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Sleeping Jesus © Harrison McCormick
Features, Interviews, Music, Track-by-TrackJanuary 31, 2024<January 31, 2024

Track-by-Track: Sleeping Jesus Channel Midwestern Magic into ‘Hollywood Smile,’ Their Wistful, Sentimental, & Hopeful Sophomore Album

by Mitch Mosk
Del Water Gap & Holly Humberstone © Angela Riccardi & Charlotte Alex
Columns, Music, Today's SongJanuary 31, 2024<January 31, 2024

“Let’s keep living how we’re living”: Del Water Gap & Holly Humberstone’s “Cigarettes & Wine” Is a Dreamy, Romantic Rendezvous

by Mitch Mosk
Bloomsday © Sam Weisenthal
Interviews, MusicJanuary 31, 2024<January 31, 2024

Interview: Grief & Memory Converge on Bloomsday’s Achingly Beautiful “Where I End and You Begin”

by Mitch Mosk
Teen Jesus and the Jean Teasers © Michelle Pitiris
Debut, Features, Interviews, MusicJanuary 31, 2024<January 31, 2024

Interview: Scarlett McKahey of Teen Jesus and The Jean Teasers Talks Debut Album ‘I Love You’ and the Journey into Your 20s

by Kendall Graham
Subtle Orange © Ethan Bartley
Concerts, Music, ReviewsJanuary 31, 2024<January 31, 2024

Live Review: Subtle Orange Are Taking Their Childhood Dreams to New Heights & Bringing Fans Along With Them

by Grace Holtzclaw
Ghostryder © Michael Arellano
Interviews, MusicJanuary 31, 2024<January 31, 2024

Interview: Songwriting Never Stops Haunting Ghostryder’s Gabe Reali

by Guest Writer
Mumford & Sons © Fabien Montique
Columns, Music, Today's SongJanuary 30, 2024<January 30, 2024

“Good people been down for so long”: Mumford & Sons Collaborate With Pharrell Williams on Rousing Return Single “Good People”

by Lauren Turner
CMAT © Sarah Doyle
Features, Interviews, MusicJanuary 30, 2024<January 30, 2024

“Healing is not linear”: CMAT Is Exposed & Unleashed on ‘Crazymad, For Me,’ Her Bold and Brilliant Breakup Album

by Mitch Mosk
junodream © Barney Curran
Debut, Features, Interviews, Music, Track-by-TrackJanuary 30, 2024<January 30, 2024

“Space, Alienation, & Wonder”: London’s junodream Unpack the Human Experience on ‘Pools of Colour,’ Their Soul-Stirring Debut Album

by Mitch Mosk
Comfort Club © Lauren Nieves
Artist to Watch, Features, Interviews, Music, Music You Should Know, Pop MattersJanuary 30, 2024<January 30, 2024

Interview: This Time Around, Comfort Club Is Holding Nothing Back

by Noah Wade
Marlene Larsen © XUS Photography
Columns, Debut, Music, Today's SongJanuary 29, 2024<January 29, 2024

“Happy birthday to me”: France’s Marlene Larsen Channels Inner Turmoil into Her Empowering, Spirited Alt-Rock Anthem “Birthday”

by Mitch Mosk
Akira Galaxy © Silken Weinberg, Angela Ricciardi
Debut, Features, Interviews, MusicJanuary 29, 2024<January 29, 2024

“Back to My Roots”: Akira Galaxy Looks to the Stars & Embraces Her Inner Child on ‘What’s Inside You’

by Isabella Le
Samaria © RYDER
Columns, Music, Today's SongJanuary 28, 2024<January 28, 2024

Today’s Song: Samaria Flees to Open Waters in Tantalizing “Serial Recluse”

by Aidan Mega
Sophie Powers © Bishop Eleghino
Columns, Music, Today's SongJanuary 27, 2024<January 27, 2024

Sophie Powers Transforms Self-Deprecation into Empowerment in “Better on Mute” (ft. Chandler Leighton)

by Olivia Martinez
Atwood Magazine's Weekly Roundup | January 26, 2024
Columns, Features, Music, Weekly RoundupJanuary 26, 2024<January 26, 2024

Atwood Magazine’s Weekly Roundup: January 26, 2024

by Atwood Magazine Staff
Posts pagination
1 … 141 142 143 144 145 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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