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Atwood Magazine's Weekly Roundup | June 14, 2024
Columns, Features, Music, Weekly RoundupJune 14, 2024<June 17, 2024

Atwood Magazine’s Weekly Roundup: June 14, 2024

by Atwood Magazine Staff
Aquilo 'Painkiller' © Harvey Pearson
Columns, Features, Interviews, Music, Today's SongJune 14, 2024<June 19, 2024

“A lot of these songs are about close friends, partners, and loss”: Aquilo’s New Music Aches From the Inside Out

by Mitch Mosk
Ok Cowgirl © Rita Iovine
Features, Interviews, MusicJune 14, 2024<June 14, 2024

“Sometimes vulnerability just looks like trash”: Ok Cowgirl Channel Raw Energy into Fiery Sound on “Little Splinters & “Forever”

by Mitch Mosk
LULLANAS © Luda Ronky
Debut, Features, Interviews, Track-by-TrackJune 14, 2024<June 14, 2024

Cathartic, Empathetic, & Emotive: Folk-Pop Twin Duo LULLANAS Shine a Soft, Soothing Light on Debut Album ‘Pretty Lies & Time Machines’

by Mitch Mosk
The Marías © Ashley Olah
Columns, Music, Today's SongJune 13, 2024<June 13, 2024

Today’s Song: The Marías Explore Intoxicating Detachment in “No One Noticed”

by Marc Maleri
French Cassettes 'Benzene' © Marisa Bazan
Features, Interviews, Music, Track-by-TrackJune 13, 2024<June 15, 2024

“It took so long to find a way to fill the silence”: Basking in French Cassettes’ Sunny, Spirited Third Album ‘Benzene’

by Mitch Mosk
Sabrina Song © Livy Wicks
Debut, Features, Interviews, Music, Track-by-TrackJune 13, 2024<June 13, 2024

“Introspective, Loving, & Optimistic”: Sabrina Song’s Soul Is Exposed on Debut Album ‘You Could Stay In One Spot, and I’d Love You The Same’

by Mitch Mosk
Ultra Q at the Echo 2024 © Jax Samsell
Concerts, Music, ReviewsJune 13, 2024<June 13, 2024

Live Review: Ultra Q Sell Out the Echo & Resurface Their Former Roots at Mt. Eddy for a Cathartically Chaotic Night in the Pit

by Grace Holtzclaw
Fleetwood Mac © Norman Seeff, 1978
Columns, Music, Nostalgia TracksJune 13, 2024<June 13, 2024

A Short Story of Beginnings, Ends, & Understanding Why Fleetwood Mac’s “Save Me a Place” Is the Foundation That Holds True No Matter What

by Kevin Cost
Primavera Sound 2024 Created in Barcelona © Christian Bertrand
Festival, Music, ReviewsJune 13, 2024<June 13, 2024

Review: Vibrant Spanish Culture Meets Musical Diversity at Primavera Sound Barcelona 2024

by Michael Greco
Under The Rug © 2024
Music, Music Videos, PremieresJune 13, 2024<June 13, 2024

Video Premiere: Austin’s Under the Rug Channel Sylvia Plath’s Spirit in “mad girl’s love song”

by Mitch Mosk
Sunnsetter © Jules Mancuso
Music, PremieresJune 12, 2024<June 12, 2024

“Never wanna go back”: Sunnsetter’s “Try Again” Is an Aching Alt-Rock Anthem of Perseverance, Guts, & Pursuing Your Dreams

by Mitch Mosk
Dex Green © Hannah Hall
Music, PremieresJune 12, 2024<June 12, 2024

“Here she comes, there she goes”: Dwelling in Dex Green’s Dreamy, Soul-Soaked Meditation on Love

by Mitch Mosk
Axel Flóvent © Magnus Andersen
Features, Interviews, Music, Track-by-TrackJune 12, 2024<June 12, 2024

Track-by-Track: Axel Flóvent Discusses His Creative Process & Masterful, Introspective New Album ‘Away From This Dream’

by Aaron Childree
A Human Home - Lucy Kruger & The Lost Boys
Music, ReviewsJune 12, 2024<June 12, 2024

Review: Lucy Kruger & The Lost Boys Bring Intimacy into Isolation on ‘A Human Home’

by Marissa DeLeon
Posts pagination
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Brand New

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’

:: discover something new ::

Recent Posts

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
  • “I Thought It Might Numb Something in Me”: ill peach Turn a Bad Night into Volatile Alt-Pop on “MOLLY’S NOT A FRIEND” May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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