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St. Vincent 'All Born Screaming' © Alex Da Corte
Features, Music, Reviews, RoundtableMay 17, 2024<June 29, 2024

Roundtable Discussion: A Review of St. Vincent’s ‘All Born Screaming’

by Atwood Magazine Staff
Riah © Abagail Reid
Artist to Watch, Columns, Interviews, Music, Today's SongMay 17, 2024<May 17, 2024

“‘Bed’ feels like a window into my mind”: Artist-to-Watch Riah on Her Exhilarating, Anxiety-Fueled Indie Pop Anthem

by Mitch Mosk
Atwood Magazine's Weekly Roundup | May 17, 2024
Columns, Features, Music, Weekly RoundupMay 17, 2024<May 22, 2024

Atwood Magazine’s Weekly Roundup: May 17, 2024

by Atwood Magazine Staff
Ant Enoch © James Smithers
Debut, Features, Interviews, Music, Track-by-TrackMay 17, 2024<May 17, 2024

Crying on the Dance Floor: Sydney’s Ant Enoch Dwells in Soul-Stirring Depths on Dreamy Debut EP ‘Big Talk Big Party’

by Mitch Mosk
Joe George © Cory Dewald
Music, PremieresMay 16, 2024<May 16, 2024

“Don’t Have to Do It Yourself”: Joe George’s Latest Single off ‘Folk Cinema’ Is a Soothing Symphony of Empathy & Understanding

by Mitch Mosk
Alana Yorke © Cherakee Andresen
Music, PremieresMay 16, 2024<May 16, 2024

“You were never really there”: Alana Yorke’s “Let Me Go” Is a Cathartic & Cleansing Fever Dream

by Mitch Mosk
Mat Kearney © Orchee Sorker
Features, Interviews, Music, Track-by-TrackMay 16, 2024<May 16, 2024

“The margarita pizza of my music career”: Mat Kearney Is All-In on His Self-Titled Eighth Album

by Mitch Mosk
of Montreal's Kevin Barnes © Shervin Lainez
Features, Interviews, MusicMay 16, 2024<May 16, 2024

“I see myself as a pirate in a lot of ways”: of Montreal’s Kevin Barnes Talks New Album ‘Lady on the Cusp’ & Embracing Unpredictability

by Madeleine Eggen
YAGKI © Taylah Chapman
Music, Music Videos, PremieresMay 15, 2024<May 15, 2024

Premiere: Sydney’s YAGKI Is Intimately Exposed on “Something I Do,” an Alt-Pop Upheaval of Emptiness & Detachment

by Mitch Mosk
A Million Easy Payments - Little Kid
Features, Interviews, Music, Track-by-TrackMay 15, 2024<May 15, 2024

‘A Million Easy Payments’: Toronto’s Little Kid Capture Life’s Weight, Warmth, & Wonder With Their Breathtaking 7th Album

by Mitch Mosk
Shannon and the Clams 'The Moon Is In The Wrong Place' © Jim Herrington
Features, Interviews, MusicMay 15, 2024<May 15, 2024

“What Is Time? What Is Life?”: Shannon & The Clams Discuss Grief, Rage, & What Occurs When ‘The Moon Is in the Wrong Place’

by Kevin Cost
Tors 'Miracle' © Anna Lowry
Features, Interviews, Music, Track-by-TrackMay 15, 2024<May 15, 2024

“I’ll give you my head, my heart, my bones”: Devon Trio Tors Embrace Honesty & Intimacy in Heartfelt ‘Miracle’ EP

by Mitch Mosk
Wynona © Lachlan Chester
Features, Interviews, MusicMay 14, 2024<May 14, 2024

“What matters most to us is that these songs exist in the world”: Mum-Jean Rock Band Wynona Are Bringing Back the ’90s With Catchy Anthems & Carefree Charm

by Mitch Mosk
Lee Lewis © Matt Robertson
Artist to Watch, Debut, Features, Interviews, MusicMay 14, 2024<May 14, 2024

“An intense sphere of emotions”: LA’s Lee Lewis Lights an Unforgettable Fire in ‘Something Burning,’ a Record of Trauma, Therapy, & Healing

by Mitch Mosk
Arctic Wave's C.L Turner © 2024
Columns, Editorials, Mental Health Awareness Month, MusicMay 14, 2024<May 14, 2024

“When Life Rearranges… Everything”: An Essay by Arctic Wave’s C.L Turner for Mental Health Awareness Month

by Guest Writer
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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