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Ellie Irwin © @sikinunday
Features, Interviews, MusicApril 19, 2024<April 19, 2024

Interview: Ellie Irwin Battles With Love, Loss, and the “Pill That Won’t Go Down”

by Sophie Severs
Charli XCX © 2024 8.1
Music, Our Take, Reviews, This Just InApril 19, 2024<April 19, 2024

Charli XCX Embodies (House) Party Girl Vibes With “Club Classics”

by Julia Dzurillay
Pillow Queens © Martyna Bannister
Features, Interviews, Music, Track-by-TrackApril 19, 2024<April 19, 2024

“Stand for the encore of Sisyphus’ sigh”: Pillow Queens’ ‘Name Your Sorrow’ Is a Heavy, Sweaty, & Seductive Indie Rock Reverie

by Mitch Mosk
Hank Heaven © Danica Robinson
Columns, Music, Today's SongApril 18, 2024<April 18, 2024

“Shining a light on the shadow self”: Hank Heaven’s “Plan 2” Preaches Empathy With a Tender Indie Twang

by Mitch Mosk
Great Good Fine Ok © Shervin Lainez
Interviews, MusicApril 18, 2024<April 20, 2024

Interview: Jon Sandler & Luke Moellman Are in a State of Existence That’s Great Good Fine Ok With Them

by Blake McMillan
Essence Martins © Lorraine Khamali
Debut, Features, Interviews, Music, Music VideosApril 18, 2024<April 18, 2024

‘Deer in the Headlights’: Essence Martins’ Inner Light Shines on Her Introspective, Ethereal, & Thought-Provoking Debut EP

by Mitch Mosk
Cat Ryan © Will Copley
Debut, Features, Interviews, Music, Track-by-TrackApril 18, 2024<April 18, 2024

Track-by-Track: Cat Ryan Debut With a Sweet Heat in ‘King of the World,’ Their Fun & Frisky Debut EP

by Mitch Mosk
Stephanie Lambring © Alysse Gafkjen
Music, Music Videos, PremieresApril 18, 2024<April 18, 2024

Premiere: Stephanie Lambring’s Haunting “Cover Girl” Reckons with Dysmorphia, Authenticity, & the Pressures of Social Media

by Mitch Mosk
Kramies "Social Light" © 2024
Music, PremieresApril 17, 2024<April 17, 2024

“Breaking up the airwaves, on and on I go”: The Enchanting Warmth, Weight, & Wonder of Kramies’ “Social Light”

by Mitch Mosk
Juice Mazelee © Dennis Thompson & Jeremiah Fristoe
Columns, Music, Today's SongApril 17, 2024<April 17, 2024

“A thug praying for some change”: Chicago’s Juice Mazelee Charts His Turbulent Coming-of-Age on “WISH N A PRAYER”

by Mitch Mosk
Leo © Claire Giuffre
Debut, Features, Interviews, Music, Track-by-TrackApril 16, 2024<April 16, 2024

‘Please Leave Quietly’: Melbourne’s Leo Channels Trauma & Angst into Breathtaking Beauty on Rip-Roaring Debut EP

by Mitch Mosk
Brother Bird © Chris Bauer
Features, Interviews, Music, Track-by-TrackApril 16, 2024<April 16, 2024

“I want it to feel like a hug”: The Ache, Catharsis, & Clarity of brother bird’s ‘another year’

by Mitch Mosk
Akira Galaxy © Erica Snyder
Interviews, MusicApril 16, 2024<April 16, 2024

“Intention through performance”: Celestial Sounds from Seattle’s Akira Galaxy

by Marissa DeLeon
Mark Clennon © courtesy of the artist
MusicApril 16, 2024<April 16, 2024

Interview: Meet Mark Clennon, the Impressive Talent Behind “I Don’t Know Who You Are”

by Josh Weiner
Amie Blu © Alastair McVeigh
Columns, Music, Today's SongApril 16, 2024<April 15, 2024

“Waiting just to wait out again”: Amie Blu Is Spellbinding on Uplifting Single “pretty”

by Aidan Mega
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Brand New

  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success

:: discover something new ::

Recent Posts

  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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