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Luke Beling © 2024
Columns, Interviews, Music, Today's SongAugust 9, 2024<August 9, 2024

“If God is a man then God is a man among us”: Luke Beling Embraces a Divine Light in “Shining Like the Sun”

by Mitch Mosk
Kat and the Hurricane © Willow Ray
Debut, Music, PremieresAugust 8, 2024<August 8, 2024

Premiere: Wisconsin’s Kat and the Hurricane Get It Out on “Therapy,” a Raucous Anthem of Cathartic Release

by Mitch Mosk
Sarah Isabella 'The Keeper' © Salam Zaied
Debut, Features, Interviews, Music, Track-by-TrackAugust 8, 2024<August 8, 2024

“I’ll meet you in the fire”: East London’s Sarah Isabella Emerges on Soulful, Spiritual & Smoldering Debut EP ‘The Keeper’

by Mitch Mosk
The Who's Roger Daltrey photographed for 'The Who Sell Out' promotional campaign, 1967 © David Montgomery
Columns, Music, Nostalgia TracksAugust 8, 2024<August 8, 2024

Maximum R&B Meets Pop Art: The Who’s Musical Fruit, “Heinz Baked Beans”

by Guest Writer
Big Ideas - Remi Wolf 8
Music, Our Take, ReviewsAugust 8, 2024<August 8, 2024

Our Take: The Playfully Explosive Musings of Remi Wolf and ‘Big Ideas’

by Frankie Rose
Charli XCX and Billie Eilish "Guess" © Terrence O’Connor
Columns, Music, Today's SongAugust 8, 2024<August 8, 2024

Today’s Song: ‘Brat’ Summer Is Here to Stay With Charli XCX’s “Guess” ft. Billie Eilish

by Marc Maleri
Font © Rosie Clements
Debut, Features, Interviews, Music, Track-by-TrackAugust 7, 2024<August 7, 2024

Track-by-Track: Austin’s Font Debut With Dance-Punk Fever Dream ‘Strange Burden’

by Mitch Mosk
Never Ending Fall © Austin Cieszko
Features, Interviews, MusicAugust 7, 2024<August 9, 2024

“Disco will never die”: Never Ending Fall Find Reinvention Through Rock Songs on ‘American Disco,’ Their Irresistible Sophomore Album

by Mitch Mosk
'What's Dead and Gone' - Liang Lawrence © Mollie McKay
Features, Interviews, MusicAugust 7, 2024<August 7, 2024

Interview: Liang Lawrence Combines Masterful Storytelling and Unforgettable Melodies on New EP ‘What’s Dead and Gone’

by Aaron Childree
Sunflower Thieves "How Was America" © Nick Porter
Features, Interviews, Music, Today's SongAugust 7, 2024<August 7, 2024

Interview: Leeds’ Sunflower Thieves Talk Friendship, “How Was America,” and the Heavy Weight of Ghosts

by Mitch Mosk
Melanie MacLaren "Get it Back" © Blaire Beamer
Music, Music Videos, PremieresAugust 7, 2024<August 7, 2024

“We lost our spark on the FDR”: Melanie MacLaren’s “Get it Back” Aches With the Warm Weight of Love & Grief

by Mitch Mosk
Aistis © Sophia Perras
Features, Interviews, Music, Track-by-TrackAugust 7, 2024<August 7, 2024

“Earnest, Manic, & Playful”: Montreal’s Aistis Molds Emotional Turmoil into Musical Excellence on ‘Clay’

by Mitch Mosk
Broken Record © 2024
Columns, Music, Today's SongAugust 6, 2024<August 16, 2024

Today’s Song: Broken Record Go Through the “Ringer”

by Will Yarbrough
I Love You So F***ing Much - Glass Animals
Features, Music, Reviews, RoundtableAugust 5, 2024<August 5, 2024

Roundtable Discussion: A Review of Glass Animals’ ‘I Love You So F***ing Much’

by Atwood Magazine Staff
Are we wasting money on streaming? © Aidan Moyer
Essays, MusicAugust 5, 2024<August 5, 2024

Essay: Have we been wasting our money on streaming?

by Guest Writer
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Brand New

  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’

:: discover something new ::

Recent Posts

  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
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