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Angry Blackmen © Joseph Torres
Features, Interviews, MusicMarch 25, 2024<April 2, 2024

Interview: Angry Blackmen Open Up Their Hearts on the Bitingly Vulnerable ‘The Legend of ABM’

by Oliver Crook
Suanna Lynn
Essays, Music, Women's History MonthMarch 25, 2024<March 25, 2024

“Hey ladies, you can have it all!” and Other Lies I Once Believed. A Mom Navigates the Music Industry: An Essay by Suanna Lynn for Women’s History Month

by Guest Writer
Columns, Music, Today's SongMarch 24, 2024<March 15, 2024

Today’s Song: Nashville’s Carlyle Griffin Finds a Breakthrough in Soulful “Sweet Fool”

by Hannah Burns
Atwood Magazine's Weekly Roundup | March 22, 2024
Columns, Features, Music, Weekly RoundupMarch 23, 2024<March 24, 2024

Atwood Magazine’s Weekly Roundup: March 22, 2024

by Atwood Magazine Staff
Holly Humberstone © Charlotte Alex
Columns, Music, Today's SongMarch 23, 2024<March 23, 2024

Today’s Song: Unraveling Holly Humberstone’s Deeply Honest “Dive”

by Kelly McCafferty Dorogy
"It's all now, isn't it exciting?" The Staves © Harvey Pearson
Features, Interviews, MusicMarch 22, 2024<April 4, 2024

Interview: The Staves Shine as a Duo on ‘All Now,’ Their Impassioned & Liberating Fourth Album

by Mitch Mosk
Work Wife © Sydney Tate
Columns, Music, Today's SongMarch 22, 2024<March 22, 2024

“So lean in, speak loud, I could do this forever”: Brooklyn’s Work Wife Honor Your Best Friend’s Mom in “Something’s Up”

by Mitch Mosk
Francis of Delirium 'Lighthouse' © Holly Whitaker
Debut, Features, Interviews, Music, Track-by-TrackMarch 22, 2024<March 22, 2024

“Remain open to the people around you”: Francis of Delirium Is a Bold Beacon of Love in ‘Lighthouse,’ Her Heart-on-Sleeve Debut Album

by Mitch Mosk
Coldplay © 2002
Columns, Music, Nostalgia TracksMarch 22, 2024<March 22, 2024

Nostalgia Tracks: How I Found Solace Within Desperation on Coldplay’s “Amsterdam”

by Kevin Cost
Kaleah Lee 'Birdwatcher' © Spruce Bohen
Features, Interviews, MusicMarch 22, 2024<March 22, 2024

Interview: Kaleah Lee’s ‘Birdwatcher’ EP Profoundly Reflects on the Freedom of Solitude

by Olivia Martinez
Jango Flash © Chloe Dunscombe
Debut, Interviews, MusicMarch 21, 2024<March 21, 2024

“It feels triumphant, and we stand by what the songs mean to each of us”: Newcastle’s Jango Flash Dive into Their Supercharged Debut EP

by Mitch Mosk
Aisha Badru © Jeffery Trapani
Music, PremieresMarch 21, 2024<March 21, 2024

Premiere: Aisha Badru Empowers Us to Find Our Inner Light on “Life to Live,” a Spirited Call for Freedom, Exploration, & Self-Discovery

by Mitch Mosk
Magana © 2024
Features, Interviews, Music, PremieresMarch 21, 2024<March 21, 2024

“The songs read more like spells”: Magana Premieres ‘Teeth,’ Her Witchy, Warm, & Wondering Sophomore LP

by Mitch Mosk
See You at SXSW, 2024!
Festival, Music, ReviewsMarch 21, 2024<March 21, 2024

SXSW 2024: The Live Music Capital of the World Lives Up to Its Name

by Marissa DeLeon
Columns, Music, Today's SongMarch 21, 2024<May 23, 2024

Today’s Song: KTJ & CARLY’s Sizzling “Falling onto You” ft. Laprete Evokes the Fiery Passion of a Toxic Partnership

by Chloe Robinson
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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