December 24, 2020<December 24, 2020 Today’s Song: cehryl’s Intimate Song “angels (emily)” Is a Visceral Indie Pop Upheaval by Mitch Mosk
December 23, 2020<February 5, 2021 Atwood Magazine’s 2020 Albums of the Year by Atwood Magazine Staff
December 23, 2020<December 23, 2020 Today’s Song: Nebraska Rapper JVCKJ Spins Heartbreak into Moving Music on “You Lie” by Josh Weiner
December 22, 2020<December 22, 2020 Interview: Songhoy Blues’ ‘Optimisme’ Provides the Hope & Groove We Need Right Now by Oliver Crook
December 22, 2020<February 5, 2021 Atwood Magazine Presents Mistletones: 2020’s Best New Holiday Songs by Atwood Magazine Staff
December 22, 2020<December 22, 2020 Today’s Song: How Keesh Immortalizes Love in “Ode to Fred” by Dimitra Gurduiala
8 December 22, 2020<December 21, 2020 Our Take: Lera Lynn Settles into Herself in ‘On My Own’ & Finds Forgiveness In-Between the Bars by Emily Frances Algar
December 22, 2020<December 21, 2020 Interview: Conor Mason on How He & Nothing But Thieves Wrote One of the Most Prescient Albums of 2020 by Adam Davidson
December 21, 2020<February 5, 2021 Atwood Magazine’s Top Artist Discoveries of 2020 by Atwood Magazine Staff
December 21, 2020<December 21, 2020 Review: The Old North’s Self-Titled Debut EP Should Make Bostonians Proud by Ethan James
9 December 21, 2020<December 21, 2020 Our Take: The Avalanches Start a New Chapter with ‘We Will Always Love You’ by Leo Culp
December 21, 2020<December 21, 2020 Track-by-Track: UK Artist Issy Wood’s Eccentric, Enthralling, & Experimental ‘Cries Real Tears!’ EP by Mitch Mosk
December 21, 2020<May 14, 2023 Travel, Experimentation, & Collaboration: A Conversation with La Femme by Francesca Rose
December 21, 2020<February 5, 2021 Roundtable Discussion: A Review of Taylor Swift’s ‘evermore’ by Atwood Magazine Staff
December 21, 2020<December 21, 2020 Today’s Song: Matt Maltese’s Exquisite Pop Ballad ‘hi’ is Pure Adoration by Kelly Liu