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Fiji Blue’s Trevor Dering © Joe Hunt
Interviews, MusicJanuary 7, 2026<January 9, 2026

Interview: Fiji Blue’s Trevor Dering Gets Candid on ‘Hug’ and the Moments That Shaped His Music

by Aileen Goos
Wishlist © Lauren Kimber
Debut, Interviews, Music, Today's SongJanuary 7, 2026<January 7, 2026

“Throw Your Arms Around”: Melbourne Duo Wishlist Embrace Experimental Pop & Partnership on Dreamy Debut “Even When I’m Leaving”

by Mitch Mosk
The Best Music of 2025, According to Our Favorite Artists!
Features, Lists, MusicJanuary 7, 2026<January 8, 2026

The Best Music of 2025, According to Our Favorite Artists!

by Atwood Magazine Staff
Driving along the coast © Jadon Calvert
Essays, MusicJanuary 6, 2026<January 6, 2026

Essay: Damn You, Music

by Joe McAvoy
Annika Bennett © Caity Krone
Features, Interviews, MusicJanuary 6, 2026<January 6, 2026

Learning to Witness Yourself: Annika Bennett on the Intimacy, Permission, and Surrender of ‘Triple Shooting Star’

by Kelly McCafferty Dorogy
Collage created by Randall Cornish. Chuck Berry image: Creative Commons, Public Domain. Beethoven image: Gordon Johnson from Pixabay.
Essays, MusicJanuary 6, 2026<January 5, 2026

Essay: Roll Over Beethoven, Tell Tchaikovsky the News!

by Guest Writer
DM Arthur © 2025
Interviews, Music, Today's SongJanuary 6, 2026<January 6, 2026

“Wash the Damage Off”: DM Arthur Embraces Resilience, Release, and Renewal on Feel-Good “Fire & Soap”

by Mitch Mosk
Natalie Jane © Lili Skyler
Features, Interviews, MusicJanuary 5, 2026<January 11, 2026

“I Finally Feel Like I Had Something to Say”: Natalie Jane on the World She Didn’t Want, and the One She’s Creating

by Nicolle Knapová
Girl Scout © Lamia Karic
Interviews, Music, Today's SongJanuary 5, 2026<January 12, 2026

“If You Go, I Go, Forever”: Stockholm’s Girl Scout Find Kinship, Conviction, & Belonging on “Same Kids”

by Mitch Mosk
Atwood Magazine's Best Songs of 2025!
Features, Lists, MusicDecember 31, 2025<January 2, 2026

Atwood Magazine’s 2025 Songs of the Year

by Atwood Magazine Staff
Alex Breitling © 2025
Columns, Music, Today's SongDecember 31, 2025<December 31, 2025

Today’s Song: Come Plunge into the Coral Reef (in Your Mind, Anyways) via Alex Breitling’s Immersive “Eternity”

by Josh Weiner
Atwood Magazine's 142nd Editor's Picks!
Columns, Editor's Picks, Features, MusicDecember 30, 2025<December 30, 2025

Editor’s Picks 142: spill tab, praise., Francis of Delirium, Boyish, Quarters, & Wishlist!

by Mitch Mosk
Telescreens © Monty Hamm
Interviews, Music, Today's SongDecember 30, 2025<December 28, 2025

“Screaming Together Is How We Feel Less Alone”: NYC’s Telescreens Turn Numbness into Communal Release on “Nothing”

by Mitch Mosk
Queen Quail "Narcissus" © Celeste Call
Debut, Interviews, Music, Today's SongDecember 29, 2025<December 28, 2025

“You Have to Sit With Uncomfortable Feelings”: Queen Quail Transforms Ache into Resilience on “Southside,” a Smoldering, Slow-Burning Reckoning

by Mitch Mosk
Bartees Strange © William Minke
MusicDecember 29, 2025<December 28, 2025

“These Are Simply Songs I Love”: Bartees Strange Follows His Own Instincts on ‘Shy Bairns Get Nowt,’ an EP About Love, Legacy, & Becoming

by Mitch Mosk
Posts pagination
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Brand New

  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’

:: discover something new ::

Recent Posts

  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight March 30, 2026
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’ March 30, 2026
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva” March 30, 2026
  • Today’s Song: Metalcore Band Holder Push Past the Pain on “Inconsolable” March 28, 2026
  • Atwood Magazine’s Weekly Roundup: March 27, 2026 March 27, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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