November 17, 2017<June 29, 2024 Roundtable Discussion: A Review of Taylor Swift’s ‘Reputation’ by Atwood Magazine Staff
November 15, 2017<December 11, 2017 Our Take: The Dreamy Depths of Tennis’ Magical ‘We Can Die Happy’ EP by Mitch Mosk
November 14, 2017<November 14, 2017 Our Take: Julien Baker Confronts Herself, Relationships and Morality in ‘Turn Out the Lights’ by Baylee Less
November 10, 2017<November 10, 2017 Our Take: Tourist Takes a Peaceful Journey on ‘Wash’ EP by Natalie Harmsen
November 9, 2017<November 9, 2017 Feature: Alyeska Debut with Crushing Weight and a Raw Energy by Mitch Mosk
November 9, 2017<December 11, 2017 Feature: Embracing Raw Intimacy Through Sondre Lerche’s Solo “Siamese Twin” by Mitch Mosk
November 8, 2017<November 8, 2017 Today’s Song: Howard’s Hypnotic “Mother’s Wedding” Pushes the Envelope by Mitch Mosk
November 6, 2017<November 6, 2017 Our Take: Glass House Point’s ‘Midnight Appetite’ EP Re-Imagines a Genre by Sara Santora
November 6, 2017<November 6, 2017 Today’s Song: Caspar Leopard’s Luminous “Expire Pt. I” by Mariel Fechik
8 November 2, 2017<September 5, 2023 Our Take: Wyclef Jean Displays Heart and Expertise on ‘Carnival III’ by Josh Weiner
10 November 1, 2017<April 9, 2021 Our Take: The Warmth and Grace of Nai Palm’s Solo Debut ‘Needle Paw’ by Mariel Fechik
October 30, 2017<October 30, 2017 Strength, Poise and a Bit of Arrogance: A Track-by-Track Review of Mabel’s ‘Ivy to Roses’ Mixtape by Sydney Sweeney
October 25, 2017<October 25, 2017 LIVE: Billie Eilish is a Stunning Force at Philadelphia’s World Café Live by Nicole Almeida
October 25, 2017<October 25, 2017 Today’s Song: The Gritty, Dark Truth of Missio’s “Can I Exist” Video by Urooj Ali Rizvi
October 23, 2017<October 23, 2017 Our Take: Catchy Pop Meets ’60s Brit Rock on Warbly Jets’ Debut by Alexandra Graber
For the Love of Music
For the Love of Music
