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Osheaga Festival 2024
Festival, Music, ReviewsAugust 1, 2024<August 12, 2024

Festival Preview: Osheaga 2024 Promises to Match the Scorching Montréal Heatwave

by Oliver Crook
Adam Bosarge © 2024
Interviews, MusicJuly 31, 2024<July 31, 2024

“A little gem only they know about”: Adam Bosarge Discusses His Growing Portfolio of Maximalist ‘Little Gems’

by Frederick Bloy
ATEEZ come to Texas © KQ Entertainment
Concerts, Music, ReviewsJuly 31, 2024<July 31, 2024

Live Review: K-Pop Superstars ATEEZ Light Up Arlington’s Globe Life Field on the Texas Stop of Their World Tour

by Freya Rinaldi
Small Shake © Marcus Shriver
Columns, Music, Today's SongJuly 31, 2024<July 31, 2024

“I will love you until I let it go”: LA’s Small Shake Channels Frustration into Love on Dreamy Song “Toxic”

by Mitch Mosk
Finn Doherty 'if you're bored of this city' © Austin Fischer
Debut, Features, Interviews, MusicJuly 31, 2024<July 31, 2024

Interview: Finn Doherty’s ‘if you’re bored of this city’ Is the Newest Relic of London’s Expansive Queer History

by Noah Wade
Remy Bond "Summer Song" © Kirt Barnett
Columns, Debut, Music, Today's SongJuly 30, 2024<July 30, 2024

Today’s Song: Diving into the Golden Age with Remy Bond’s “Summer Song”

by Marc Maleri
Been Stellar 'Scream From New York, NY' © Gabe Long
Debut, Features, Interviews, MusicJuly 30, 2024<July 30, 2024

Interview: Been Stellar Debut With Raw Energy, Urgency, and an All-Consuming ‘Scream From New York, NY’

by Mitch Mosk
Alex Winston 'Bingo!' © Matthew Libassi
Features, Interviews, MusicJuly 30, 2024<July 30, 2024

“Asking for a Comeback When I’ve Always Been Around”: Alex Winston Talks New Album ‘Bingo!’ and the Ups & Downs of Her Musical Journey

by Aaron Childree
Stephanie Schneiderman © Alicia J Rose
Interviews, MusicJuly 30, 2024<July 30, 2024

“If we can recognize each other’s grief, we can truly see each other’s humanity”: Stephanie Schneiderman Invites Us to Collectively Weep With “Cry With Me”

by Chloe Robinson
Sofia Wolfson 'Imposing on a Hometown'
Concerts, Debut, Music, ReviewsJuly 30, 2024<July 30, 2024

Live Review: Sofia Wolfson Brings Her Intimate & Stirring Debut LP ‘Imposing on a Hometown’ to Life in New York City

by Hannah Burns
TAVE "No More Maybes" © 2024
Columns, Debut, Music, Today's SongJuly 29, 2024<July 29, 2024

Today’s Song: TAVE Emerges With “No More Maybes,” a Dynamic Debut Single ft. India Shawn & Bibi Bourelly

by Grace Holtzclaw
Atwood Magazine's Weekly Roundup | July 29, 2024
Columns, Features, Music, Weekly RoundupJuly 29, 2024<July 29, 2024

Atwood Magazine’s Weekly Roundup: July 29, 2024

by Atwood Magazine Staff
Joshua Bassett ‘The Golden Years’ © Harry Toohey
Debut, Features, Interviews, MusicJuly 29, 2024<August 1, 2024

Interview: Joshua Bassett Welcomes All to ‘The Golden Years’ As He Talks Artistry, Raw Emotion, and Finding Solace in His Past

by Mariam Bagdady
Wild Pink © 2024
Columns, Music, Today's SongJuly 28, 2024<July 26, 2024

Today’s Song: Wild Pink Turn Up the Volume on Immense New Single “The Fences of Stonehenge”

by Beau Hayhoe
Rose Paradise "Tangerine" © Sofia Ziman
Columns, Interviews, Music, Today's SongJuly 27, 2024<July 26, 2024

Today’s Song: Rose Paradise Goes Back to Her Roots With “Tangerine” & Her Upcoming Debut Album

by Noah Berghammer
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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