• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Das Kope © George Pimentela
Music, Music Videos, PremieresJuly 27, 2018<July 30, 2018

Premiere: Relax & Take Flight with Das Kope’s “L.A.X.”

Jacob Lee © Jaser Adrian
Features, Interviews, Music, ReviewsJuly 26, 2018<July 26, 2018

Interview with Jacob Lee: A Bold Voice and Daring Philosophy

D.A.N © 2018
Music, Music Videos, PremieresJuly 26, 2018<July 26, 2018

Premiere: The Empowering Vulnerability of D.A.N’s “Think About Me”

Beta Radio © 2018
Music, Music Videos, PremieresJuly 26, 2018<February 20, 2019

Premiere: Lost & Longing for Home in Beta Radio’s “Tongue Tied”

Coyle Girelli © 2018
Music, PremieresJuly 25, 2018<September 20, 2018

Premiere: Coyle Girelli’s Aching, Lovelorn “Never Thought I’d See You Again”

"Love It If We Made It" - The 1975 © Dirty Hit
Columns, Features, Music, Reviews, Today's SongJuly 25, 2018<October 15, 2018

Reeling in The 1975’s Impassioned Protest “Love It If We Made It”

Black Grapefruit © 2018
Debut, Music, PremieresJuly 24, 2018<July 24, 2018

Premiere: The Warm Wash of Black Grapefruit’s Bittersweet “End”

Boy Bjorn © Kate Holl
Debut, Music, Music Videos, PremieresJuly 24, 2018<July 24, 2018

Premiere: Ambience & Isolation in Boy Bjorn’s Intimate “Alone at the Severance”

In Bloom Acoustic EP - VON GREY
Features, Music, PremieresJuly 19, 2018<August 9, 2018

EP Premiere: VON GREY Blossom on ‘In Bloom’ with Intimate Depth and Breathtaking Grace

X. Ari © Dan Abramovici
Music, PremieresJuly 18, 2018<July 18, 2018

Premiere: X. ARI Calms the Chaos in ‘Dis-Order’ EP

Mozes and the Firstborn © Nick Helderman
Music, Music Videos, PremieresJuly 18, 2018<July 18, 2018

Premiere: Breach the Comfort Zone in Mozes and the Firstborn’s “Hello”

Sanders Bohlke © 2018
Music, PremieresJuly 18, 2018<July 18, 2018

Premiere: Time Stops in Sanders Bohlke’s Impassioned Anthem “Never Wake”

Lapel © Shervin Lainez
Debut, Music, PremieresJuly 18, 2018<July 17, 2018

Premiere: Love and Denial in Lapel’s Raw “Lead Me Back to You”

Darren Jessee © 2018
Debut, Music, PremieresJuly 17, 2018<July 17, 2018

Premiere: Darren Jessee Bares His Soul in “Letting You Go”

Joe McKee © Ami Sioux
Music, PremieresJuly 17, 2018<July 17, 2018

Premiere: Gender Roles & Psychedelic Soirées in Joe McKee’s “I Want to Be Your Wife”

Posts pagination
1 … 225 226 227 228 229 … 296

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services