December 5, 2018<February 6, 2024 Viewfinder: “Company” and “All Is Full of Love” Examine the Interplay Between Love & Technology by Carmen Chan
December 5, 2018<December 4, 2018 Premiere: Using Metaphors to Understand Sadness in Zoe Boekbinder’s “Shadow” by Frankie Rose
December 4, 2018<December 4, 2018 Premiere: Indulge in Tessa Rae’s Alluring, Self-Aware “Digital Girl” by Mitch Mosk
December 3, 2018<December 3, 2018 Premiere: Sink into “Slow Down Ego,” Moon Ruin’s Ethereal Dream by Mitch Mosk
December 3, 2018<December 3, 2018 Premiere: Intoxication and Longing in Skela’s Raw “Heartbreak & Liquor” by Mitch Mosk
December 3, 2018<December 3, 2018 Premiere: Celebrating Millennial Awkwardness with Buddie’s Underdog Anthem “Sink” by Mitch Mosk
November 30, 2018<November 30, 2018 Video Premiere: AO Ascends with Bluesy Aches on Moody Debut “Lonely Hunter” by Mitch Mosk
November 30, 2018<November 29, 2018 Today’s Song: Hozier’s “Movement” Pulsates with Powerful Sensuality by Ilana Kalish
November 29, 2018<December 10, 2018 Premiere: Brandon Jenner Strives to Be Better and “Face the World” by Maggie McHale
November 29, 2018<November 29, 2018 Premiere: Miles Francis is All Grown Up with Whimsical, Inspired “Adult Life” by Abby Jones
November 28, 2018<November 28, 2018 Premiere: Regret & Reflection in Small Culture’s Beautifully Bittersweet “BYE” by Mitch Mosk
November 26, 2018<February 4, 2019 Premiere: Ottawa Dazzle with Tender Passion in Acoustic “No More Love Songs” by Mitch Mosk
October 31, 2018<October 30, 2018 Premiere: Indulge in vverevvolf’s Energetic, Addictive “Sugar & Spice” by Mitch Mosk
October 24, 2018<October 24, 2018 Premiere: Step into the Future of Feminism with Birch’s “femme.two” by Mitch Mosk
October 24, 2018<October 24, 2018 Viewfinder: “Regular” and “Dinero” Offer Two Takes on Success and Ambition by Carmen Chan
For the Love of Music
For the Love of Music
