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Ciaran Short
Columns, Meet Our WritersSeptember 28, 2024<September 28, 2024

Meet Our Writers: New York’s Ciaran Short

by Ciaran Short
Pa Sheehy © Cillian Garvey
Columns, Music, Today's SongSeptember 28, 2024<September 28, 2024

Today’s Song: Pa Sheehy’s “Under the Orange Sky” Reflects on Love & Loss With Evocative Melodies and Poignant Lyricism

by Danielle Holian
Peace Ritual © Tahmid Nurullah
Columns, Music, Today's SongSeptember 27, 2024<September 27, 2024

Today’s Song: Peace Ritual Channel Angst & Ecstasy into Impassioned DIY Anthem “Seconds”

by Mitch Mosk
Pale Waves 'Smitten' © Kelsi Luck
Features, Interviews, MusicSeptember 27, 2024<October 1, 2024

Interview: Pale Waves Reexamine the Past on Dreamy, Anthemic Fourth Album ‘Smitten’

by Aaron Childree
The Howl & The Hum © Stewart Baxter
Features, Interviews, Music, Track-by-TrackSeptember 27, 2024<March 2, 2025

Feature: The Howl & The Hum’s Sam Griffiths on Making ‘Same Mistake Twice,’ an Album Full of Dread, Joy, & Human Breath

by Mitch Mosk
Ellee Duke © Joshua De La Garza
Interviews, MusicSeptember 27, 2024<September 27, 2024

Interview: Ellee Duke Finds the Strength to Rise Above Her Bullies With “fragile”

by Chloe Robinson
Glory Days: Beanie Springsteen shines in the ‘70s and Oscar winner Springsteen takes to the streets of Philadelphia in the ‘90s © Aidan Moyer
Festival, Music, ReviewsSeptember 27, 2024<September 27, 2024

“Greetings, Asbury Park!”: Springsteen Conjures ’70s Shoreside Magic at 2024’s Sea.Hear.Now Festival

by Aidan Moyer
Brother Elsey © Luke Rogers
Music, Music Videos, PremieresSeptember 26, 2024<September 26, 2024

“I’ve been doing wrong things”: Brother Elsey Premiere Their Intimate Alt-Rock Anthem of Self-Sabotage & Surrender

by Mitch Mosk
Bailey Bigger 'Resurrection Fern' © Caroline Frady
Music, Music Videos, PremieresSeptember 26, 2024<September 26, 2024

“The branches of a willow know the veins in my body”: Singer/Songwriter Bailey Bigger Dreams of Death & Rebirth on “Resurrection Fern,” a Song of Stillness, Serenity, and Connection

by Mitch Mosk
deary © Nat Easton
Columns, Music, Music Videos, Today's SongSeptember 26, 2024<September 26, 2024

“You could be my universe”: deary Surrender to Fire & Flame on “The Moth,” a Dark, Seductive Fever Dream

by Mitch Mosk
Gosha Guppy "911 (Sex Through WhatsApp)" © Milo Hume
Interviews, Music, Music VideosSeptember 26, 2024<September 26, 2024

Musician Gosha Guppy & Filmmaker Milo Hume Join Forces to Create a Whimsical Rap Adventure About Courtship and Romance in the Age of Social Media

by Ciaran Short
Chance Peña © John N. Choi
Debut, Features, Interviews, Music, Track-by-TrackSeptember 25, 2024<October 2, 2024

“Just chasing the music”: Chance Peña Goes Track-by-Track Through His Debut LP ‘Ever-Shifting, Continual Blossoming,’ a Soul-Stirring Labor of Love

by Mitch Mosk
Holly Hebe © 2024
Columns, Interviews, Music, Today's SongSeptember 25, 2024<September 25, 2024

“I didn’t earn my stripes until I threw a punch”: Melbourne’s Holly Hebe Is Embracing Identity Crises & Self-Discovery on Dreamy Anthem “Bottle Blonde” & ‘Ruby’ EP

by Mitch Mosk
Kid Lake © Neil Shukla
Concerts, Music, ReviewsSeptember 25, 2024<September 25, 2024

Live Review: The Spirit Appears at the Kid Lake Show in Ridgewood, Queens

by Hannah Burns
Porches © Jason Al-Taan
Features, Interviews, MusicSeptember 25, 2024<September 5, 2025

“I have always been drawn to the in-between stuff”: Porches on His Supersaturated and Sonorous LP, ‘Shirt’

by Nasim Elyasi
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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