March 15, 2021<March 18, 2021 Atwood Magazine Celebrates Women’s History Month 2021, Pt. III by Atwood Magazine Staff
March 15, 2021<January 10, 2023 Video Premiere: Rita Ray’s “Love Ain’t the Same” Is a Modern Soul Classic by Kelly Liu
March 15, 2021<March 14, 2021 Today’s Song: Priya Ragu’s Colorful, Tamil-Infused R&B Single “Chicken Lemon Rice” by Mariel Fechik
8.9 March 12, 2021<March 12, 2021 Our Take: Reflection & Luminescence on Yasmin Williams’ Spellbinding ‘Urban Driftwood’ by Dalia
March 12, 2021<March 12, 2021 Review: XIXA Embark on an Unsettling Tour of the Sonoran Desert on Sophomore Record ‘Genesis’ by Josh Weiner
March 12, 2021<March 12, 2021 “Heartbreaking, Honest, Healing”: Tim Chadwick Goes Track-by-Track Through ‘Timothy’ EP by Mitch Mosk
March 12, 2021<March 12, 2021 Artist-to-Watch: Núria Graham Captivates on Cinematic & Dreamy “At Last” by Mitch Mosk
March 12, 2021<March 12, 2021 Interview: Future Teens’ Latest EP ‘Deliberately Alive’ Is Full of “Mental Health Bangers” by Lowndes Commander
March 12, 2021<March 12, 2021 Interview: Ezinma Pushes Classical Forward Recalling Its Fiery Origins by Coco Rich
March 12, 2021<March 12, 2021 Soul-Searching, Soul Sounds, & Refreshing Admissions of Struggle: Tom Grennan’s ‘Evering Road’ by Bethan Harper
March 11, 2021<March 11, 2021 “Mesmerising, Diverse, Animated”: Estère Dives into Her Folkloric & Deeply Human 3rd LP, ‘Archetypes’ by Mitch Mosk
March 11, 2021<July 13, 2022 “Sentimental, Existential, & Vulnerable”: Sydney Sprague Dives into Debut Album ‘maybe i will see you at the end of the world’ by Mitch Mosk
March 11, 2021<September 21, 2023 Atwood Magazine Celebrates Women’s History Month 2021, Pt. II by Atwood Magazine Staff
March 11, 2021<April 8, 2021 “The record healed us, and maybe it can heal you”: Grouplove’s ‘Healer’, One Year Later by Mitch Mosk
March 11, 2021<March 10, 2021 Today’s Song: Johnny Ashby is Just “Getting Started” in His Absorbing New Single by Joe Beer