November 15, 2018<January 2, 2025 Today’s Song: Dan Campbell and Ace Enders Make “Broom People” a Love Song by James Crowley
November 15, 2018<February 12, 2019 Feature: The Beautiful Vulnerability of Hailey Knox’s “Hardwired” by Mitch Mosk
November 15, 2018<August 5, 2021 Review: Adé Hakim’s ‘On to Better Things’ Pushes Hip-Hop’s Sound into the Unknown by Atwood Magazine Staff
November 14, 2018<February 20, 2019 EP Premiere: Sharaya Summers’ Rich, Raw, and Dreamy Debut ‘Bend Before We Break’ by Mitch Mosk
November 14, 2018<November 14, 2018 Premiere: The Western Den’s Haunting “Hem” Contemplates Place and Purpose by Mitch Mosk
November 13, 2018<November 13, 2018 Album Premiere: TONKS Unveils His Stirringly Vulnerable Debut ‘Windows Down & Dying’ by Mitch Mosk
November 12, 2018<November 12, 2018 Living in a Movie: A Track-by-Track Review of Black Honey’s Debut Album by Lindsay Call
November 9, 2018<October 16, 2024 This Just In: Deanna Petcoff Dives Into Her Energizing, Dynamic “Stress” by Mitch Mosk
November 9, 2018<November 9, 2018 What It Means to Hate Your Work: Connecting Psychic Rites, Kafka, and Cobain by Atwood Magazine Staff
November 9, 2018<July 12, 2022 Interview: How The Wombats Stayed True to Themselves, Four Studio Albums Later by Abby Jones
November 9, 2018<November 9, 2018 Interview: From Daydreams to Earthtones, Bahamas Bares All by Sara Santora
November 8, 2018<November 8, 2018 Album Premiere: Timber Debut ‘The Family’ with an Enchanting Ambient Allure by Mitch Mosk
November 8, 2018<August 5, 2021 Today’s Song: Earl Sweatshirt Returns with Avant-Rap Single “Nowhere2go” by Atwood Magazine Staff
7.9 November 8, 2018<October 16, 2024 Our Take: Logic Continues to Dazzle on Consistently Impressive ‘YSIV’ by Josh Weiner
November 8, 2018<November 9, 2018 Premiere: spill tab Make Their Enchanting Debut with “When U Call” by Maggie McHale
For the Love of Music
For the Love of Music
