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Skylar Simone © Nick Walker
Features, Interviews, MusicMay 3, 2024<May 3, 2024

Interview: R&B Artist Skylar Simone on Her Def Jam Signing, Sensual New Single “Shiver,” & Ten Years in the Music Industry

by Mitch Mosk
Don't Forget Me - Maggie Rogers
Features, Music, Reviews, RoundtableMay 3, 2024<June 29, 2024

Roundtable Discussion: A Review of Maggie Rogers’ ‘Don’t Forget Me’

by Atwood Magazine Staff
Hermanos Gutiérrez © Jim Herrington
Columns, Music, Today's SongMay 3, 2024<May 2, 2024

Today’s Song: Hermanos Gutiérrez Yearn for Reunion in “Until We Meet Again”

by Miles Campbell
The Libertines © Ed Cooke
Features, Interviews, MusicMay 3, 2024<May 2, 2024

“This one feels like romance anew”: The Libertines Return to Form on ‘All Quiet on the Eastern Esplanade,’ a Record of Shadowy Figures, Bright Faces, Optimism, & Regret

by Danny Vagnoni
Caitlyn Smith © Jace Kartye
Music, Reviews, This Just InMay 3, 2024<May 3, 2024

This Just In: Girl Boss Caitlyn Smith Goes It Alone With Her Independently Released Single “Static”

by Emily Frances Algar
Dehd © Atiba Jefferson
Columns, Music, Today's SongMay 2, 2024<May 2, 2024

“I’ve been watching, catching fire”: Dehd’s Subtle, Restrained & Emotionally Complex “Alien” Gently Teases Fifth Album ‘Poetry’

by Hamish Monk
Mae Krell © Alex Lyon
Debut, Features, Interviews, Music, Track-by-TrackMay 2, 2024<May 2, 2024

‘I think I might be grown’: Mae Krell Charts Her Coming-of-Age in a Debut Album of Healing, Hope, & Choosing Life

by Mitch Mosk
Leslie Mendelson © Mary Ellen Matthews
Music, PremieresMay 2, 2024<May 2, 2024

“Won’t you cut yourself some slack?”: Leslie Mendelson Cheers to “The Good Life” With a Gentle Song of Light and Love

by Mitch Mosk
Brie Stoner © Mark Andrus
Debut, Features, Interviews, Music, Premieres, Track-by-TrackMay 2, 2024<May 2, 2024

“An Erotic Sigh of Surrender”: Brie Stoner Premieres Her Empowering and Vulnerable Debut Album ‘Me Veo’

by Mitch Mosk
Large Brush Collection © Syd Fuller
Debut, Features, Interviews, MusicMay 2, 2024<May 2, 2024

Feature: Austin’s Large Brush Collection Find Their Balance on ‘Off Center,’ a Delicate & Sweeping Tapestry of Folk

by Mitch Mosk
Frank Turner © Shannon Shumaker
Features, Interviews, MusicMay 2, 2024<May 2, 2024

“It’s kind of liberating”: Frank Turner Is ‘Undefeated’ on His Enthralling Tenth Studio Album

by Michael Greco
Kendra Celise "Don’t Look Away" © 2024
MusicMay 1, 2024<June 9, 2024

Today’s Song: Kendra Celise Holds a Fierce, Unwavering Gaze on “Don’t Look Away”

by Danielle Furman
Rooms With a View - Donna Lewis
Music, ReviewsMay 1, 2024<May 1, 2024

Donna Lewis Tells a Ten-Track Story of Overcoming Uncertainty on ‘Rooms With a View’

by Grace Holtzclaw
Clarence James © Anna Elaine
Interviews, MusicMay 1, 2024<April 30, 2024

“Every feeling is temporary”: Clarence James Opens Up About Mental Health Struggles & Isolating Tendencies on “Flake”

by Chloe Robinson
Benjamin Francis Leftwich © Harvey Pearson
Columns, Music, Today's SongApril 30, 2024<April 30, 2024

Today’s Song: Benjamin Francis Leftwich’s “New York” Explores Love’s Highs and Lows

by Aaron Childree
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Brand New

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem

:: discover something new ::

Recent Posts

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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