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“Homegrown American Adventure”: HAPPY LANDING Turn Toward the Light on ‘Big Sun,’ a Bold and Expansive Folk Rock Triumph © Orchee Sorker
Features, Interviews, Music, Track-by-TrackMarch 27, 2026<March 27, 2026

“Homegrown American Adventure”: HAPPY LANDING Turn Toward the Light on ‘Big Sun,’ a Bold and Expansive Folk Rock Triumph

by Mitch Mosk
SXSW 2026
MusicMarch 27, 2026<March 27, 2026

The Best Sounds from SXSW 2026

by Marissa DeLeon
Mumford & Sons © courtesy of the band
Music, Reviews, RoundtableMarch 27, 2026<March 27, 2026

Roundtable Discussion: A Review of Mumford & Sons’ ‘Prizefighter’

by Atwood Magazine Staff
Towa Bird "Gentleman" © 2026
Columns, Music, Today's SongMarch 27, 2026<March 27, 2026

“She’s a Cold Hearted Killer”: A Look at “Gentleman,” Towa Bird’s Rock ‘n’ Roll Love Letter

by Dusty Hayes
Palm Ghosts © Chad Crawford
Music, PremieresMarch 26, 2026<March 26, 2026

“Consecutive Thuds from Executive Thugs”: Nashville’s Palm Ghosts Confront Capitalism’s Grip with Indie Rock Urgency on “Walk Into Your New Life”

by Mitch Mosk
Bei Bei © Stefanie Parkinson
Essays, Music, Women's History MonthMarch 26, 2026<March 30, 2026

“Embracing Innovation, Bei Bei Style”: An Essay by Bei Bei for Women’s History Month

by Guest Writer
Bandits on the Run - Rough Magic © Regina Strayhorn, Audrey Kalm
Interviews, Music, PremieresMarch 26, 2026<March 26, 2026

“In the Silence There Is Truth”: Bandits on the Run Find Beauty in Letting Go on “Rough Magic,” a Dreamy Folk Reverie

by Mitch Mosk
Keni Titus 'AngelPink' © Victoria Davidoff
Interviews, Music, Today's SongMarch 26, 2026<March 26, 2026

“I don’t kiss and tell, I just kiss and sing”: Keni Titus Confronts Her Wandering Eyes on “hands to myself,” a Smoldering Indie Folk Confessional

by Mitch Mosk
Sanford: © Megan Rainwater
Columns, Music, Today's SongMarch 25, 2026<March 25, 2026

Today’s Song: Brooklyn’s Sanford: Laments a Lost World in “Hooked on a Dream”

by Chloe Robinson
The Pretty Flowers © Sami Drasin
Essays, MusicMarch 25, 2026<March 25, 2026

“Are We Even Listening? How Convenience and Anxiety Changed Our Listening Habits”: An Essay by The Pretty Flowers’ Sean Johnson

by Guest Writer
Lennie Rayen © cleoemo
Debut, Interviews, Music, Music Videos, PremieresMarch 25, 2026<March 25, 2026

“I’m a Mess and You Like It”: Lennie Rayen Channels the Ache of Wanting More into a Smoldering Indie Pop Confession

by Mitch Mosk
Sal “The Voice” Valentinetti Channels Old-School Heartache into a Timeless Performance on “Little Pal” © Brooklyn Zeh
Music, Music Videos, PremieresMarch 25, 2026<March 31, 2026

“The Song That Made All the Wise Guys Cry”: Sal “The Voice” Valentinetti Channels Old-School Heartache into a Timeless Performance on “Little Pal”

by Mitch Mosk
Joshua Burnside © Tom Johnson
Features, Interviews, Music, Track-by-TrackMarch 24, 2026<March 24, 2026

“It’s Not Going to Be Okay”: Joshua Burnside Faces Grief Head-On in His Raw, Unflinching, and Life-Affirming Sixth Album

by Mitch Mosk
BRUX © Eliza Jouin
Essays, Music, Women's History MonthMarch 24, 2026<March 25, 2026

“Finding Strength Through Generational Womanhood”: An Essay by BRUX for Women’s History Month

by Guest Writer
Prewn © Harry Wohl
Features, Interviews, MusicMarch 24, 2026<March 24, 2026

“Misery’s My Best Friend”: How Prewn Approaches Pain

by Nasim Elyasi
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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