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Atwood Magazine's Top 10 Asian Acts of SXSW 2024!
Festival, Lists, MusicApril 2, 2024<April 2, 2024

Atwood Magazine’s Top 10 Asian Acts of SXSW 2024!

by Freya Rinaldi
Teens in Trouble's Lizzie Killian © Sasss World
Debut, Features, Interviews, MusicApril 2, 2024<April 2, 2024

Finding Our Identity and the Power of Rocking Out: A Conversation With Teens in Trouble’s Lizzie Killian

by Frankie Rose
Jordyn © Kevin Ray Orange
Columns, Music, Today's SongApril 1, 2024<April 1, 2024

Jordyn’s “Happening” Is a Motivating Song of Accepting Life’s Many Peaks & Valleys

by Chloe Robinson
Naomi Kimpenu © 2024
Music, Music Videos, PremieresApril 1, 2024<April 1, 2024

Premiere: East London’s Naomi Kimpenu Returns with “Naomi’s Lament,” a Soul-Stirring Ballad of Raw, Unfiltered Heartache

by Mitch Mosk
Wild Pink © Fire Talk
Columns, Music, Today's SongMarch 31, 2024<March 30, 2024

Wild Pink’s New Wavey “Air Drumming Fix You” Leads Their Lush, Richly Crafted Surprise EP, ‘Strawberry Eraser’

by Beau Hayhoe
Microwave © Cameron Flaisch
Columns, Music, Today's SongMarch 30, 2024<March 30, 2024

Today’s Song: Atlanta’s Microwave Find Serenity With “Huperzine Dreams”

by James Crowley
Atwood Magazine's Weekly Roundup | March 29, 2024
Columns, Features, Music, Weekly RoundupMarch 29, 2024<April 4, 2024

Atwood Magazine’s Weekly Roundup: March 29, 2024

by Atwood Magazine Staff
Bea and her Business © Lewis Vorn
Columns, Music, Today's SongMarch 29, 2024<March 29, 2024

“I’m a wet wipe”: London’s Bea and her Business Catches Big Feelings on “WOW!” an Irresistible Ode to Falling in Love

by Mitch Mosk
Jeremiah Fraites © Rachel Deeb
Features, Interviews, MusicMarch 29, 2024<March 29, 2024

Interview: The Lumineers’ Jeremiah Fraites on the Intimacy of Piano Music

by Brianna Corrine
Close Talker © Nicole Plett
Features, Interviews, MusicMarch 29, 2024<March 29, 2024

Track-by-Track: Close Talker’s Achingly Intimate, Self-Reflective ‘The Sprawl’ Dwells in Vulnerability & Soul-Stirring Sound

by Mitch Mosk
Aoife O'Donovan © Sasha Israel 8.7
Music, ReviewsMarch 29, 2024<March 29, 2024

Review: Aoife O’Donovan Grasps the American Woman’s History of Power & Trauma on ‘All My Friends’

by Christine Buckley
Taylor Sanders © Barbara Potter
Essays, Music, Women's History MonthMarch 29, 2024<April 1, 2024

“Finding Harmony: My Journey as a New Mother in the Music Industry”: An Essay by Taylor Sanders for Women’s History Month

by Guest Writer
Katy Kirby © Tonje Thilesen
Concerts, Music, ReviewsMarch 29, 2024<March 29, 2024

Live: Katy Kirby’s Bittersweet Blue Raspberry Show at Bowery Ballroom, NYC

by Hannah Burns
Royel Otis © Alex Wall
Debut, Features, Interviews, MusicMarch 28, 2024<March 28, 2024

Stripping Songs Down to Their Simplest Parts: A Conversation with Royel Otis

by Claire Meyer
Temme Scott © Caity Krone
Interviews, Music, Music Videos, PremieresMarch 28, 2024<March 28, 2024

“What if I don’t love you in the morning?”: Temme Scott Premieres Her Beautifully Aching Anti-Love Song, “Softly”

by Mitch Mosk
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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