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Ross Newhouse © Nick Collingwood
Features, Interviews, Music, Today's SongApril 22, 2026<April 22, 2026

“Why Can’t You See What I See?”: Ross Newhouse Lays Bare Self-Doubt & Love on “Words I’d Use,” a Lush Indie Folk Duet with Grace Gardner

by Mitch Mosk
Irish Goodbye - Nora Kelly Band
Music, Music Videos, PremieresApril 21, 2026<April 21, 2026

“It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom

by Mitch Mosk
sundayclub "Camera Shy" © Evie Maynes
Interviews, Music, PremieresApril 21, 2026<April 22, 2026

“Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness

by Mitch Mosk
LIFE "The Dollywaggon" © Luke Hallett
Interviews, Music, Today's SongApril 20, 2026<April 20, 2026

“Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown

by Mitch Mosk
moondoggy © 2026
Music, ReviewsApril 20, 2026<April 20, 2026

Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told

by Miranda Urbanczyk
Samara Joy © AB + DM
Concerts, Music, ReviewsApril 20, 2026<April 20, 2026

The Sound of Stillness: Samara Joy in Palo Alto

by Ankita Bhanot
Sophie May ‘Stars and Teeth’ © Sam Hiscox
Debut, Features, Interviews, MusicApril 20, 2026<April 20, 2026

Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’

by Nicolle Knapová
Luke Beling © Shannon Nicole
Columns, Music, Today's SongApril 19, 2026<April 18, 2026

“It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song

by Mitch Mosk
Anthony Arya © Lola Daley
Columns, Music, Today's SongApril 18, 2026<April 18, 2026

Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream

by Lauren Hicks
Atwood Magazine's Weekly Roundup | April 17, 2026
Columns, Features, Music, Weekly RoundupApril 17, 2026<April 18, 2026

Atwood Magazine’s Weekly Roundup: April 17, 2026

by Atwood Magazine Staff
CASTLEBEAT © Sonia Gadhia
Interviews, Music, Today's SongApril 17, 2026<April 17, 2026

“I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral

by Mitch Mosk
LAPêCHE © Alex Newport
Features, Interviews, MusicApril 16, 2026<April 16, 2026

Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point

by Damien Joyce
Royel Otis "Sweet Hallelujah" © Isaac Brown
Music, Reviews, This Just InApril 16, 2026<April 16, 2026

“I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye

by Mitch Mosk
Sophia Galaté © Annaliese Baker
Concerts, Music, ReviewsApril 16, 2026<April 16, 2026

Live Review: Sophia Galaté Is Meant to Perform

by Annaliese Baker
Father John Misty © Lexie Alley
Columns, Music, Music You Should KnowApril 16, 2026<April 16, 2026

Music You Should Know: Father John Misty Keeps It Together for His “Mental Health”

by Charlie Recksieck
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Brand New

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention

:: discover something new ::

Recent Posts

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
  • “Realizing God Didn’t Want Me in the Closet”: A Pride Month Essay by Tory Silver June 15, 2026
  • “And I’ve Been Comin’ Back My Whole Damn Life”: Kurt Vile Finds a New Warmth in “Chance to Bleed,” a Mesmerizing Homecoming Ode June 14, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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