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Three Hands Clapping: Linda McCartney, Paul McCartney and Denny Laine circa 1974. They remained the core trio of Wings until the band’s dissolution in 1981. © Aidan Moyer
Features, Music, ReviewsJune 20, 2024<June 20, 2024

Sentimental Jamboree: A Paul McCartney 82nd Birthday Celebration

by Aidan Moyer
Joe P © Jimmy Fontaine
Features, Interviews, MusicJune 20, 2024<June 19, 2024

“We take pictures so we remember who we are”: NJ’s Joe P Talks Memory, Photography, & His Impassioned Anthem “Birthday Baby”

by Mitch Mosk
Pale Waves 'Perfume' © Kelsi Luck
Music, Reviews, This Just InJune 19, 2024<June 19, 2024

“I wanna make you my world”: Pale Waves Capture the Excitement of New Love on “Perfume”

by Aaron Childree
Abe the Kid © 2024
Columns, Music, Today's SongJune 19, 2024<June 19, 2024

Abe the Kid & drinkabir Team Up to Consider Internal, Global Conflict in “WAR”

by Ciaran Short
Brigitte Calls Me Baby © Scarlet Page
Music, Reviews, This Just InJune 19, 2024<June 19, 2024

Artist to Watch: Brigitte Calls Me Baby Are Unleashed in Dramatic, Existential Anthem “We Were Never Alive”

by Mitch Mosk
Glass Animals © Drewby Perez
Columns, Music, Today's SongJune 19, 2024<June 18, 2024

“Water, running down my face”: Glass Animals’ Aching, All-Consuming Anthem “A Tear in Space (Airlock)”

by Mitch Mosk
brat - Charli XCX
Features, Music, Reviews, RoundtableJune 18, 2024<June 29, 2024

Charli XCX’s ‘brat,’ But It’s a Roundtable Discussion

by Atwood Magazine Staff
Parachutes - Coldplay
Columns, Music, Music & CitiesJune 18, 2024<February 11, 2025

Music & Cities: Coldplay’s ‘Parachutes’ in León, Mexico

by David Buyze
Polycrisis - Gloom Girl MFG
Music, ReviewsJune 18, 2024<June 18, 2024

Review: Gloom Girl MFG Sneer, Distort, & Destroy Their Nashville Roots on Brilliant EP ‘Polycrisis’

by Oliver Crook
Amanda Bergman © Julia Mård
Music, ReviewsJune 18, 2024<June 18, 2024

Review: Amanda Bergman’s ‘Your Hand Forever Checking on My Fever’ Is a Culmination of Life and Her Place in It

by Rachel Leong
Blind Pilot © 2024
Columns, Features, Interviews, Music, Today's SongJune 18, 2024<June 24, 2024

“There’s always a deeper truth to hold”: Blind Pilot Soar Once More on “Just a Bird,” Their First Song in 8 Years

by Mitch Mosk
Atwood Magazine's Weekly Roundup | June 14, 2024
Columns, Features, Music, Weekly RoundupJune 14, 2024<June 17, 2024

Atwood Magazine’s Weekly Roundup: June 14, 2024

by Atwood Magazine Staff
Aquilo 'Painkiller' © Harvey Pearson
Columns, Features, Interviews, Music, Today's SongJune 14, 2024<June 19, 2024

“A lot of these songs are about close friends, partners, and loss”: Aquilo’s New Music Aches From the Inside Out

by Mitch Mosk
Ok Cowgirl © Rita Iovine
Features, Interviews, MusicJune 14, 2024<June 14, 2024

“Sometimes vulnerability just looks like trash”: Ok Cowgirl Channel Raw Energy into Fiery Sound on “Little Splinters & “Forever”

by Mitch Mosk
LULLANAS © Luda Ronky
Debut, Features, Interviews, Track-by-TrackJune 14, 2024<June 14, 2024

Cathartic, Empathetic, & Emotive: Folk-Pop Twin Duo LULLANAS Shine a Soft, Soothing Light on Debut Album ‘Pretty Lies & Time Machines’

by Mitch Mosk
Posts pagination
1 … 109 110 111 112 113 … 727

Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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