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Telescreens © Kylie Bly
Music, Reviews, This Just InApril 15, 2024<April 15, 2024

“A wonderful defiance”: Telescreens’ “Burns” Delivers Fresh, Raw Vulnerability from the New York City Rock n’ Roll Trailblazers

by Noah Berghammer
Older - Lizzy McAlpine
Features, Music, Reviews, RoundtableApril 15, 2024<June 29, 2024

Roundtable Discussion: A Review of Lizzy McAlpine’s ‘Older’

by Atwood Magazine Staff
Dust, Pt. 1 - Say Lou Lou
Columns, Music, Today's SongApril 15, 2024<April 15, 2024

“We’re bringing sexy back”: Say Lou Lou Explore Intimate, Unfulfilled Desires in “Dust,” a Hot & Sweaty Alt-Pop Seduction

by Mitch Mosk
Liv Miraldi © Ryan Talerico
Columns, Music, Today's SongApril 14, 2024<April 16, 2024

Today’s Song: LA’s Liv Miraldi Exposes a Dark, Ugly Secret in “Friend of the Family”

by Chloe Robinson
London Grammar © Tarek Mawad
Columns, Music, Today's SongApril 13, 2024<April 13, 2024

Today’s Song: The Enchanting Interior World of London Grammar’s “House”

by David Buyze
Atwood Magazine's Weekly Roundup | April 12, 2024
Columns, Features, Music, Weekly RoundupApril 12, 2024<April 17, 2024

Atwood Magazine’s Weekly Roundup: April 12, 2024

by Atwood Magazine Staff
Carly Pearce © Allister Ann
Columns, Music, Today's SongApril 12, 2024<April 12, 2024

Today’s Song: Carly Pearce’s “my place” Is a Stirring Portrait of Heartache & Yearning Off Upcoming Album ‘hummingbird’

by Emily Frances Algar
Humbird © Juliet Farmer
Features, Interviews, Music, Track-by-TrackApril 12, 2024<April 12, 2024

“We could be a break in the chain”: Humbird’s ‘Right On’ Is an Honest, Playful, & Weathered Midwestern Reverie

by Mitch Mosk
Hannah Frances © Gabrielle Greenberg
Features, Interviews, MusicApril 12, 2024<April 12, 2024

Interview: Hannah Frances on Grief, Sheep, & Bending Genres With Her New Album ‘Keeper of the Shepherd’

by Guest Writer
fka twigs © 2019
Columns, Music, Nostalgia TracksApril 12, 2024<April 12, 2024

Nostalgia Tracks: FKA twigs Stirs Souls with “Mirrored Heart”

by Stephanie Bento
Goose © Geoff Tischman
Concerts, Music, ReviewsApril 12, 2024<April 12, 2024

Live: Goose Celebrate Solar Eclipse by Playing ‘Moon Cabin’ in Its Entirety

by Max Kalnitz
Heron - Alice Merton
Features, Interviews, Music, Track-by-TrackApril 12, 2024<April 14, 2024

“I want to try everything all at once”: Alice Merton Leans into Change on ‘Heron,’ a Radiant Record of Inner Transformation

by Mitch Mosk
Ginger Winn © Alyssa Mancini
Columns, Debut, Music, Today's SongApril 11, 2024<May 1, 2024

“One day I made a wish…”: Ginger Winn Basks in Sweet Dreams on Debut Single “Super 8”

by Mitch Mosk
Heddy Edwards © 2024
Features, Interviews, MusicApril 11, 2024<April 11, 2024

Inner Worlds & John Hughes Movies: Heddy Edwards Wants to Show You Her Teenage Bedroom

by Emma Rayder
The Ballroom Thieves © Meredith Brockington
Features, Interviews, Music, Premieres, Track-by-TrackApril 11, 2024<April 11, 2024

“My joy breaks windows”: The Ballroom Thieves Shine Bright on ‘Sundust,’ a Tender Album of Love, Healing, & the Human Experience

by Mitch Mosk
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Brand New

  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success

:: discover something new ::

Recent Posts

  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
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