May 20, 2020<May 20, 2020 Interview: Shoegaze Duo The Know on Their Evocative & Intimate Debut EP ‘wearetheknow’ by Chloe Robinson
May 20, 2020<May 21, 2020 Interview with The Fratellis: Multi-Platinum and Still Finding Ways to Improve by Matthew Dunn
May 20, 2020<September 10, 2020 Premiere: The Sea The Sea’s Intimate “Parachute” Is a Beautiful, Enchanting Lullaby by Mitch Mosk
May 20, 2020<May 19, 2020 Today’s Song: Joe Ramsey Embraces “The Hardest Part” in His Latest Single by Robin Fulton
May 20, 2020<May 20, 2020 MisterWives Climb Out of Rock Bottom with Feel-Good Celebration, “SUPERBLOOM” by Kelly McCafferty Dorogy
May 19, 2020<May 19, 2020 Interview with Anthony Mills: An Ohio Native with Southern Heritage Riding High on a Swedish Indie Label by Josh Weiner
May 19, 2020<May 19, 2020 Premiere: Arther Blue Evokes Rainy-Day Romance Vibes in “Wet Shoe” by Mitch Mosk
9.4 May 19, 2020<December 15, 2020 Feature: altopalo’s Cinematic, Tender, & Stunning Sophomore Album ‘farawayfromeveryoneyouknow’ by Mitch Mosk
May 19, 2020<May 18, 2020 Today’s Song: Maude Latour’s New Single “Furniture” Symbolizes a New Beginning by Lexi Lane
8.9 May 19, 2020<December 15, 2020 Our Take: My Ugly Clementine’s Debut Album ‘Vitamin C’ Is Empowering, Fresh-Squeezed Indie Rock by Mitch Mosk
May 19, 2020<May 18, 2020 Premiere: James Gillespie’s “Rescue Me” Music Video Is As Atmospheric As It Is Mysterious by Bethan Harper
May 18, 2020<May 19, 2020 Review: tri patterns’ Double Single “Kids” / “Grow” Is a Buoyant Indie Pop Light in the Dark by Mitch Mosk
9.3 May 18, 2020<December 15, 2020 Our Take: J.R. Wyatt’s ‘I’m Still Here’ Sits on the Divide of Past & Present with Unmatched Lyricism by Lowndes Commander
May 18, 2020<May 18, 2020 Album Review: Moses Sumney’s Beautiful, Multitudinous ‘græ’ by Mariel Fechik
May 18, 2020<May 18, 2020 Premiere: Boyish’s “FUCK YOU HEATHER” Is a Stunning, Raw, & Impassioned Upheaval by Mitch Mosk
For the Love of Music
For the Love of Music
