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Stevie Bill © Monique Penders
Columns, Music, Today's SongAugust 14, 2024<August 14, 2024

Stevie Bill’s “Lalala” Is an Irresistible Ode to Our Favorite Songs – And It’s Ready to Become One

by Mitch Mosk
The Killers "Bright Lights" © 2024
Music, Reviews, This Just InAugust 14, 2024<August 14, 2024

The Killers Turn the “Bright Lights” on in a Larger-Than-Life Anthem of Passion, Purpose, & Chasing Dreams

by Mitch Mosk
nicholas © Tim Nagle
Music, PremieresAugust 13, 2024<August 13, 2024

“Waiting on a lonesome dream”: The Soulful Ache of nicholas’ “Belinda”

by Mitch Mosk
Mila Degray "Masculine Charm" © Lucas O.M.
Columns, Interviews, Music, Today's SongAugust 13, 2024<August 13, 2024

“A time capsule of my naivety”: Mila Degray Is Channeling Coming-of-Age Angst into Indie Rock Wonders

by Mitch Mosk
Atwood Magazine's Weekly Roundup | August 12, 2024
Columns, Features, Music, Weekly RoundupAugust 12, 2024<August 14, 2024

Atwood Magazine’s Weekly Roundup: August 12, 2024

by Atwood Magazine Staff
Kate Prascher © Shervin Lainez
Music, Music Videos, PremieresAugust 12, 2024<August 12, 2024

“All the things we’ve tried have left a mark”: Kate Prascher Weaves Love, Light, & Lilting Folk Together on “The Island”

by Mitch Mosk
Sunday (1994) © 2024
Artist to Watch, Columns, Interviews, Music, Today's SongAugust 12, 2024<August 12, 2024

“I swallowed SSRI need you”: Sunday (1994) Maximize Life’s Minimal Moments Through Dreamy, Emotive Love Songs

by Mitch Mosk
Outlaw Music Festival 2024 © Aidan Moyer
Festival, Music, ReviewsAugust 12, 2024<August 12, 2024

Seen a Shooting Star Tonight: 2024’s Outlaw Music Festival Rocks New Jersey

by Aidan Moyer
Quiet Light © Leah Blom
Music, ReviewsAugust 12, 2024<August 12, 2024

One Year of ‘Blue Angel Sparkling Silver’: Revisiting Quiet Light’s Sweeping Sonic Cosmos

by Rachel Leong
Chappell Roan © Tim Snow, Osheaga 2024
Festival, Music, ReviewsAugust 12, 2024<August 12, 2024

Review: Osheaga 2024 Rocked, Sweated, and Belonged to Chappell Roan

by Oliver Crook
Blur: To The End screenshot
Film, Music, ReviewsAugust 12, 2024<August 12, 2024

Review: ‘Blur: To the End’ Is a Bad Doc About a Brilliant Band

by Liv Goodbody
april june © Ana Albores Prejigueiro
Features, Interviews, Music, Track-by-TrackAugust 9, 2024<August 9, 2024

“Denial, Anger, & Acceptance”: april june Cracks Her Heart Open on Dreamy Sophomore EP ‘baby’s out of luck again’

by Mitch Mosk
Mal Not Bad 'This Is Your New Life' © Jacob Boll
Debut, Features, Interviews, Music, Track-by-TrackAugust 9, 2024<August 9, 2024

‘This Is Your New Life’: Mal Not Bad Charts an Intimate Awakening on Soul-Stirring Debut Album

by Mitch Mosk
Nat Harvie © Zoe Prinds-Flash
Essays, Features, Interviews, MusicAugust 9, 2024<August 9, 2024

Interview: Nat Harvie’s ‘New Virginity’ Accesses Personal Ecstasy Through Reflection, Complexity, and a Saxophone

by Noah Wade
Foo Fighters at San Diego's Petco Park, August 2024 © Isabella Le
Concerts, Music, ReviewsAugust 9, 2024<August 9, 2024

Live Review: Foo Fighters Remain Steadfast in Giving “Everything or Nothing at All” at Petco Park

by Isabella Le
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Brand New

  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’

:: discover something new ::

Recent Posts

  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
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