June 4, 2021<June 4, 2021 “Emotional, Eclectic, & Honest”: Lucy Francesca Dron’s Dynamic Coming-of-Age EP ‘Leftovers’ by Mitch Mosk
June 4, 2021<June 29, 2024 Roundtable Discussion: A Review of Olivia Rodrigo’s ‘SOUR’ by Atwood Magazine Staff
June 3, 2021<June 3, 2021 Presence, Awe, & Wonder: Hayden Everett Soars on Sophomore EP ‘Kennecott’ by Mitch Mosk
June 3, 2021<June 3, 2021 “Unpredictable, Deep-Diving, & Honest”: Louien Captivates with Beautiful ‘No Tomorrow’ EP by Mitch Mosk
June 2, 2021<June 2, 2021 “Queer Love and Self-Sabotage”: Boyish Dive into Spellbinding Coming-of-Age EP ‘We’re all gonna die, but here’s my contribution’ by Mitch Mosk
June 2, 2021<June 2, 2021 “Living Room Intimacy”: Jazz-Folk Band The Witherbees Premiere Their Beautiful Sophomore LP, ‘Love Letter’ by Mitch Mosk
June 1, 2021<June 2, 2021 “Eclectic Summer Vibes”: Vancouver’s IAMTHELIVING & Teon Gibbs Come to Life in ‘JNGL’ EP by Mitch Mosk
May 28, 2021<May 28, 2021 Review: Blood Cultures Embark on Their Most Personal Journey With ‘LUNO’ by Adrian Vargas
May 26, 2021<May 27, 2021 “Quick and Dirty”: TOLEDO’s Stirring ‘Jockeys of Love’ EP Is a Wondrous Indie Folk Daydream by Mitch Mosk
May 26, 2021<May 26, 2021 “Honest, Expressive, & Personal”: JJ Wilde Ignites on Radiant & Feverish ‘Wilde’ EP by Mitch Mosk
May 26, 2021<May 27, 2021 Review: CHAI Embark on Adventures Close to Home on ‘WINK’ by Sophie Prettyman-Beauchamp
May 25, 2021<May 25, 2021 Review: Nic Howell’s Summery “Morning” Dazzles with a Buoyant & (Bitter)sweet Radiance by Mitch Mosk
May 25, 2021<May 25, 2021 Song Review: Maeve Indulges in the Dark Side on Feverish Anti-Pop Anthem “Sick” by Mitch Mosk
May 25, 2021<May 25, 2021 Song Review: British Singer/Songwriter Kianja Spills Her Soul in “Place for Me” by Mitch Mosk
May 25, 2021<May 26, 2021 Of Light, Love, Loss, & Life: Vaarin Dives into Her Cinematic ‘Imaginary Movies’ EP by Mitch Mosk
For the Love of Music
For the Love of Music
