September 6, 2019<October 16, 2019 Sugar, Spice, and Everything Nice: An Interview with Oddnesse by Mitch Mosk
8 September 6, 2019<December 15, 2020 Our Take: Charming & Personal, Frankie Cosmos Captivate on ‘Close It Quietly’ by Adrian Vargas
September 5, 2019<September 5, 2019 Intimacy, Discovery, and Being ‘Together’: An Interview with Wolfjay by Mitch Mosk
September 5, 2019<September 5, 2019 Review: Caravan Palace’s ‘Chronologic’ Is Swinging, Haunting in Turns by Danny Vagnoni
September 4, 2019<September 4, 2019 Today’s Song: City and Colour Confronts Shortcomings and Connects Fans With “Living in Lightning” by Madison Vettorino
September 3, 2019<September 3, 2019 Today’s Song: Bea Miller Opens Up About Her Demons In “feel something” by Alicia Bugallo
August 30, 2019<August 30, 2019 Review: Wylder Shine in ‘Golden Age Thinking’ with Cinematic Folk & Majestic Rock by Mitch Mosk
August 29, 2019<August 29, 2019 Acting Like a “Real Jerk”: A Conversation with Spooky Mansion by Adrian Vargas
August 29, 2019<August 29, 2019 Review: Kit Sebastian’s ‘Mantra Moderne’ Is a Postcard From Anatolia with Love by Ben Niesen
7.4 August 29, 2019<December 15, 2020 Our Take: Red Hearse Debut Their Genre-Defying Self-Titled Record by Meredith Nardino
August 29, 2019<August 29, 2019 EP Premiere: Dance Away Your Troubles with Butter’s ‘Nicotine’ by Ditta Demeter
August 28, 2019<August 28, 2019 Pounding Electronic Rhythms & Honest Lyricism Make Meija’s “Laugh It Off” a 2019 Standout by Adrian Vargas
August 27, 2019<August 27, 2019 Review: The Edgy Appeal of Jaden Smith’s New Album ‘ERYS’ by Urooj Ali Rizvi
August 26, 2019<June 29, 2024 Roundtable Discussion: A Review of Taylor Swift’s ‘Lover’ by Atwood Magazine Staff
August 23, 2019<August 23, 2019 ‘Thrashing Thru the Passion’ is The Hold Steady’s Resurrection by James Crowley
For the Love of Music
For the Love of Music
