Debut, Music, ReviewsFebruary 5, 2024<February 5, 2024 Review: The Last Dinner Party’s Debut Album ‘Prelude to Ecstasy’ Is a Triumphant Exploration of Maximalism in Music by Olivia Martinez
Columns, Meet Our WritersFebruary 4, 2024<February 5, 2024 Meet Our Writers: Italy’s Dimitra Gurduiala! by Dimitra Gurduiala
Columns, Music, Today's SongFebruary 4, 2024<February 4, 2024 Today’s Song: In Too Percent Milk’s Devastating “Intangible,” the Darkest of Intrusive Thoughts Win by Connor Muldowney
Columns, Music, Today's SongFebruary 3, 2024<February 3, 2024 Today’s Song: IDLES Break Free from the Reins on “Gift Horse” by Aidan Mega
Columns, Features, Music, Weekly RoundupFebruary 2, 2024<February 3, 2024 Atwood Magazine’s Weekly Roundup: February 2, 2024 by Atwood Magazine Staff
Columns, Music, Today's SongFebruary 2, 2024<April 4, 2024 “A picture of a soul seeking freedom”: Emily Wurramara’s Mystical “Magic Woman Dancing” Is an Empowered & Impassioned Liberation by Mitch Mosk
Features, Interviews, MusicFebruary 2, 2024<February 2, 2024 “A canvas for my grief”: Hunter Metts Discusses the Loss & Love at the Heart of “Somehow You’re Always There” by Mitch Mosk
Music, PremieresFebruary 2, 2024<February 2, 2024 “I feel found”: Jackie Lee McLean Reintroduces Herself in “All Mine Now,” an Unflinching Self-Expression by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackFebruary 2, 2024<February 2, 2024 “A Warm Hug”: Shannen James’ Spirited Debut ‘Patchwork’ Is a Stunning, Sun-Kissed Soundtrack to Life by Mitch Mosk
Columns, Music, Today's SongFebruary 1, 2024<February 1, 2024 Today’s Song: Addicting and All-Consuming, “I’m in Love” Is Jelani Aryeh’s Anthem to the Frustrations of Young Love by Sofia Sar
Features, Interviews, Music, Track-by-TrackFebruary 1, 2024<February 1, 2024 Feature: Juice Webster’s Diaristic Debut ‘JULIA’ Is Raw, Emotionally Charged, Cathartic & Exposed by Mitch Mosk
Features, Interviews, Music, Track-by-TrackFebruary 1, 2024<February 1, 2024 A Document of Life Itself: Handsome Ghost’s Achingly Introspective Alt-Folk Reverie by Mitch Mosk
Music, Music Videos, PremieresFebruary 1, 2024<February 1, 2024 “I’m glad I knew you”: The Bygones Process Grief & Gratitude in “Glad,” a Rich, Radiant Folk Reverie by Mitch Mosk
Music, PremieresFebruary 1, 2024<February 1, 2024 Premiere: Humbird’s Soul-Stirring “Right On” Aches With Tender Folk & a Timeless Warmth by Mitch Mosk
Music, ReviewsJanuary 31, 2024<January 31, 2024 Thirty Years on, ‘Under The Pink’ Remains Tori Amos’ Masterclass in Chameleonic Storytelling by Guest Writer
For the Love of Music
For the Love of Music
