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Features, Interviews, Music, Track-by-TrackMay 7, 2024<May 7, 2024 “A damn love letter”: Snarls’ Sophomore LP ‘With Love,’ Basks in the Heat of Intimate Connection, Raw Emotion & Alt-Rock Energy by Mitch Mosk
Features, Interviews, MusicMay 7, 2024<May 7, 2024 Circling the Drain: Atlanta Rock Trio Microwave Talk New Album ‘Let’s Start Degeneracy’ by James Crowley
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Debut, Features, Interviews, Music, Track-by-TrackMay 6, 2024<May 6, 2024 “Don’t forget I’m still somebody’s daughter”: néomí’s Breathtaking Debut Album Shines With Her Real, Raw, & Unfiltered Humanity by Mitch Mosk
Columns, Music, Music & CitiesMay 6, 2024<May 6, 2024 Music & Cities: David Sylvian’s ‘Secrets of the Beehive’ from Syracuse to Montréal by David Buyze
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Music, ReviewsMay 6, 2024<May 5, 2024 “A whole lot of glitter to shake off”: NYC Comes to Life in Isaac Dunbar’s ‘Beep Beep Repeat,’ a Record of Glitz, Glam, Dreaming Big Dreams & Dancing All Night Long by Mitch Mosk
Music, Reviews, This Just InMay 6, 2024<May 5, 2024 “If it isn’t broke, don’t fix it”: Eden Rain Mourns Another “Great Nothing” In Her Angsty & Aching Non-Lovers’ Lament by Mitch Mosk
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Columns, Music, Today's SongMay 5, 2024<May 5, 2024 Maya Ixta’s “Time” Is an Ethereal Serenade Examining the Effects of Time Dissolving by Chloe Robinson
Columns, Music, Today's SongMay 4, 2024<May 4, 2024 Kate Nash’s “Millions of Heartbeats” Recognises That Universal Feeling of Being Alone by Liv Goodbody
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Columns, Features, Music, Weekly RoundupMay 3, 2024<May 7, 2024 Atwood Magazine’s Weekly Roundup: May 3, 2024 by Atwood Magazine Staff
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For the Love of Music
For the Love of Music
