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april june © Ana Albores Prejigueiro
Features, Interviews, Music, Track-by-TrackAugust 9, 2024<August 9, 2024

“Denial, Anger, & Acceptance”: april june Cracks Her Heart Open on Dreamy Sophomore EP ‘baby’s out of luck again’

by Mitch Mosk
Mal Not Bad 'This Is Your New Life' © Jacob Boll
Debut, Features, Interviews, Music, Track-by-TrackAugust 9, 2024<August 9, 2024

‘This Is Your New Life’: Mal Not Bad Charts an Intimate Awakening on Soul-Stirring Debut Album

by Mitch Mosk
Nat Harvie © Zoe Prinds-Flash
Essays, Features, Interviews, MusicAugust 9, 2024<August 9, 2024

Interview: Nat Harvie’s ‘New Virginity’ Accesses Personal Ecstasy Through Reflection, Complexity, and a Saxophone

by Noah Wade
Foo Fighters at San Diego's Petco Park, August 2024 © Isabella Le
Concerts, Music, ReviewsAugust 9, 2024<August 9, 2024

Live Review: Foo Fighters Remain Steadfast in Giving “Everything or Nothing at All” at Petco Park

by Isabella Le
Luke Beling © 2024
Columns, Interviews, Music, Today's SongAugust 9, 2024<August 9, 2024

“If God is a man then God is a man among us”: Luke Beling Embraces a Divine Light in “Shining Like the Sun”

by Mitch Mosk
Kat and the Hurricane © Willow Ray
Debut, Music, PremieresAugust 8, 2024<August 8, 2024

Premiere: Wisconsin’s Kat and the Hurricane Get It Out on “Therapy,” a Raucous Anthem of Cathartic Release

by Mitch Mosk
Sarah Isabella 'The Keeper' © Salam Zaied
Debut, Features, Interviews, Music, Track-by-TrackAugust 8, 2024<August 8, 2024

“I’ll meet you in the fire”: East London’s Sarah Isabella Emerges on Soulful, Spiritual & Smoldering Debut EP ‘The Keeper’

by Mitch Mosk
The Who's Roger Daltrey photographed for 'The Who Sell Out' promotional campaign, 1967 © David Montgomery
Columns, Music, Nostalgia TracksAugust 8, 2024<August 8, 2024

Maximum R&B Meets Pop Art: The Who’s Musical Fruit, “Heinz Baked Beans”

by Guest Writer
Big Ideas - Remi Wolf 8
Music, Our Take, ReviewsAugust 8, 2024<August 8, 2024

Our Take: The Playfully Explosive Musings of Remi Wolf and ‘Big Ideas’

by Frankie Rose
Charli XCX and Billie Eilish "Guess" © Terrence O’Connor
Columns, Music, Today's SongAugust 8, 2024<August 8, 2024

Today’s Song: ‘Brat’ Summer Is Here to Stay With Charli XCX’s “Guess” ft. Billie Eilish

by Marc Maleri
Font © Rosie Clements
Debut, Features, Interviews, Music, Track-by-TrackAugust 7, 2024<August 7, 2024

Track-by-Track: Austin’s Font Debut With Dance-Punk Fever Dream ‘Strange Burden’

by Mitch Mosk
Never Ending Fall © Austin Cieszko
Features, Interviews, MusicAugust 7, 2024<August 9, 2024

“Disco will never die”: Never Ending Fall Find Reinvention Through Rock Songs on ‘American Disco,’ Their Irresistible Sophomore Album

by Mitch Mosk
'What's Dead and Gone' - Liang Lawrence © Mollie McKay
Features, Interviews, MusicAugust 7, 2024<August 7, 2024

Interview: Liang Lawrence Combines Masterful Storytelling and Unforgettable Melodies on New EP ‘What’s Dead and Gone’

by Aaron Childree
Sunflower Thieves "How Was America" © Nick Porter
Features, Interviews, Music, Today's SongAugust 7, 2024<August 7, 2024

Interview: Leeds’ Sunflower Thieves Talk Friendship, “How Was America,” and the Heavy Weight of Ghosts

by Mitch Mosk
Melanie MacLaren "Get it Back" © Blaire Beamer
Music, Music Videos, PremieresAugust 7, 2024<August 7, 2024

“We lost our spark on the FDR”: Melanie MacLaren’s “Get it Back” Aches With the Warm Weight of Love & Grief

by Mitch Mosk
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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