March 16, 2023<April 30, 2023 “Feeling good doesn’t feel bad anymore”: JOSEPH Shine Like “The Sun” in Radiant & Empowering New Single by Mitch Mosk
March 16, 2023<April 30, 2023 KTJ & CARLY Remind Us to Stop Stressing Over “Shitty People” in Lush, Haunting New Single by Chloe Robinson
March 15, 2023<April 30, 2023 London’s Bertie Newman Spills His Worried Mind in “Wasted on Me,” an Achingly Intimate Indie Folk Confessional by Mitch Mosk
March 15, 2023<April 30, 2023 “Dreamy, Cathartic, & Truthful”: Liverpool’s Tonia Stuns & Stirs on Soul-Soaked Debut EP ‘Afloat’ by Mitch Mosk
March 15, 2023<April 30, 2023 Premiere: Bedroom Finds a Beautiful Home in “Better Friends,” His Brutally Honest & Achingly Raw New Single by Mitch Mosk
March 15, 2023<April 30, 2023 Premiere: A Different Kitchen Serve Up Alternative Catharsis on Seismic Debut Single “I’m Fine I’m Fine” by Mitch Mosk
March 15, 2023<April 30, 2023 Premiere: Two Trains Left Ruminate on the Pursuit of Peace and Quietude in “Lack of Sleep” by Isabella Le
March 14, 2023<April 30, 2023 Podcast: Tunes & Tumblers Features Quarters of Change and a Tortured Heart by Atwood Magazine Staff
March 14, 2023<April 30, 2023 Premiere: The Fragile, Breathtaking Raw Beauty of Scott Matthews’ “My Selfless Moon” (Acoustic) by Mitch Mosk
March 14, 2023<April 30, 2023 Interview: Ella Vos Shines with Feminine Reclamation in Third Album, ‘SUPERGLUE’ by Rachel Leong
March 14, 2023<April 30, 2023 Today’s Song: Beach Fossils Return From Hiatus with Surf Rock Track, “Don’t Fade Away” by Minna Abdel-Gawad
March 13, 2023<April 30, 2023 Today’s Song: “Sofa Kings” Is Royel Otis’ Gorgeous, Euphoric & Sunny Ode to Couch Royalty by Mitch Mosk
March 13, 2023<April 30, 2023 “Music Connects People”: Indie Folk Artist Tommy Ashby Shines on ‘Lamplighter,’ His Breathtaking Debut Album by Mitch Mosk
March 13, 2023<January 21, 2024 “Solo Travel Abroad, the Catalyst for a Music Career”: An Essay by Sophia Marie by Guest Writer
March 13, 2023<April 30, 2023 Premiere: South London’s Pax Cultura Debut with “Heavy Machinery,” a Cinematic & Emotionally Charged Indie Rock Eruption by Mitch Mosk
For the Love of Music
For the Love of Music
