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Linkin Park © Timothy Norris, Kia Forum Photos
Concerts, Music, ReviewsOctober 8, 2024<October 8, 2024

Linkin Park’s Return: A Memorable Rock-Infused Night at the Forum

by Lauren Turner
Lea Thomas © Wyndham Garnett
Columns, Music, Today's SongOctober 8, 2024<October 8, 2024

Lea Thomas Invites Listeners to Recognize Their Own Connectedness on “River Runs Through,” an 8-Minute Window into the Magical World of Her New Album

by Olivia Martinez
Royal She © Nick Fancher
Interviews, MusicOctober 7, 2024<October 7, 2024

Interview: Royal She Hate Their Way into Our Hearts With “My Ex”

by Chloe Robinson
Atwood Magazine's Weekly Roundup | October 7, 2024
Columns, Features, Music, Weekly RoundupOctober 7, 2024<October 26, 2024

Atwood Magazine’s Weekly Roundup: October 7, 2024

by Atwood Magazine Staff
Aquilo © Harvey Pearson
Features, Interviews, MusicOctober 7, 2024<November 2, 2024

“A letter to our younger selves”: Aquilo’s ‘A Quiet Invitation to a Hard Conversation’ Is a Breathtaking Triumph

by Mitch Mosk
Girl Scout © Christoffer Zetterlund & Emilia Jagerman
Columns, Music, Today's SongOctober 7, 2024<October 7, 2024

“It feels just like a hot rush”: Girl Scout’s Sweet N’ Spicy Anthem “Honey” Hits Hard & Goes Down Smooth

by Mitch Mosk
Orion Sun © Linus Johnson
Columns, Music, Today's SongOctober 6, 2024<October 4, 2024

“It’s a Miracle That Love Even Happens At All”: Orion Sun Sinks into the Warm Clutches of Romance on Stunning “Sick”

by Jake Fewx
The Beaches © Meg Moon
Columns, Music, Today's SongOctober 5, 2024<October 4, 2024

“What do you even see in me?”: The Beaches Speak to Fans Nearest & Dearest in Dynamic “Jocelyn”

by Rachel Leong
flipturn © Amanda Laferriere
Columns, Music, Today's SongOctober 4, 2024<October 4, 2024

“I’ve been feeling the weight of everything”: Basking in the Heat of flipturn’s Beachy Reverie, “Rodeo Clown”

by Mitch Mosk
Merce Lemon © Eric Stevens
Features, Interviews, MusicOctober 4, 2024<October 4, 2024

Soft Explosions: Merce Lemon on Making Her Restless & Raw Third Album, ‘Watch Me Drive Them Dogs Wild’

by Mitch Mosk
Ethansroom 'BIGGER LOVE' © Noah Tidmore
Features, Interviews, Music, Track-by-TrackOctober 4, 2024<October 4, 2024

“Explosive, Eternal, & Understanding”: Ethansroom Embraces a ‘BIGGER LOVE’ on His Breathtakingly Bold Third Album

by Mitch Mosk
thủy © Edgar Daniel
Features, Interviews, MusicOctober 4, 2024<October 4, 2024

“A bigger voice”: thủy Channels the Power of Intentionality, Redefines Cultural Identity, and Spreads her ‘wings’ on Latest Project

by Isabella Le
Orla Gartland © Nicole Ngai
Features, Interviews, Music, Track-by-TrackOctober 4, 2024<October 4, 2024

Feature: Orla Gartland Is Everybody’s Superhero in Her Sophomore Album ‘Everybody Needs a Hero’

by Minna Abdel-Gawad
RAT BOY © Gavin Watson
Music, ReviewsOctober 4, 2024<October 4, 2024

Suburbia Gets Loud: RAT BOY Serenade Essex in Classic Indie Punk Style on ‘SUBURBIA CALLING’

by Liv Goodbody
Crumb © Haoyan of America
MusicOctober 3, 2024<October 4, 2024

Live Review: Crumb Invited Montreal into Their Perfectly Curated Bubble for a Show That Enchanted & Bewildered

by Oliver Crook
Posts pagination
1 … 97 98 99 100 101 … 736

Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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