March 29, 2022<March 29, 2022 Even Women in the Most Progressive Countries Are Fighting for Equality: Norway’s Live Miranda Solberg Reflects on Women’s History Month by Guest Writer
March 29, 2022<March 29, 2022 “Radical Acceptance”: Buffalo Rose’s Margot Jezerc on Youth & Womanhood by Guest Writer
March 28, 2022<March 28, 2022 Today’s Song: Sheffield’s lostboy Ditch the “Weight” in Soaring & Cinematic Anthem by Mitch Mosk
March 25, 2022<March 25, 2022 “Put Her Name in Your Mouth”: Cindy Emch on the Importance of Recognizing & Honoring Women in Music & Beyond by Guest Writer
March 25, 2022<March 25, 2022 Today’s Song: Carter Vail Soars on Sun-Soaked & Sweetly Seductive “Nancy Again” by Mitch Mosk
March 25, 2022<March 25, 2022 Atwood Magazine’s Weekly Roundup: March 25, 2022 by Atwood Magazine Staff
March 24, 2022<March 24, 2022 Today’s Song: KTJ & CARLY Tackle Entitlement in Empowering Anthem “Daddy’s Little Lawyer” by Mitch Mosk
March 24, 2022<March 24, 2022 “Too Old to Be an Ingenue, Too Young to Be an Icon”: Susan Cattaneo on the Shame Associated with Ageism in the Music Industry by Guest Writer
March 23, 2022<March 23, 2022 Today’s Song: Little Quirks’ “The Rain” Is an Exhilarating Chant of Freedom & Joy by Mitch Mosk
March 22, 2022<March 22, 2022 A Casual Ramble: Freaking Out Before, At, and By Treefort 2022 by Ben Niesen
March 22, 2022<June 17, 2023 Today’s Song: Bob Vylan Change Up the Sound But Not Their Message on “Health Is Wealth” by Oliver Crook
March 18, 2022<March 18, 2022 Trying Twice As Hard: Megan Winsor on Speaking Up As an Independent Artist in a Male-Driven Music Industry by Guest Writer
March 18, 2022<March 18, 2022 Atwood Magazine’s Weekly Roundup: Women’s History Month 2022 by Atwood Magazine Staff
March 18, 2022<March 18, 2022 Today’s Song: Ken Yates’ Soothing & Stirring Apocalyptic Lullaby “The Big One” by Mitch Mosk
March 17, 2022<March 17, 2022 Today’s Song: Rochester’s Danielle Ponder Channels Resilience & Renewal in Soul-Stirring “So Long” by Mitch Mosk