August 27, 2019<August 27, 2019 Premiere: The Ragged Intimacy of Gatlin’s Billowing “Curly Hair” by Mitch Mosk
August 27, 2019<August 27, 2019 Premiere: The Touching, Quiet Beauty of Emilia Mårtensson’s “Weariest River” by Mitch Mosk
August 27, 2019<August 27, 2019 Singing to Yourself: An Interview with Madison Cunningham by Mariel Fechik
August 27, 2019<August 27, 2019 Today’s Song: Chiiild’s “Count Me Out” Is, to Put It Simply, Fiiire by Oliver Crook
August 26, 2019<August 26, 2019 Premiere: The Dreamy Kaleidoscope of Sea Caves’ New Single “Dart” by Mitch Mosk
August 26, 2019<August 26, 2019 Accepting an ‘Okay’ Ending: A Conversation with Ritt Momney by Harper Beattie
August 26, 2019<August 26, 2019 Atwood Magazine’s Weekly Roundup: August 26, 2019 by Atwood Magazine Staff
August 26, 2019<April 12, 2024 Album Premiere: Humbird’s Debut Blends Simple & Strange in Perfect Harmony with ‘Pharmakon’ by Coco Rich
August 26, 2019<September 2, 2019 Premiere: Fall in Love with the Gothic Romanticism of Low Tide’s “Whisper” by Nick Baron
August 26, 2019<June 29, 2024 Roundtable Discussion: A Review of Taylor Swift’s ‘Lover’ by Atwood Magazine Staff
August 26, 2019<August 26, 2019 Today’s Song: Maya Hawke Reinvents the Love Song in “To Love A Boy” by Nicole Almeida
August 23, 2019<August 23, 2019 ‘Thrashing Thru the Passion’ is The Hold Steady’s Resurrection by James Crowley
August 23, 2019<August 23, 2019 Spreading the Message of Positivity: A Conversation with The Commonheart by Kelly McCafferty Dorogy
August 23, 2019<August 23, 2019 “People,” Meet Your New Favorite Hardcore Band: The 1975 by Anthony Kozlowski
For the Love of Music
For the Love of Music
