November 16, 2017<November 16, 2017 Premiere: Harlee’s “Venom” Burns with Pop-Filled Betrayal by Kelly McCafferty Dorogy
November 16, 2017<November 16, 2017 Premiere: Gayle Skidmore’s “Pale Ghosts” World Fully Encompasses You by James Crowley
November 15, 2017<November 15, 2017 Premiere: The Anxious Intensity of Antagonista’s “Speedy Anejo” by Mitch Mosk
November 15, 2017<November 15, 2017 Premiere: POP ETC’s Dreamy “Sleight of Hand” Begs for Balance in Chaos by Mitch Mosk
November 14, 2017<November 14, 2017 Premiere: LA River Bend’s Fearless Folk-Rock Anthem “Mountain” by Mitch Mosk
November 14, 2017<November 14, 2017 Premiere: Love & Hope in Fascinations Grand Chorus’ “When You’re Mine” by Mitch Mosk
November 14, 2017<November 20, 2017 Premiere: Trevor Hall’s Vibrant “Moon / Sun” Radiates with Love by Mitch Mosk
November 14, 2017<November 14, 2017 Premiere: Uncertainty Reigns in Cayden Wemple’s Debut “Better” by Mitch Mosk
November 13, 2017<November 13, 2017 Premiere: Waking the Beast on Megan Dixon Hood’s “Alias Grace” by Mitch Mosk
November 13, 2017<November 13, 2017 Premiere: Grand Am Speak Up and Get Heard on Debut “All That I Ever Do” by Mitch Mosk
November 13, 2017<November 13, 2017 Premiere: The Pursuit of Dreams in Micah McCaw’s Reflective “Tearing Seams” by Mitch Mosk
November 10, 2017<November 10, 2017 Premiere: I Hate You Just Kidding’s Happy/Sad Song “Smokestacks” by Mitch Mosk
November 10, 2017<November 10, 2017 Premiere: Talkie’s “Marcy” Is Refreshingly West Coast in a New Way by Kelly Wynne
November 9, 2017<November 10, 2017 EP Premiere: The Avalon Hi-Fi’s Ultimate Revelry on ‘There in the Dark’ by Ethan Armbrust