• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Be The Bear © 2018
Features, Music, PremieresAugust 9, 2018<August 9, 2018

Premiere: Be The Bear Rises with Inspiring Indie Pop Anthem “I Don’t Want To”

DNDR © Shelby Rogowski
Debut, Music, PremieresAugust 9, 2018<August 9, 2018

Premiere: DNDR’s Glowing Debut “Shine A Little Light On Your Own Mind”

Tusks © Harvey Pearson
Features, Interviews, Music, Music Videos, Premieres, ReviewsAugust 9, 2018<September 25, 2018

Feature: Tusks’ Stripped Sessions Evoke Haunting Intimacy with Raw Grace

Johnny Goudie © 2018
Music, PremieresAugust 8, 2018<August 8, 2018

Premiere: Sharing the Weight with Johnny Goudie’s “Everyone’s Got Something”

KATIS © 2018
Music, Music Videos, PremieresAugust 8, 2018<August 8, 2018

Premiere: Acceptance & Forgiveness in KATIS’ Loving “Touches”

NYA © 2018
Debut, Music, PremieresAugust 7, 2018<August 7, 2018

EP Premiere: NYA Finds Her Voice in Dreamy, Soulful ‘Southland’

Galapaghost © Elisa Tron
Music, PremieresAugust 7, 2018<January 22, 2019

Album Premiere: Galapaghost Goes Electronic in ‘Sootie’ with Grace & Charm

Tia Gostelow © 2018
Features, Interviews, Music, PremieresAugust 7, 2018<November 14, 2018

Loss, Closure, and Intimacy: Dwelling in Tia Gostelow’s “Hey Friends”

Water and Man © Bryan Trindade
Music, PremieresAugust 6, 2018<August 6, 2018

Premiere: Water and Man’s Catchy “When It Comes to Life,” a Psych-Rock Search for Meaning

Microscope - Emily Blue art
Features, Music, Music Videos, PremieresAugust 3, 2018<November 25, 2022

Get Under the “Microscope” with Emily Blue’s Provocative, Unapologetic Allure

Pocket Hole © Jenna Gould
Debut, Music, PremieresAugust 3, 2018<August 2, 2018

Premiere: Pocket Hole Wrestle for Release in Beachy “Marine Layer”

Do You Work Out? - Sazzie
Debut, Music, Music Videos, PremieresAugust 3, 2018<August 2, 2018

Premiere: Get Loose with Sazzie’s Sexy, Flirty, Feelgood “Do You Work Out?”

Sad, but True - Sara Marie Barron
Features, Music, PremieresAugust 2, 2018<August 2, 2018

Album Premiere: Sara Marie Barron Sets the Stage with Heartfelt Debut ‘Sad, but True’

Keith Wallen © 2018
Debut, Music, PremieresAugust 2, 2018<August 2, 2018

Premiere: Keith Wallen Breaks into Intimate Pop with “Summer Sunday”

Jade Bird © Kate Moross
Features, Music, Reviews, This Just InAugust 1, 2018<August 6, 2018

This Just In: Jade Bird Explodes with Raw, Relentless Hit Single “Uh Huh”

Posts pagination
1 … 225 226 227 228 229 … 297

Recent Posts

  • Roundtable Discussion: A Review of Bruno Mars’ ‘The Romantic’ March 17, 2026
  • “Music Is NOT a Waste of a Good Mind”: An Essay by Linda Marks for Women’s History Month March 17, 2026
  • “Staring Straight Down the Lens”: Soda Blonde Turn Shame into Power on “Suit & Tie,” a Liberating Alt-Pop Reckoning with Identity and Self-Worth March 17, 2026
  • Atwood Magazine’s Weekly Roundup: March 17, 2026 March 17, 2026
  • Delaney Bailey Isn’t Scared of Growth: The Expansive Pressure of ‘Concave’ and Evolving As an Artist March 16, 2026
  • “I’m a Bullet on an Arrow’s Path”: Grace Ives Flips the World the Middle Finger on “Stupid Bitches,” a Defiant Bedroom Pop Anthem March 16, 2026
  • “Hold My Arms, Pin Me Down”: MARIS Unleashes a Sweaty, Smoldering Pop Fever Dream on “Body Is on Fire” March 15, 2026
  • “Silence Can Become Its Own Kind of Statement”: J.MYSTERY on Finding the Courage to Speak Through “Change” March 14, 2026
  • “There’s No Gold at the Top”: The Format on Reuniting and Making ‘Boycott Heaven,’ a Raw Reckoning with Our Fractured World March 13, 2026
  • “You Have to Trust There Will Be a Light”: Tessa Rose Jackson Finds Clarity in ‘The Lighthouse’ March 13, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services