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The Technicolors © Eric Halvorsen
Columns, Music, Today's SongOctober 21, 2025<October 21, 2025

“Bleed into Normal”: The Technicolors Turn Reckoning into Revelation on “First Class to Nowhere,” a Dreamy & Aching Alt-Rock Reverie

by Mitch Mosk
Avery Cochrane © Rachel Bennett
Columns, Music, Today's SongOctober 20, 2025<October 20, 2025

“Will She Waste into the Kind of Woman Everyone Likes?”: Avery Cochrane Shines a Light in “Shapeshifting on a Saturday Night,” an Intimate Reflection on Vulnerability

by Ashley Littlefield
Mothé 'Total Popstar' © Sophia Ragomo
Features, Interviews, MusicOctober 20, 2025<October 20, 2025

Trashy, Smoky, Fun, & Free: Mothé Destroys Perfection and Redefines Pop on ‘Total Popstar,’ Their Unapologetic & Unfiltered Sophomore Album

by Mitch Mosk
Atwood Magazine's 134th Editor's Picks!
Columns, Editor's Picks, Features, MusicOctober 17, 2025<October 17, 2025

Editor’s Picks 134: Asha Banks, Ashley Singh, ANT ENOCH, Winyah, The Sophs, & Perren!

by Mitch Mosk
Matt Von Roderick © 2025
Features, Interviews, MusicOctober 17, 2025<October 18, 2025

The Sky’s the Limit: Matt Von Roderick on Jazz, Imagination, and ‘The Perfect Storm’

by Sage Bava
Guthrie © 2025
Artist to Watch, Interviews, MusicOctober 17, 2025<October 17, 2025

Artist to Watch: Melbourne’s GUTHRIE Finds Beauty in the Breaking on “Adrenals,” a Soul-Stirring Anthem of Surrender & Survival

by Mitch Mosk
Atwood Magazine's Weekly Roundup | October 15, 2025
Columns, Features, Music, Weekly RoundupOctober 16, 2025<October 20, 2025

Atwood Magazine’s Weekly Roundup: October 16, 2025

by Atwood Magazine Staff
Max McNown © Benjamin Edwards
Features, Interviews, MusicOctober 16, 2025<October 16, 2025

“I think the best music makes people feel less alone”: Max McNown Took the Long Way to Nashville – And the Scenic Route Shows on ‘Night Diving (The Cost of Growing Up)’

by Aileen Goos
Kramies © 2025
Features, Interviews, Music, PremieresOctober 16, 2025<October 16, 2025

“Goodbye Dreampop Troubadour”: Kramies Premieres His Hauntingly Beautiful, Folkloric Album of Reckoning, Rebirth, & Transformation

by Mitch Mosk
myah 'i don't know what i'm feeling' © Raea Palmieri
Debut, Interviews, MusicOctober 15, 2025<October 15, 2025

Interview: myah Doesn’t Always Know What She Is Feeling – And That’s Okay

by Chloe Robinson
Superfan © Ophelia Puccinelli
Artist to Watch, Interviews, Music, Today's SongOctober 15, 2025<October 15, 2025

Artist to Watch: Superfan Channels Quiet Winter Aches into DIY Catharsis on “Miss W Jones,” a Raw & Dreamy Alternative Anthem

by Mitch Mosk
Thelma & James © Bree Fish
Features, Interviews, MusicOctober 15, 2025<October 16, 2025

“We Are Really Happy People, But Life Is Hard”: Thelma & James Embrace the Melancholy & Messiness on Debut EP ‘Starting Over’

by Emily Frances Algar
Ziggy Alberts © Samuel Hall
Features, Interviews, MusicOctober 14, 2025<October 14, 2025

“Poetry Is Inwards; Music Is Outwards”: Ziggy Alberts Opens the Door to Change with ‘New Love’

by Aileen Goos
LOV "Sister Era" © 2025
Interviews, Music, Music Videos, PremieresOctober 13, 2025<October 12, 2025

“I make it my mission to lead my music with love”: In Her “Sister Era,” LOV Finds Power in Letting Go

by Aileen Goos
Atwood Magazine's 133rd Editor's Picks!
Columns, Editor's Picks, Features, MusicOctober 9, 2025<October 22, 2025

Editor’s Picks 133: Louie Blue, Isaia Huron, Bec Lauder, Dear Boy, GUTHRIE, & Arno Sacco!

by Mitch Mosk
Posts pagination
1 … 9 10 11 12 13 … 711

Brand New

  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!
  • Atwood Magazine’s Top Artist Discoveries of 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song”
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’

:: discover something new ::

Recent Posts

  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
  • Tales from the Garden: Seven Lions Is Making and Breaking the Formula December 12, 2025
  • Atwood Magazine’s Best Concerts of 2025! December 12, 2025
  • Interview: Clover County on the ‘Finer Things,’ Romanticising Life, and Rediscovering Her Whimsy December 12, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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