• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Bitchin Summer - Mark Fredson
Debut, Music, PremieresMay 31, 2018<May 31, 2018

Premiere: Soaking Up the Sun with Mark Fredson’s Solo Debut “Bitchin Summer”

Georgia Meek and Katie Mac © 2018
Debut, Music, PremieresMay 31, 2018<May 31, 2018

Premiere: Sexual Exploration & Indulgence in Georgia Meek’s “SWIM” ft. katie MAC

Loveday © 2018
Music, PremieresMay 31, 2018<May 31, 2018

Premiere: “To You,” Loveday’s Intimate Rainy Day Love Letter

Alice Merton © Paper Plane Records International
Columns, Music, Music Videos, Today's SongMay 30, 2018<May 30, 2018

Today’s Song: “Lash Out” with Alice Merton’s Irresistibly Passionate Anthem

The Cordial Sins © Ori Segev
Music, PremieresMay 30, 2018<May 30, 2018

Premiere: The Cordial Sins Explode Against the System in “Sick of the Hype”

HYLLS © Jade Young
Music, PremieresMay 30, 2018<May 30, 2018

Premiere: HYLLS’ Enchanting “Timeless” Lights a Tropical Pop Fire

Greg Holden © 2018
Features, Music, Reviews, This Just InMay 18, 2018<July 11, 2018

This Just In: Greg Holden’s Repentant Return “On the Run” Is an Instant Classic

Tessa Rae © 2018
Music, Reviews, This Just InMay 17, 2018<May 17, 2018

Review: The Stirring Weight of Tessa Rae’s Heartbroken “Downtown”

CLARA-NOVA © Amber Canterbury
Music, PremieresMay 17, 2018<May 17, 2018

Premiere: CLARA-NOVA’s New Love Song is Unabashedly “Electric”

Little Monarch © Ashley Osborn
Music, PremieresMay 17, 2018<May 17, 2018

Premiere: Little Monarch’s Dazzling “Full Release” Basks in Euphoric Glory

Maps - Handsome Ghost
Music, PremieresMay 17, 2018<May 17, 2018

Premiere: Handsome Ghost Cover Yeah Yeah Yeahs’ “Maps” with Dreamy Grace

Lost in Thought - Flaws
Debut, Features, Music, PremieresMay 17, 2018<May 17, 2018

EP Premiere: Get ‘Lost in Thought’ with Flaws’ Dreamy Debut

Ziggy Alberts © Zach Sanders @stuckonarockphoto
Music, PremieresMay 16, 2018<May 29, 2018

Premiere: Ziggy Alberts’ “Love Me Now” Aches with Passion & Pain

Occlusions © 2018
Music, PremieresMay 16, 2018<May 16, 2018

Premiere: Occlusions Enchant and Indulge in “Become” & “Too Much”

Ward © 2018
Music, PremieresMay 16, 2018<May 15, 2018

Premiere: The Solemn Surrender of Ward’s “Soothe the Soul”

Posts pagination
1 … 225 226 227 228 229 … 290

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services