8.1 August 13, 2019<December 15, 2020 Our Take: Necking’s ‘Cut Your Teeth’ is Pure Blunt Bombast by Danny Vagnoni
August 13, 2019<August 13, 2019 Today’s Song: Blending the Old and New with Esmé’s “Ella” by Ben Beamish
August 12, 2019<January 12, 2023 Black Pumas’ Eponymous Debut Album Is a Sonic Box of Chocolates by Ilana Kalish
August 12, 2019<August 12, 2019 Today’s Song: “Half Love” Proves Red Hearse Is a Match Made in Supergroup Heaven by Meredith Nardino
August 9, 2019<August 9, 2019 Atwood Magazine’s Weekly Roundup: August 9, 2019 by Atwood Magazine Staff
August 9, 2019<August 9, 2019 Feature: Penny and Sparrow Explore Evolution in Masterpiece Sixth Album ‘Finch’ by Kelly McCafferty Dorogy
August 9, 2019<August 9, 2019 Premiere: Jack Klatt’s “Ramblin’ Kind” is an Americana Poem of Redemption by Mitch Mosk
August 9, 2019<September 19, 2019 Pop Storytelling & Quirky Fun: An Interview with Josie Dunne by Mitch Mosk
August 9, 2019<August 9, 2019 Review: Punk Goes Personal on Julia Shapiro’s Debut ‘Perfect Version’ by Christine Costello
August 9, 2019<August 8, 2019 Today’s Song: Solar-Powered Band Trapdoor Social’s “The Lie” Is Not Another Sugarcoated Love Song by Alicia Bugallo
August 8, 2019<August 8, 2019 Premiere: The Breathtaking Tranquility of Ed Carlsen’s “Entangled” by Mitch Mosk
August 8, 2019<August 8, 2019 Premiere: Anxiety & Doubt Submerge Freddie Dickson’s Aching “Slip of the Heart” by Mitch Mosk
August 8, 2019<August 22, 2019 Premiere: Elle Winter Dives into the Alluring Emotional Release of “Cave In” by Mitch Mosk
August 8, 2019<August 8, 2019 Review: Goth Babe’s ‘Mt. Hood’ EP Delivers on the Very Best of the Indie Scene by Adrian Vargas
August 8, 2019<August 8, 2019 Chart Hit Analysis: The Enduring Fascination with Lil Nas X’s “Old Town Road” by Frankie Rose
For the Love of Music
For the Love of Music
