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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Peter Stone © Dani Fresh
Columns, Music, Today's SongDecember 8, 2022<December 8, 2022

Today’s Song: Basking in the Beautiful Light of Peter Stone’s Intimate “Cogs”

Astronaut - Bailey Tomkinson © Lewis King
Music, PremieresDecember 8, 2022<December 8, 2022

Premiere: Cornwall’s Bailey Tomkinson Aches with Raw, Intimate, & Impassioned Song “Astronaut”

Smut © Jaycee Rockhold
Debut, Features, Interviews, Music, Track-by-TrackDecember 7, 2022<December 7, 2022

“How the Light Felt”: The Radiant, Raw Glow of Smut’s Hopeful, Cathartic, & Dynamic Debut Album

Victoria Bigelow © Devan Skaggs
Artist to Watch, Columns, Music, Today's SongDecember 7, 2022<December 7, 2022

“I’ll never open myself up like this again”: Victoria Bigelow’s Beautifully Devastating “Song for No One” Is a Dreamy, Raw Reckoning

Wilby © Christina Coleman
Artist to Watch, Music, PremieresDecember 7, 2022<December 7, 2022

Premiere: Wilby’s Beautifully Vulnerable & Radiantly Raw “reach u” Reckons with Accountability and Acceptance

The Burma @ Ciara O'Toole
Features, Interviews, Music, Track-by-TrackDecember 6, 2022<December 6, 2022

Sucker for Stars: Ireland’s The Burma Soar with Cinematic & Sweltering Indie Rock Debut

Atwood Magazine's Editor's Picks 81
Columns, Editor's Picks, Features, MusicDecember 1, 2022<March 11, 2023

Editor’s Picks 81: Julie Kuhl, Tancred, two blinks, i love you, Pomme, Angelo De Augustine, & Bad Posture Club!

The Mysterines © Steve Gullick
Debut, Features, Interviews, Music, Track-by-TrackNovember 30, 2022<December 19, 2022

Reeling You In: Liverpool’s The Mysterines Erupt with Raw Passion on Feverish & Unapologetic Debut Album

The Real Zebos © 2022
Features, Interviews, Music, Track-by-TrackNovember 29, 2022<December 1, 2022

Feature: The Real Zebos Have ‘no style’, and They Wear It Well on Fun n’ Feverish Sophomore LP

Atwood Magazine Editor's Picks 80
Columns, Editor's Picks, Features, MusicNovember 23, 2022<March 11, 2023

Editor’s Picks 80: Rachel Chinouriri, Green Rays, Mary Middlefield, Joesef, The Okay Lakes, & Razorlight!

Jackson Mico Milas © Max Fairclough
Debut, Features, Interviews, Music, Track-by-TrackNovember 22, 2022<November 22, 2022

“Room with a View”: Jackson Mico Milas Debuts His Cinematic, Stirring & Smoldering Album, ‘Blu Terra’

Connie Constance © Phoebe Fox
Features, Interviews, Music, Track-by-TrackNovember 18, 2022<March 11, 2023

“The power in you, it won’t go unnoticed”: Connie Constance Dives Inside Her Empowering, Cathartic & Catchy Sophomore LP, ‘Miss Power’

Taryn Faye Randall © Jen Trahan
Music, PremieresNovember 17, 2022<November 18, 2022

Premiere: Taryn Faye Randall’s Beautiful Song “Stride for Stride” Aches with the Strain of Love Out of Sync

Last Dinosaurs © GAKU
Features, Interviews, Music, Track-by-TrackNovember 17, 2022<November 17, 2022

From Mexico with Love: Last Dinosaurs’ 4th Album Is a Post-Lockdown Era Celebration of Life

Atwood Magazine's Editor's Picks 79
Columns, Editor's Picks, Features, MusicNovember 9, 2022<March 11, 2023

Editor’s Picks 79: Overcoats, The Coronas, First Aid Kit, Liv.e, props, & Rocky Votolato!

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  • Atwood Magazine’s Weekly Roundup: August 21, 2026 August 21, 2026
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  • “The More I Think About It, I’m Just Doing Fine”: Mildred Unearth the Strange Poetry of Ordinary Life on “Fish Sticks” & Their Homespun Debut Album ‘Fenceline’ August 20, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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