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Aistis © Sophia Perras
Features, Interviews, Music, Track-by-TrackAugust 7, 2024<August 7, 2024

“Earnest, Manic, & Playful”: Montreal’s Aistis Molds Emotional Turmoil into Musical Excellence on ‘Clay’

by Mitch Mosk
Broken Record © 2024
Columns, Music, Today's SongAugust 6, 2024<August 16, 2024

Today’s Song: Broken Record Go Through the “Ringer”

by Will Yarbrough
I Love You So F***ing Much - Glass Animals
Features, Music, Reviews, RoundtableAugust 5, 2024<August 5, 2024

Roundtable Discussion: A Review of Glass Animals’ ‘I Love You So F***ing Much’

by Atwood Magazine Staff
Are we wasting money on streaming? © Aidan Moyer
Essays, MusicAugust 5, 2024<August 5, 2024

Essay: Have we been wasting our money on streaming?

by Guest Writer
Hamish Anderson © Emma Gillett
Music, Music Videos, PremieresAugust 5, 2024<August 5, 2024

Premiere: Hamish Anderson’s “You’re Mine” Is a Smoldering Display of Love & Blues Rock Charm

by Mitch Mosk
Atwood Magazine's Weekly Roundup | August 5, 2024
Columns, Features, Music, Weekly RoundupAugust 5, 2024<August 8, 2024

Atwood Magazine’s Weekly Roundup: August 5, 2024

by Atwood Magazine Staff
Dinho Dinho © Spencer Katz
Columns, Music, Today's SongAugust 3, 2024<August 3, 2024

Today’s Song: NYC Band DINHO DINHO Explores Independence & Heartbreak With New Single “Fool for Free”

by Ciaran Short
Japandroids © Dan Monick
Columns, Music, Today's SongAugust 2, 2024<August 2, 2024

Today’s Song: Anthemic As Ever, Japandroids Return With Stadium-Level Sound & Finalize Their Legacy on “Chicago”

by Kevin Cost
Abby Holliday 'CRACK A SMILE COME ON STAY A WHILE' © Grace Holliday
Features, Interviews, Music, Track-by-TrackAugust 2, 2024<August 2, 2024

Track-by-Track: Abby Holliday Invites Us to ‘CRACK A SMILE COME ON STAY A WHILE’ With Her Triumphant & Vulnerable Third Album

by Mitch Mosk
The Japanese House's Amber Bain © Carissa Gallo
Features, Interviews, MusicAugust 2, 2024<August 2, 2024

The Japanese House Has Nothing to Hide: Amber Bain on Queerness, Artistry, & Honesty

by Madeleine Eggen
Maren Morris 'Intermission' EP 6.7
Music, Our Take, ReviewsAugust 2, 2024<August 2, 2024

Our Take: Cut! Maren Morris Slows It Down With New EP ‘Intermission,’ Exploring Identity Through Song

by Emily Frances Algar
the villain wins - MESSIAH!
Music, ReviewsAugust 2, 2024<August 2, 2024

“I don’t know how to cry, but I sure know how to bleed”: MESSIAH! Cuts Deep on ‘the villain wins,’ a Warm, Introspective, & Thought-Provoking Triumph

by Jake Fewx
Divine Sweater "Counterparts" © Megan Magray
Columns, Music, Today's SongAugust 1, 2024<August 1, 2024

“Hiding in the dark”: Divine Sweater’s Dreamy “Counterparts” & the Power of Companionship

by Mitch Mosk
Abbie Ozard 'everything still worries me' © Charlotte Rudd
Debut, Features, Interviews, Music, Track-by-TrackAugust 1, 2024<August 1, 2024

Track-by-Track: Manchester’s Abbie Ozard Channels Anxiety into Celebration on Her Coming-of-Age Debut Album ‘everything still worries me’

by Mitch Mosk
Infinity Song © John N. Adams III
Features, Interviews, MusicAugust 1, 2024<August 1, 2024

Feature: The Constant Evolution of Infinity Song

by Desire' Jackson-Crosby
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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