July 30, 2019<July 30, 2019 Premiere: Stella Emmett Basks in Euphoric Breakup Song “Done W U” by Mitch Mosk
July 24, 2019<July 24, 2019 This Just In: Post Animal’s Joe Keery Releases Solo Debut as Djo with “Roddy” by Mariel Fechik
July 19, 2019<July 19, 2019 Feature: Riah’s Enchanting Dreams of Loss, Love, and ‘Heartbreak Magic’ by Mitch Mosk
July 17, 2019<July 17, 2019 Premiere: Mother Pearl’s Epic, Vulnerable, and Therapeutic Debut “Father Figures” by Mitch Mosk
July 17, 2019<September 9, 2019 Review: London’s Zola Courtney Debuts with Breathtaking, Heartbroken “Untitled” by Mitch Mosk
July 16, 2019<July 11, 2019 Today’s Song: The Distorted World in Secret Shame’s “Dark” by Danielle Chelosky
July 11, 2019<July 11, 2019 Premiere: The Dark & Stormy Heart of Camp 8’s Debut “Everything” by Mitch Mosk
July 3, 2019<July 2, 2019 Premiere: Elsa Birgitta Bekman’s Debut “Once in My Life (Sverige Vals)” Shines a Magnificent Light by Adrian Vargas
July 2, 2019<July 2, 2019 Talking in Circles & Moving Forward: An Interview with Mosa Wild by Luke Pettican
June 26, 2019<March 26, 2024 Premiere: Hayden Everett Marks His Turning Point in Hypnotic Debut “Color” by Mitch Mosk
June 26, 2019<June 26, 2019 Premiere: Tackling the Barriers of Language with Sywel Nyw’s Debut Single “Jumping Fences” by Matthew Dunn
June 25, 2019<June 26, 2019 Review: Emotional Oranges – A Spiel on the Toronto Sound of ‘The Juice, Vol 1’ by Ben Niesen
June 24, 2019<June 24, 2019 Our Take: Hatchie’s ‘Keepsake’ Brings Forth Something Old, and Something New by Matthew Dunn
June 18, 2019<June 18, 2019 Our Take: Crumb’s ‘Jinx’ Paves New Roads for Independent Music by Matthew Dunn
For the Love of Music
For the Love of Music
