective “Loner VS Lover”

Dan Too © 2018
Debut, Music, Music Videos, PremieresSeptember 18, 2018<September 18, 2018

Meaning and Value in Dan Too’s Hearty Debut “Isis and Osiris”

Chris Ayer © Chris Wood
Music, PremieresSeptember 18, 2018<September 18, 2018

Premiere: Finding Connection in Chris Ayer’s Vulnerable, Raw “Stranger”

Glass Heart String Choir © 2018
Music, PremieresSeptember 13, 2018<September 13, 2018

Premiere: The Cinematic Grace of Glass Heart String Choir’s Debut “Wildfires”

Michael Burrows © Dean Schmideg
Music, Music Videos, PremieresSeptember 13, 2018<September 13, 2018

Premiere: The Tender Ache of Michael Burrows’ Bittersweet “Please Don’t Cry”

FINLAY © 2018
Music, Music Videos, PremieresSeptember 13, 2018<September 13, 2018

Premiere: Bask in the Unapologetic Energy of FINLAY’s “TIDES”

BETS © Kanya Iwana
Music, PremieresSeptember 13, 2018<September 13, 2018

Premiere: Vulnerability Is Beautiful in BETS’ Intimate “Gold”

F&M © Francis A Willey
Music, Music Videos, PremieresSeptember 12, 2018<September 12, 2018

Premiere: The Poignant Beauty of F&M’s Enchanting “Lessons From Losers”

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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