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daysormay © Brendan Meadows
Interviews, Music, Track-by-TrackOctober 3, 2024<October 3, 2024

Track-by-Track: daysormay Embrace ‘MODERATION’ in Their Minimalist Masterpiece

by Joe Beer
Mon Rovîa “crooked the road.” © Caity Krone
Columns, Music, Today's SongOctober 3, 2024<October 3, 2024

Mon Rovîa’s “crooked the road.” Is a Dreamy Blanket of Musical & Emotional Warmth

by Mitch Mosk
Christian Lee Hutson © Michael Delaney
Features, Interviews, MusicOctober 3, 2024<October 3, 2024

“A Play Within a Play”: Christian Lee Hutson Brings Fictional Characters to Life on ‘Paradise Pop. 10’

by Aaron Childree
The Cure's Robert Smith © Sam Rockman
Columns, Music, Today's SongOctober 2, 2024<October 2, 2024

“This is this end of every song we sing”: The Cure Dabble in Miracles & Meaning With New Single “Alone”

by Emma Rayder
Atwood Magazine's Weekly Roundup | October 1, 2024
Columns, Features, Music, Weekly RoundupOctober 1, 2024<October 4, 2024

Atwood Magazine’s Weekly Roundup: October 1, 2024

by Atwood Magazine Staff
Nina Nesbitt 'Mountain Music' © Wolf James
Features, Interviews, MusicOctober 1, 2024<October 2, 2024

“There’s something really beautiful about four simple chords and a story”: Nina Nesbitt on Reconnecting With Her Roots & Making ‘Mountain Music’

by Mitch Mosk
Maya Ixta 'Diary Entries' © Devin Dygert
Debut, Music, ReviewsOctober 1, 2024<October 1, 2024

Review: Maya Ixta’s Debut EP ‘Diary Entries’ Takes Us on a Vulnerable Musical Journey

by Mitch Mosk
Conner Youngblood © Julia Mayorova
Features, Interviews, Music, Track-by-TrackOctober 1, 2024<October 1, 2024

“Surrealism, Expressionism, & Tranquility”: Conner Youngblood on His Spellbinding Sophomore LP ‘Cascades, Cascading, Cascadingly’

by Mitch Mosk
Reneé Rapp at All Things Go Music Festival 2024 © RespectiveCollective
Festival, Music, ReviewsOctober 1, 2024<October 1, 2024

Review: Life’s So Fun at Forest Hills Stadium’s First-Ever All Things Go Music Festival

by Julia Dzurillay
Rowan Drake © Jimmy Fontaine
Interviews, MusicOctober 1, 2024<October 1, 2024

Interview: With ‘For all my eyes have seen,’ Rowan Drake Is Compensated for His Grief

by Noah Wade
Infinity Song © John N. Adams III
Columns, Music, Today's SongOctober 1, 2024<October 1, 2024

“I love the way it feels to be a hater”: Infinity Song Serve Up the Perfect Singalong for Your Inner Critic in “Hater’s Anthem”

by Stephanie Bento
The Mysterines © Steve Gullick
Features, Interviews, MusicSeptember 30, 2024<September 30, 2024

“It’s the moments of silence and stillness that have the heaviest weight”: The Mysterines Shine a Light on the Dark Depths of ‘Afraid of Tomorrows’

by Mitch Mosk
Atwood Magazine's Best Albums of 2024 (So Far)
Features, Lists, MusicSeptember 30, 2024<December 4, 2025

The Best Albums of 2024 (So Far)

by Atwood Magazine Staff
Xiu Xiu's Jamie Stewart (R) and Angela Seo (L) © Eva Luise Hoppe
Features, Interviews, MusicSeptember 30, 2024<September 30, 2024

“Music is essentially an infinite puzzle”: Jamie Stewart Discusses the Inimitable Sounds of Xiu Xiu

by Frederick Bloy
Zero Sun © Sophia Wrzesinski
Columns, Music, Today's SongSeptember 29, 2024<September 29, 2024

Today’s Song: Zero Sun Drift in and Out of Wistful Romance & Regret on “If I’m Ever Gonna Change Your Mind”

by David Diame
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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