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Brett Altman © Hayley Altman
Music, PremieresMarch 28, 2024<March 28, 2024

“I want you to see me as I am”: The Heat, Heartache, & Dark Pop Passion of Brett Altman’s “Eye Masking”

by Mitch Mosk
Cinders © Sarah Fender
Music, PremieresMarch 28, 2024<March 28, 2024

“I feel it in my blood”: Salt Lake City’s Cinders Fuel the Fire Within on “Don’t Wait Up”

by Mitch Mosk
King Isis © Gianni Gallant
Features, Interviews, MusicMarch 28, 2024<April 11, 2024

Shedding Old Skin: King Isis Talks Grunge, Shadow Work, and Breakthroughs on New EP ‘shed’

by Emma Rayder
Fright Years © Rory Barnes
Columns, Music, Today's SongMarch 27, 2024<March 27, 2024

“When I see you, I’m all blue”: Edinburgh’s Fright Years Embrace the End in “Blue,” a Messy, Sweaty Breakup Anthem

by Mitch Mosk
EEVAH © Simon Walker
Music, PremieresMarch 27, 2024<March 28, 2024

“Why don’t you say what you feel?”: Leeds’ EEVAH Erupt With a Fiery Passion in “Heartbeat Is Missing,” a Cathartic In-Your-Face Anthem

by Mitch Mosk
Angie McMahon © Ben Niesen
A Casual Ramble, Columns, Concerts, MusicMarch 27, 2024<March 27, 2024

A Casual Ramble: Trusting in the Universe With Angie McMahon, Live at Portland’s Star Theater

by Ben Niesen
Olie Beckett © courtesy of the artist
Debut, Interviews, MusicMarch 27, 2024<March 27, 2024

“I Want Sparks to Fly”: Young Artist Olie Beckett Aims to Transform the World Around Him Through Music

by Grace Holtzclaw
The Snuts 'Millennials' © Gary Williamson
Features, Interviews, MusicMarch 27, 2024<March 27, 2024

“To Convey and Spread Some Positivity”: Joe McGillveray of The Snuts Speaks on the Lessons, Light, & Life of ‘Millennials’

by Isabella Le
Jodie Nicholson © Ellen Dixon
Music, PremieresMarch 27, 2024<March 27, 2024

“What if I lose sight of you?”: Jodie Nicholson Dwells in Haunting Hypotheticals on “What If I”

by Mitch Mosk
Coma - Hayden Everett © Joey Wasilewski
Columns, Music, Today's SongMarch 26, 2024<March 26, 2024

“I miss the sky”: Hayden Everett Bares His Aching Soul in “Coma,” a Breathtaking, Broken-Hearted Reverie

by Mitch Mosk
Vacations © Charlie Hardy
Features, Interviews, MusicMarch 26, 2024<March 26, 2024

Interview: Vacations’ ‘No Place Like Home’ Is a Roadmap for Finding Inner Peace

by Miles Campbell
Bridget Kearney © Rodneri
Music, Music Videos, PremieresMarch 26, 2024<March 26, 2024

Premiere: Bridget Kearney Ponders the Death of Empires on “Roman Sunset”

by Mitch Mosk
Medium Build © Tyler Krippaehne
Artist to Watch, Columns, MusicMarch 26, 2024<March 25, 2024

Artist-to-Watch: Medium Build Is Cutting Thru the Noise With a Human Touch

by Mitch Mosk
Tomato Flower © Missy Malouff
Columns, Music, Today's SongMarch 25, 2024<March 25, 2024

Today’s Song: Baltimore’s Tomato Flower “Do It” With a Sense of Urgency & Unwavering Commitment

by Kevin Cost
Tanner Massey © Clayton Massey
Contributor Interview, Covers, Debut, Features, From The Zine, Interviews, Music, NewsMarch 25, 2024<March 25, 2024

Interview: A Deep Dive into the Technical Singing of ‘The Voice’ Season 24 Contestant Tanner Massey

by Noah Wade
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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