May 10, 2022<May 10, 2022 Today’s Song: The Emotional Wreckage of dani mack’s Tender Tempest, “Someday” by Mitch Mosk
May 9, 2022<May 9, 2022 Today’s Song: LØLØ’s Feverish “junkie” Is a Love-Fueled, Pop-Punk Reckoning by Mitch Mosk
May 6, 2022<May 6, 2022 Maisie Peters’ Song of the Summer, “Cate’s Brother” by Kelly McCafferty Dorogy
May 5, 2022<May 5, 2022 Today’s Song: Letting Up Despite Great Faults’ “She Spins” Shimmers with Dream Pop Charm by Mitch Mosk
May 4, 2022<May 4, 2022 Editor’s Picks 62: Poppy Ajudha, Purr, beabadoobee, Maria Chiara Argirò, Joel Jerome, & Noah Slee! by Mitch Mosk
May 4, 2022<May 4, 2022 POP ETC Navigate the Past & Present on “Slips Away,” a Radiant Song of Reckoning & Reflection by Mitch Mosk
1 May 3, 2022<May 3, 2022 Today’s Song: The Last Broadcast “Dissolve” into Nature’s Wonder on Stunning Sophomore Single by Mitch Mosk
May 2, 2022<May 2, 2022 Today’s Song: Alex Porat’s “Pity Party” Is an Unapologetic Anthem of Release & Self-Empowerment by Mitch Mosk
May 2, 2022<May 2, 2022 “Finding My Identity & Voice Through Rock N’ Roll”: An Essay by The Happy Fits’ Calvin Langman by Guest Writer
April 29, 2022<April 29, 2022 Atwood Magazine’s Weekly Roundup: April 29, 2022 by Atwood Magazine Staff
April 28, 2022<April 28, 2022 Brooklyn Band sister.’s Visceral “Space Force” Is a Beautiful Crashing Satellite in Song by Mitch Mosk
April 27, 2022<September 29, 2022 Editor’s Picks 61: Jemima Coulter, Been Stellar, Rosie Carney, Carmody, She Her Her Hers, & dayaway! by Mitch Mosk
April 22, 2022<September 29, 2022 Editor’s Picks 60: Lo, Jo Schornikow, Lisa Remar, Moreton, Katy J Pearson, & néomí by Mitch Mosk
For the Love of Music
For the Love of Music
