May 29, 2020<August 23, 2020 Feature: Soda Blonde’s Breathtaking ‘isolation • content’ EP Captures Life in Lockdown by Mitch Mosk
May 28, 2020<May 29, 2020 Interview with Mae Muller: London’s Emerging Star Talks New Music & Creative Growth by Lexi Lane
May 26, 2020<May 26, 2020 Interview: Lemaitre’s Sweeping ‘JGM’ EP Is a Moving Tribute & Celebration of Life by Mitch Mosk
May 26, 2020<January 27, 2023 Interview with Coolhand Jax: A New Warmth into the Music Scene by Adrian Vargas
May 26, 2020<May 26, 2020 Interview with Syd Silvair: A Skilled Card Reader Can Also Follow the Rules of Strong Song-Crafting by Josh Weiner
May 26, 2020<May 26, 2020 Premiere: Seattle’s HARLEY Illustrate Navigating Heartsickness on “HYPNOS” by Maggie McHale
May 26, 2020<May 25, 2020 Interview with Party Nails: Nightlife, Sobriety, New Music, & More by Chloe Robinson
May 25, 2020<May 25, 2020 Interview with Katie Von Schleicher: Turning a Creative Wheel into a New Record by Lexi Lane
May 22, 2020<August 23, 2020 His Head, His Heart, and a Fresh Start: An Interview with Josiah Johnson by Mitch Mosk
May 22, 2020<March 16, 2021 Human Memory, Human Contact, and Releasing a Debut Album During Lockdown: An Interview with The Howl & The Hum by Bethan Harper
May 20, 2020<May 20, 2020 Interview: Shoegaze Duo The Know on Their Evocative & Intimate Debut EP ‘wearetheknow’ by Chloe Robinson
May 20, 2020<May 21, 2020 Interview with The Fratellis: Multi-Platinum and Still Finding Ways to Improve by Matthew Dunn
May 19, 2020<May 19, 2020 Interview with Anthony Mills: An Ohio Native with Southern Heritage Riding High on a Swedish Indie Label by Josh Weiner
9.4 May 19, 2020<December 15, 2020 Feature: altopalo’s Cinematic, Tender, & Stunning Sophomore Album ‘farawayfromeveryoneyouknow’ by Mitch Mosk
May 18, 2020<May 18, 2020 Dream Hunting in the Valley of the In-Between: An Interview with Man Man by Josh Weiner
For the Love of Music
For the Love of Music
