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Kamaiyah at the Fox Theater © Ricardo Duncan
Interviews, MusicMarch 24, 2026<March 24, 2026

Ten Years Later, Kamaiyah Is Still Exactly Who She Said She Was

by Ankita Bhanot
Brown Horse © Deva O'Neill
Interviews, Music, Today's SongMarch 24, 2026<March 24, 2026

“I Like the Voices on the Radio”: Brown Horse Capture Isolation, Motion, & the Slow Burn of Reflection on “Twisters”

by Mitch Mosk
Valentina Moretti © 2026
Essays, Music, Women's History MonthMarch 23, 2026<March 25, 2026

“Being a Trans Woman in the Music Industry”: An Essay by Valentina Moretti for Women’s History Month

by Guest Writer
Troy Cartwright © Yve Assad
Interviews, MusicMarch 23, 2026<March 23, 2026

“There’s a point where it’s not up to you anymore”: Troy Cartwright Lets the Songs Take the Wheel on ‘Etc. All The Rest’

by Aileen Goos
Brian Sella © William Macintosh
Debut, Music, ReviewsMarch 23, 2026<March 23, 2026

“Can’t tell if I’m teaching or learning a lesson”: The Front Bottoms’ Brian Sella Looks Inward with Maturity on Debut Solo Album ‘Well I Mean’

by James Crowley
Ray Bull "All That You Are" © Kyle Berger
Interviews, Music, Today's SongMarch 23, 2026<March 23, 2026

“All That You Are Is a Lot”: Ray Bull Find Sweetness in the Spiral on a Catchy, Cathartic Anthem of Indecision

by Mitch Mosk
Coyote Theory © Sara Cross
Features, Interviews, Music, Track-by-TrackMarch 20, 2026<March 20, 2026

‘Talking 2 Strangers’: Coyote Theory Capture the Moment on a Bold EP Fueled by Instinct, Energy, & Raw Emotional Urgency

by Mitch Mosk
Keep Going: Rogér Fakhr’s Long-Awaited Homecoming
Concerts, Music, ReviewsMarch 20, 2026<March 20, 2026

Keep Going: Rogér Fakhr’s Long-Awaited Homecoming

by Nasim Elyasi
Elles Bailey © Blackham Images
Essays, Music, Women's History MonthMarch 20, 2026<March 30, 2026

“Beyond the Numbers: Visibility, Gatekeepers, & the Future of Women in Music”: An Essay by Elles Bailey for Women’s History Month

by Guest Writer
midori jaeger © Inigo Blake
Interviews, Music, Today's SongMarch 20, 2026<March 20, 2026

“I Want Something Unfamiliar, Unpredictable”: midori jaeger Navigates Uprooting, Identity, & the Pull of the Unknown on “exasperate” and ‘(Un)planted’

by Mitch Mosk
Curls Ultra © Andrea Ingrande
Features, Interviews, MusicMarch 20, 2026<March 20, 2026

Music Is a Means of Community for Curls Ultra

by Annaliese Baker
Chet Faker © Sarah Eiseman
Features, Interviews, MusicMarch 20, 2026<March 26, 2026

“I’m in the Middle of the Past and the Future”: Chet Faker Comes Full Circle on ‘A Love for Strangers,’ Returning to Instinct, Curiosity, & the Feeling That Started It All

by Mitch Mosk
Milk & Bone © Samuel Pasquier
Concerts, Music, ReviewsMarch 19, 2026<March 19, 2026

Live Review: Milk & Bone Take Us an Emotional Journey, Dancing All the Way

by Oliver Crook
Re Mattei © 2026
Essays, Music, Women's History MonthMarch 19, 2026<March 19, 2026

“Music Is a Journey, Not a Destination”: An Essay by Re Mattei for Women’s History Month

by Guest Writer
The Maine "Die to Fall" © Lupe Bustos
Interviews, Music, Today's SongMarch 19, 2026<March 23, 2026

“Catch Me on the Comedown”: The Maine Struggle to Slow Down on “Die to Fall,” a Restless Alt-Rock Fever Dream

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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