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Azu Yeché © Bo Morgan
Music, Music Videos, PremieresJune 12, 2024<June 12, 2024

“All our plans up in flames”: Azu Yeché’s Heavy Heart Aches in “Leave Me Now,” a Beautiful Ballad of Raw Soul & Unrequited Love

by Mitch Mosk
Lawrence Matthews © Ahmad George
Columns, Music, This Just In, Today's SongJune 11, 2024<June 12, 2024

“These here is dark times”: Lawrence Matthews Honors & Unpacks the Black Experience in “Once More & Again (Our Mourning)” ft. Idi X Teco

by Mitch Mosk
Jontavious Willis © The Jontavious Willis Team
Music, PremieresJune 11, 2024<June 11, 2024

Premiere: Jontavious Willis Invites You to Embrace the Blues & “Keep Your Worries On the Dance Floor”

by Mitch Mosk
dog eat dog food world - Niko B
Debut, Music, ReviewsJune 11, 2024<June 11, 2024

‘dog eat dog food world’: Niko B’s Vibrant Debut Album Playfully Chronicles Small-Town Antics

by Liv Goodbody
Train's Pat Monahan © Aidan Moyer
Features, Interviews, MusicJune 11, 2024<June 11, 2024

Something ‘Bout it Feels like Home: An Interview with Pat Monahan of Train

by Aidan Moyer
Chappell Roan © N Bradley
Concerts, Festival, Music, ReviewsJune 10, 2024<June 11, 2024

Review: Chappell Roan Dons Statue of Liberty Drag at NYC’s Governors Ball Music Festival

by Julia Dzurillay
Bea and her Business 'Me vs. Me' © Lewis Vorn
Features, Interviews, Music, Track-by-TrackJune 10, 2024<January 15, 2025

Track-by-Track: London’s Bea and Her Business Unpacks Her Unapologetic & Self-Deprecating ‘Me vs. Me’ EP

by Mitch Mosk
HIT ME HARD AND SOFT - Billie Eilish
Features, Music, Reviews, RoundtableJune 10, 2024<June 29, 2024

Roundtable Discussion: A Review of Billie Eilish’s ‘HIT ME HARD AND SOFT’

by Atwood Magazine Staff
Nicky Youre © 2024
Features, Interviews, MusicJune 10, 2024<June 11, 2024

“Sweet drenched in bitter”: Nicky Youre Talks Musical Evolution and New Single “Tease Me,” a Song of Hot Sweat & Raw Passion

by Mitch Mosk
Sabrina Carpenter © Paigge Warton, Gov Ball 2024
Concerts, Festival, Music, ReviewsJune 10, 2024<June 11, 2024

Review: Sabrina Carpenter “Please Please Pleases” Gov Ball With the First Live Performance of Her Single

by Julia Dzurillay
Rosie Lowe © Abiella Aland
Columns, Music, Today's SongJune 9, 2024<June 7, 2024

Sweet, Surreal, & Absolutely Mystifying: Rosie Lowe Radiates a Sultry Seduction on “Mood to Make Love”

by Jake Fewx
Yannis Philippakis and Tony Allen © Kit Monteith
Columns, Debut, Music, Today's SongJune 8, 2024<June 7, 2024

Yannis & The Yaw Combine the Brilliance of Tony Allen & the Talent of Foals’ Yannis Philippakis to Create Catchy, Breezy Rock on “Walk Through Fire”

by Oliver Crook
Atwood Magazine's Weekly Roundup | June 6, 2024
Columns, Features, Music, Weekly RoundupJune 7, 2024<June 12, 2024

Atwood Magazine’s Weekly Roundup: June 7, 2024

by Atwood Magazine Staff
One Step Closer © Spencer Chamberlain
Music, ReviewsJune 7, 2024<June 7, 2024

Review: One Step Closer Deliver a Ferocious Coming-of-Age Record With ‘All You Embrace’

by James Crowley
Lucia Rivero © 2024
Debut, Music, Music Videos, PremieresJune 7, 2024<June 7, 2024

Premiere: Just Like Seasons Change, So Do Seasons of the Soul – and for Lucia Rivero, “Winter” Has Arrived

by Kareem Ghezawi
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Brand New

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’

:: discover something new ::

Recent Posts

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
  • “I Thought It Might Numb Something in Me”: ill peach Turn a Bad Night into Volatile Alt-Pop on “MOLLY’S NOT A FRIEND” May 28, 2026
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