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wojtek the bear © Chris Hogge
Columns, Music, Today's SongMarch 20, 2024<March 20, 2024

Glasgow’s wojtek the bear Shine on “slowly, then all at once,” a Dreamy Reverie Full of Warm Color & Lush Light

by Mitch Mosk
Andrea Von Kampen 'Sister Moon' © Analise Schrader
Features, Interviews, Music, Track-by-TrackMarch 20, 2024<March 20, 2024

Track-by-Track: Andrea von Kampen Evokes Nature’s Wonder & Beauty in ‘Sister Moon,’ Her Spiritual, Soul-Stirring Third Album

by Mitch Mosk
The Drives © Ellyn Jameson
Artist to Watch, Features, Interviews, MusicMarch 20, 2024<March 20, 2024

Angst, Dancey Indie Rock, and a Good Cry: Catching Up With LA Artist-to-Watch The Drives

by Mitch Mosk
Moyka © Ida Fiskaa
Features, Interviews, Music, Track-by-TrackMarch 20, 2024<March 20, 2024

Feature: Moyka’s ‘Movies, Cars & Heartbreak’ Is an Album for the Brokenhearted, the Thrill-Seekers, & Party People

by Mitch Mosk
lyn lapid © Caro Knapp
Features, Interviews, MusicMarch 20, 2024<March 21, 2024

Interview: Lyn Lapid on ‘to love in the 21st century: the epilogue’ EP, Her Creative Process, and Wanting Her Songs Used in Figure Skating

by Freya Rinaldi
Hinds © Dario Vazquez
Columns, Music, Today's SongMarch 19, 2024<March 19, 2024

Today’s Song: Madrid’s Hinds Return With the Addictively Energizing “Coffee”

by Frankie Rose
Kaycie Satterfield © Jesus Acosta
Music, PremieresMarch 19, 2024<March 19, 2024

Premiere: Kaycie Satterfield’s Dreamy, Achingly Intimate “Video Girl” Tells Her Queer Coming-of-Age Story

by Mitch Mosk
Lola Young © Amy Peskett
Interviews, MusicMarch 19, 2024<March 19, 2024

“Wish You Were Dead”: London’s Lola Young Channels Passion & Toxicity into a Hot, Sweaty Fever Dream

by Mitch Mosk
Oakland Rain © courtesy of the artist
Essays, Music, Women's History MonthMarch 19, 2024<March 19, 2024

“Beyond the Albatross of Patriarchal Expectations: Redefining Gender Equality in the Music Industry”: An Essay by Oakland Rain for Women’s History Month

by Mitch Mosk
Calabasas © courtesy of the artist
Interviews, MusicMarch 19, 2024<March 19, 2024

Walking Down Memory Lane: Calabasas Talk New Single “Stressed Out,” Finding Balance, & Staying True to Themselves

by Aidan Mega
Anime Parallele - Laura Pausini
Columns, Music, Music & CitiesMarch 19, 2024<March 19, 2024

Music & Cities: Laura Pausini’s ‘Anime Parallele’ in Pàdova

by David Buyze
Chenayder © LegitLooks
Columns, Music, Today's SongMarch 18, 2024<March 18, 2024

“For one last time, I’ll be on your mind”: Basking in Chenayder’s Sweet Farewell

by Mitch Mosk
Nathaniel Rateliff & The Night Sweats © Brantley Gutierrez
Concerts, Music, ReviewsMarch 18, 2024<March 18, 2024

Live Review: Ever the Showman, Nathaniel Rateliff Showcases Exactly What Music Is Capable Of

by Oliver Crook
Street Fever © Cdigi_
Interviews, MusicMarch 18, 2024<March 18, 2024

“I can protest however I like”: Idaho’s Street Fever Is All About Disrupting Reality

by Chloe Robinson
Megan Winsor © Lauren Nieves
Music, Music Videos, PremieresMarch 18, 2024<March 18, 2024

Premiere: Megan Winsor’s Soul-Stirring “Sure” Is a Cathartic, Comforting Anthem of Perseverance & Passion

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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