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Sam Burchfield 'Nature Speaks' © Erin Burchfield
Interviews, MusicOctober 8, 2025<October 8, 2025

“Impatience Is One of My Best Qualities”: Sam Burchfield on Change, Fatherhood, Self-Discovery, & the Ways ‘Nature Speaks’ to Him

by Miranda Urbanczyk
Alicia Clara 'Nothing Dazzled' © Taryn Fleischmann
Debut, Features, Interviews, MusicOctober 8, 2025<October 8, 2025

“It Won’t Necessarily Be Perfect, But It Will Be Art”: Alicia Clara’s Soundwaves Shimmer and Shine on ‘Nothing Dazzled’

by Marissa DeLeon
Blood Orange © Vinca Petersen
Columns, Music, Today's SongOctober 8, 2025<October 8, 2025

“In the Fields Trying to Hide”: Blood Orange Creates a Sunlit Escape from Grief on “Countryside”

by Ashley Littlefield
Benjamin Steer © Andy Broadhurst
Features, Interviews, MusicOctober 7, 2025<October 7, 2025

Interview: Benjamin Steer Is ‘Figuring It Out’ One Honest Song at a Time

by Aileen Goos
TV on the Radio at There Goes The Neighborhood 2025 © Skyler Kim
Festival, Music, ReviewsOctober 7, 2025<October 7, 2025

There Goes the Neighborhood Review: TV on The Radio’s Personally Curated Festival

by Marc Maleri
Portland’s Jente Pironet © Titus Simoens & Nina Swaans
Music, Music Videos, PremieresOctober 7, 2025<October 7, 2025

“I’m Gonna Scream It All Over the Streets”: Belgium’s Portland Embrace “Exactly What I Need” with a Cinematic, Life-Affirming Indie Pop Anthem

by Mitch Mosk
Tiberius © Zoe Hopper
Editorials, MusicOctober 7, 2025<October 7, 2025

The Making of Tiberius’ ‘Troubadour’: An Essay by Brendan Wright

by Guest Writer
Haerts 'Laguna Road' © Julian Klincewicz
Features, Interviews, MusicOctober 7, 2025<October 7, 2025

Feature: HAERTS’ ‘Laguna Road’ Is a Testament to “Sacred Mess” & Memory

by Kayleigh Schweiker
Alessi Rose © Sophie Scott
Music, ReviewsOctober 7, 2025<October 7, 2025

Review: Alessi Rose’s ‘Voyeur’ Is Confessional Pop at Its Most Dazzling

by Nicolle Knapová
Haute & Freddy "Freaks" © Noah Kentis
Features, Interviews, MusicOctober 7, 2025<October 7, 2025

From Pop Charts to Court Jesters: The Inspiration Behind Haute & Freddy’s Ingenuity

by Nasim Elyasi
Taylor Swift ‘The Life of a Showgirl’ © Mert Alas & Marcus Piggott
Music, ReviewsOctober 7, 2025<October 6, 2025

Review: ‘The Life of a Showgirl’ Is Taylor Swift at Her Most Ambitious – And Most Underwhelming

by Mariam Bagdady
The Format © Carlo Cavaluzzi
Features, Music, This Just In, Today's SongOctober 6, 2025<October 7, 2025

“I’d Fake My Death If It Weren’t Such a Mess”: The Format Rise Again with Restless Anthem “Holy Roller,” a Fiery, Feverish Prelude to Third Album ‘Boycott Heaven’

by Mitch Mosk
LOVE UPTEMPO: MAX - Kevin Ross
Music, ReviewsOctober 6, 2025<October 6, 2025

Album Review: Kevin Ross Finds a New Depth of Passion Amidst Everyday Distractions on ‘LOVE UPTEMPO: MAX’

by Grace Holtzclaw
Dynamyte © Melanie Veronica
Columns, Interviews, Music, Today's SongOctober 6, 2025<October 6, 2025

From Behind the Drum Kit to Center Stage: Dynamyte Unleashes the Fear and Fire of “Probably”

by Nicolle Knapová
Kalie Shorr 'My Type' EP © Grace Greenan
Features, Interviews, MusicOctober 6, 2025<October 7, 2025

“I’m Never Going to Be Quiet”: Kalie Shorr Is Bringing Back Pop-Rock – Louder, Queerer, & More Defiant Than Ever

by Brian Denney
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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